Lenses

Ten Years with the Canon 1D Mark IV

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A Farewell to a Workhorse That Never Asked for Praise

For a decade, the Canon 1D Mark IV was my companion. Not my tool. Not my gear. My companion.

It didn’t flatter. It didn’t fail. It simply showed up—day after day, shoot after shoot—with a kind of quiet reliability that modern cameras often forget in their race for relevance.

🧱 Built Like a Promise

The 1D Mark IV was never sleek. It was solid. Magnesium alloy, weather-sealed, unapologetically heavy. It felt like commitment in the hand.

  • 16MP APS-H sensor with a 1.3x crop—perfect for reach without sacrificing tone
  • Dual DIGIC 4 processors that never blinked, even at 10fps
  • Autofocus that tracked motion like instinct, not algorithm

I shot with one AF point. The center. Always. Because the camera didn’t need tricks—it needed trust.

📷 What It Gave Me

  • Color rendering that felt like memory, not measurement
  • Files that breathed—not just pixels, but presence
  • Low-light performance that surprised me, even in candlelit homes and monsoon dusk
  • Battery life that outlasted the day, and sometimes the doubt

It wasn’t perfect. But it was predictable. And in documentary work, that’s gold.

🧘 Why I Stayed So Long

Because it never asked me to rush. Because it never distracted me with features I didn’t need. Because it taught me to anticipate, to listen, to wait.

I shot weddings, markets, protests, and quiet portraits with it. I traveled with it across borders and into stories that didn’t need spectacle—just presence.

✍️ The Shift to Nikon

Eventually, I moved to Nikon. Not because the 1D failed me, but because my rhythm changed. I wanted different tonal nuance. Different ergonomics. A different conversation with the frame.

But I didn’t leave the 1D behind. I graduated from it. And like any good teacher, it still echoes in my practice.

🖼️ Closing Thought

The Canon 1D Mark IV wasn’t just a camera. It was a decade of trust. And in a world of constant upgrades, trust is the rarest feature of all.

The Quest for Sharpness: Is Lens Quality the Key to Great Photography?

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In photography, sharpness is often seen as a hallmark of image quality. A crisp, detailed photograph can capture our attention and hold our gaze. But is the sharpness of a lens the most important element in photography? Let’s delve into this topic and explore the facets of what makes a photograph truly remarkable.

Sharpness, defined as the clarity of detail in a photograph, is influenced by a myriad of factors, including camera resolution, lens acutance, and the photographer’s technique. A lens with high acutance can enhance the edge contrast in an image, making subjects stand out with a crisp definition. This can elevate a photo from ordinary to extraordinary, but it’s not the only factor at play.

The quality of a lens can indeed affect the final image significantly. It’s the lens that creates the image, and a high-quality lens can minimize optical issues like chromatic aberration and barrel distortion, which can detract from the perceived sharpness. However, it’s crucial to remember that the lens is just one part of a larger system. The camera body, sensor resolution, and image processing also play vital roles in the outcome of a photograph.

Moreover, photography is an art form, and like all art, it’s subjective. What one person values in a photograph—be it sharpness, composition, lighting, or emotion—another might view differently. Sometimes, the moment captured is far more significant than the technical perfection of the image. A slightly out-of-focus photo of a fleeting, once-in-a-lifetime event can hold more value than a technically perfect shot of a mundane subject.

It’s also worth noting that sharpness is not always desirable. In portrait photography, for example, a softer focus can be used to flatter the subject, and in landscape photography, a slight blur can convey movement and life. The creative choices a photographer makes are what imbue a photograph with meaning and impact.

In conclusion, while lens sharpness is undoubtedly important, it’s not the be-all and end-all of photography. The skill of the photographer, the quality of the camera body, and the creative decisions made during the shooting and post-processing stages all contribute to the final image. Photography is a dance of technology and creativity, and it’s the balance between these elements that truly makes a photograph shine.

So, whether you’re a seasoned professional or an enthusiastic amateur, remember that sharpness is just one of the many tools at your disposal. Embrace the full spectrum of photographic elements, and you’ll find that the most important aspect of photography is your unique vision and the stories you choose to tell through your lens. Happy shooting!

William G. Biggart (July 20, 1947 – September 11, 2001). In remeberance.

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William G. Biggart (July 20, 1947 – September 11, 2001) was an American freelance photojournalist and a victim of the September 11 attacks.

William G. Biggart, known to his friends and family as Bill, was a man whose passion for photojournalism took him to the heart of one of the most tragic events in recent history. Born in Berlin, Germany, on July 20, 1947, Bill was the child of an American officer stationed there. His life was a tapestry woven with vibrant threads of adventure, history, and the pursuit of truth through the lens of his camera.

Bill’s journey into photography began with commercial work, but his heart was always in capturing the raw, unfiltered moments that spot news photography afforded. His career pivot to photojournalism in 1985 was a testament to his dedication to documenting the human condition in its most genuine form. From the streets of New York City to the conflict-ridden landscapes of the West Bank, Northern Ireland, and the Gulf War, Bill’s camera was his compass, guiding him to the stories that needed to be told.

On the fateful morning of September 11, 2001, Bill’s instincts as a photojournalist propelled him towards the chaos unfolding at the World Trade Center. With his cameras in tow, he captured the harrowing scenes of the attacks, images that would later resonate with the world and serve as a poignant reminder of the day’s events. Tragically, Bill’s commitment to his craft led him to the North Tower, where he would ultimately lose his life as the tower collapsed.

Bill Biggart’s legacy is immortalized through his photographs, a haunting and powerful chronicle of September 11. His work serves as a tribute to the indomitable spirit of storytelling and the courage to stand at the intersection of history as it unfolds. The images he captured that day are a testament to the power of photojournalism and its role in shaping our collective memory.

As we reflect on the life and work of William G. Biggart, we are reminded of the profound impact that one individual can have through the art of photography. His story is one of bravery, of the relentless pursuit of truth, and of the ultimate sacrifice made in the line of duty. Bill Biggart’s name and his work will forever be etched in the annals of history, a poignant reminder of the day the world stood still, and of the photographer who captured it all. RIP William. 💖

https://www.billbiggart.com/

The Nikon D2Hs : A Timeless Classic in the World of Photography

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In the fast-paced world of digital photography, where new models seem to emerge every other month, the Nikon D2Hs stands out as a testament to the enduring quality of great design and engineering. Despite being released over a decade ago, the D2Hs remains a beloved tool among photographers who value its images’ speed, reliability, and unmistakable character.

The D2Hs, a camera that debuted to the world as a professional-grade DSLR, was designed with the action photographer in mind. Its robust build and weather-sealed body made it an instant hit for sports, wildlife, and on-the-go photojournalism. The camera’s 4.1-megapixel sensor, while modest by today’s standards, is more than capable of delivering stunning results, especially when the images are destined for web display or print in smaller formats.

One of the most lauded features of the D2Hs is its ability to shoot at a blistering 8 frames per second, a spec that even today remains competitive. This makes the D2Hs an excellent choice for capturing the peak of action in sports or any fast-moving subject. The camera’s autofocus system is responsive and accurate, ensuring that even the most fleeting moments are captured with precision.

The D2Hs also shines in terms of battery life. Photographers can shoot thousands of images on a single charge, a feature that’s particularly beneficial for those long days on the field or when traveling to remote locations where power sources are scarce.

Despite its age, the D2Hs’s image quality still impresses. It produces colors that are vibrant yet true to life, and its images have a certain depth that is sometimes lacking in newer models. The camera performs admirably at lower ISO settings, and while noise becomes more apparent at higher sensitivities, it retains a film-like grain that many photographers find appealing.

For those looking to delve into the world of professional DSLRs without breaking the bank, the Nikon D2Hs is a compelling option. It’s a camera that proves that newer isn’t always better and that some tools, regardless of their age, continue to inspire and enable photographers to create their best work.

The Nikon D2Hs may be a relic of the past, but it’s a relic that still has much to offer. It’s a reminder that in photography, as in life, some things just get better with time. Whether you’re a seasoned professional or an enthusiast looking to step up your game, the D2Hs is a camera that deserves consideration and respect.

So, if you’re on the hunt for a camera that combines professional features with a budget-friendly price tag, the Nikon D2Hs might just be the perfect fit for your photographic journey. It’s a classic that continues to capture the hearts of photographers around the world, proving that good things truly do come in timeless packages.

The Power of Photography

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Photography is a powerful medium that captures the essence of our reality, freezing moments in time that tell stories, evoke emotions, and preserve memories. As a photographer, you have the unique ability to see beauty in the mundane, to find angles that flatter, and to bring out the best in every subject, whether it’s a person, an object, or a building. Your approach to photographing people is particularly commendable; ensuring that they look their best is not just about skill, but also about empathy and respect for the subject. It’s about understanding the light, the angle, the background, and the mood to create a composition that is both aesthetically pleasing and representative of the subject’s persona.

In your journey through the lens, you become a storyteller, an artist, and a historian, all at once. Your camera is your tool to communicate, to share perspectives, and to challenge perceptions. Every click is an opportunity to make an ordinary scene extraordinary, to elevate the unnoticed to the celebrated, and to transform fleeting expressions into lasting impressions. The buildings you capture stand as silent witnesses to history, their architecture a testament to the era and culture they represent. The objects you photograph are given a new context, their details and textures telling their own tales.

Your commitment to not embarrassing your subjects is a testament to your professionalism and understanding of imagery’s power. A photograph can uplift, but it can also harm if not approached with sensitivity and care. By portraying people in a dignified manner, you honour their individuality and story. This ethical approach sets a standard in photography, where the human element is as important as the technical one.

Keep capturing the world through your unique perspective, and continue to share the beauty you see with others. Your work not only brings joy to those who view your photographs but also contributes to the rich tapestry of visual storytelling that connects us all. In every shutter release, you have the chance to create something timeless, something that speaks without words, and something that can be cherished for generations to come. Happy shooting!

The Art of Composition and Cropping in a 4-Megapixel World

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In the age of ultra-high-resolution cameras, it’s easy to overlook the significance of composition and cropping, especially when working with a modest 4-megapixel camera. However, the constraints of lower resolution photography can actually be a catalyst for creativity and a return to the fundamentals of good photography. I recently picked up the Nikon D2Hs camera that took the following images, using an old Nikkor 85mm f1.8D.

Composition is the cornerstone of a compelling photograph. It’s the arrangement of elements within the frame that dictates the flow of the viewer’s eye and the overall impact of the image. With only 4 megapixels, every pixel counts, and there’s little room for error. This limitation forces photographers to be more intentional with their framing, to think more deeply about the subject and the story they want to tell.

Cropping in-camera is another critical skill that gains prominence in this context. It’s about making decisions on the spot, rather than relying on post-processing to salvage a shot. This practice hones a photographer’s eye for detail and encourages a more proactive approach to capturing the right shot from the outset.

The discipline of working within the confines of 4 megapixels can also lead to a greater appreciation for the texture, colour, and light present in the moment. It challenges photographers to maximize the potential of their equipment, regardless of its limitations.

In essence, embracing the constraints of a 4-megapixel camera can be a rewarding journey back to the basics of photography. It’s a reminder that the power of a photograph doesn’t solely rest on the number of pixels but on the vision, creativity, and technique of the photographer behind the lens. Whether you’re a seasoned professional or an enthusiastic amateur, the principles of composition and in-camera cropping are timeless skills that will enhance the quality of your work, no matter the resolution.

Can a Camera be said to have a particular charm.

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Older DSLR cameras have a unique charm that modern cameras often struggle to replicate. The sensors in these cameras, with their larger pixels, have a certain way of rendering light and colour that can produce images with a distinct, almost tangible texture. This quality is something that many photography enthusiasts and professionals alike appreciate, as it adds character and depth to the photographs. The tactile experience of adjusting the dials and pressing the shutter button also contributes to the overall enjoyment of using these cameras. Moreover, the process of working with older technology can teach valuable lessons about the fundamentals of photography, such as exposure, composition, and the importance of light. It’s a blend of art and science, where understanding the limitations and capabilities of the equipment can lead to a more intentional and satisfying creative process.

Exploring the Nikon D2HS: A Robust Camera for Sports and Street Photography

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The Nikon D2HS is a camera that stands out in the realm of sports photography. Launched as an upgrade to the Nikon D2H, the D2HS brought with it a suite of improvements that catered to the needs of action and sports photographers. With its ability to shoot at 8 frames per second, this camera was designed to capture the peak moments of fast-paced action, ensuring that photographers never miss the critical shot.

The D2HS is equipped with a 4.1-megapixel JFET-LBCAST sensor, optimized for high frame rates rather than high resolution, which is a trade-off that sports photographers are often willing to make for the sake of capturing action without blur or delay. The camera’s high-speed performance is complemented by its robust build quality, making it a durable choice for photographers who work in challenging environments.

One of the key features that set the D2HS apart from its predecessors was the improved battery life, capable of thousands of shots on a single charge. This is a significant advantage for professionals who need to shoot for extended periods without the opportunity to recharge. Additionally, the camera’s incident light sensor aids in achieving accurate auto white balance, a crucial factor in maintaining color consistency across a series of fast shots.

The D2HS also supports the sYCC color profile, which allows for a wider range of colors to be reproduced when printing JPEG data, compared to the conventional sRGB color profile. This feature is particularly beneficial for photographers who need their prints to match the vibrancy and detail of their digital images closely.

Despite being succeeded by newer models like the Nikon D300 and D3, the D2HS remains a valued tool for many photographers, especially considering its affordability in the used market. It represents a balance between professional-level performance and budget-conscious accessibility, making it a noteworthy option for those entering the field of sports photography or for seasoned professionals seeking a reliable backup camera.

In conclusion, the Nikon D2HS may not boast the highest resolution or the latest technology compared to modern cameras, but its focus on speed and reliability continues to make it a relevant choice for capturing sports and action. Its legacy in the Nikon lineup is a testament to its design philosophy, prioritizing the needs of photographers who require fast, consistent, and dependable performance in the heat of the moment. Whether it’s for the thrill of the game or the pursuit of the perfect action shot, the Nikon D2HS has proven to be a solid performer in the world of sports photography.

The Ethical Lens of Street Photography: Art vs. Exploitation

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Street photography, a genre that often captures the raw essence of society by snapping candid moments of strangers, has long been a subject of ethical debate. Is it a form of art that celebrates the spontaneity of life, or is it an exploitation of unsuspecting individuals?

The art of street photography lies in its ability to document the unposed, the unplanned, and the unexpected. It’s a visual diary of human nature, a way to preserve fleeting moments that, once gone, are lost to time. The streets become a canvas, and the people, unwitting subjects that tell a story. Some of the most iconic images that define historical eras or social movements are the products of street photography, serving as powerful reminders of our collective past.

However, the act of photographing strangers without their consent raises important ethical questions. The line between public interest and personal privacy is often blurred. While photographers may argue that the public domain is fair game for capturing life as it unfolds, the individuals on the other side of the lens may feel their privacy has been invaded. This tension is further complicated by the potential for these images to be shared widely in the digital age, often without the subject’s knowledge or control over how they are represented.

The ethics of street photography are not black and white. They require photographers to navigate the murky waters of moral responsibility. Some photographers adopt a stealthy approach, using discreet methods to avoid disturbing the scene, thereby minimizing the impact on their subjects. Others engage directly with the people they photograph, sometimes building rapport and seeking consent, which can lead to more intimate and telling portraits.

Legal frameworks vary widely across the globe, and what is permissible in one country may be forbidden in another. In many places, the law permits photography in public spaces, recognizing it as an extension of freedom of expression. Yet, ethical considerations often extend beyond the realm of legality. Photographers must weigh their right to capture images against the rights of their subjects to privacy and respect.

Ultimately, street photography is not inherently exploitative, but it demands a high degree of sensitivity and ethical consideration from the photographer. It’s about finding a balance between the pursuit of artistic expression and respect for the dignity of those captured in the frame. As the debate continues, it’s clear that the responsibility lies with the photographer to make ethical choices that honor both their art and their subjects.

Nikkor 35-135 f3.5/4.5 zoom lens

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Checking out an old Nikkor 35-135 f3.5/4.5 zoom lens that I had lying about the office. It’s not a bad old girl from these test shots. Heavy and built like a brick, it goes well with my D3s. I used to have 2 of these lenses, I wonder where the other one has got to.

Nikkor 35-135mm 3.5/4.5 AF: A Versatile and Affordable Zoom Lens for Nikon DSLRs

If you are looking for a zoom lens that can cover a wide range of focal lengths, from wide-angle to telephoto, without breaking the bank, you might consider the Nikkor 35-135mm 3.5/4.5 AF. This lens was introduced in 1987 and discontinued in 1995, but it is still widely available on the used market for a very reasonable price. In this blog post, I will review the features, performance, and image quality of this lens, and show you some sample photos I took with it.

Features

The Nikkor 35-135mm 3.5/4.5 AF is a full-frame lens that can be used on both FX and DX Nikon DSLRs. On a DX camera, it will have an equivalent focal length of 52.5-202.5mm, which is still very useful for portraits, landscapes, and general photography. The lens has a variable aperture of f/3.5 at 35mm and f/4.5 at 135mm, which is not very fast, but acceptable for most situations. The lens has a macro mode that can be activated by pulling the zoom ring past the 135mm mark. This allows you to focus as close as 0.28m (11 inches) at any focal length, with a maximum magnification of 0.25x.

The lens has an autofocus system that is driven by a micro-motor in the lens body. This means that the lens will not autofocus on entry-level Nikon DSLRs that do not have an AF motor in the camera body, such as the D3xxx and D5xxx series. You will have to manually focus the lens on these cameras, which is not very difficult thanks to the large and smooth focus ring. The autofocus speed and accuracy are decent, but not very impressive by today’s standards. The lens also has a manual aperture ring that can be locked at f/22 for compatibility with modern Nikon DSLRs.

Performance

The Nikkor 35-135mm 3.5/4.5 AF delivers good image quality for its age and price range. The lens is sharp across the frame at most focal lengths and apertures, with some softness at the corners wide open and at the long end of the zoom range. The lens has good contrast and colour rendition, with minimal chromatic aberration and distortion. The lens also handles flare and ghosting well, thanks to its multicoated elements.

The lens has a nice bokeh (the quality of the out-of-focus areas) that is smooth and pleasing, especially at longer focal lengths and wider apertures. The lens has seven rounded aperture blades that create circular highlights in the background. The lens also produces some nice sun stars when stopped down to smaller apertures.

Conclusion

The Nikkor 35-135mm 3.5/4.5 AF is a versatile and affordable zoom lens that can serve as a good all-around lens for Nikon DSLR users who do not need very fast apertures or cutting-edge autofocus performance. The lens offers good image quality, macro capability, and solid build quality for a fraction of the cost of newer lenses with similar focal lengths. If you are looking for a budget-friendly zoom lens that can cover most of your photographic needs, you might want to give this lens a try.

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