fuji

The Fujifilm X‑Pro3

cambodia, Fujichrome, fujifilm, Lenses, opinons, thoughts, photography, pictures, street, Travel

The Fujifilm X‑Pro3 is a distinctive, rangefinder‑style mirrorless camera that excels in build quality, image rendering, and unique design philosophy—but ongoing issues include reliability concerns with its sub monitor, shutter button feedback, and its unconventional hidden LCD, which some photographers find impractical.

📸 Core Strengths

  • Design Philosophy: The X‑Pro3 was built to encourage “viewfinder‑first” shooting. Its hidden LCD forces photographers to rely on the hybrid optical/electronic viewfinder, echoing the discipline of film cameras.
  • Build Quality: Constructed with a titanium top and bottom plate, weather sealing, and robust ergonomics, the X‑Pro3 is designed for durability in professional use.
  • Sensor & Image Quality: Equipped with a 26.1MP APS‑C X‑Trans IV sensor, it delivers excellent colour reproduction, dynamic range, and Fujifilm’s renowned film simulations.
  • Hybrid Viewfinder: The defining feature—users can switch between an optical viewfinder (OVF) and a high‑resolution electronic viewfinder (EVF), offering flexibility for different shooting styles.
  • Performance: Fast autofocus with 425 phase‑detect points, improved low‑light sensitivity, and solid burst shooting at 11fps mechanical or 20fps electronic shutter.

⚠️ Ongoing Problems & Criticisms

  • Sub Monitor Failures: Multiple users have reported issues with the small “sub monitor” on the back (which displays film simulation and settings). Failures or malfunctions have been noted, sometimes outside warranty.
  • Shutter Button Feedback: Some photographers complain that the shutter button loses its tactile “second click,” making it harder to confirm when an image has been taken.
  • Hidden LCD Design: While philosophically bold, the flip‑down LCD frustrates many users who rely on quick image review or live view shooting. Critics argue it slows workflow and feels impractical.
  • Reliability Concerns: Threads on photography forums highlight worries about long‑term durability, with scattered reports of component failures.
  • Video Limitations: Although capable of 4K recording, the X‑Pro3 is not optimised for video compared to Fujifilm’s X‑T series.

✅ Best Use Cases

  • Street photography, where discretion and OVF shooting are valued.
  • Documentary and travel work, especially for photographers who embrace intentional, viewfinder‑driven shooting.
  • Enthusiasts who appreciate Fujifilm’s film simulations and want a camera that enforces discipline.

✨ Summary

The X‑Pro3 is a niche but powerful tool: it rewards photographers who embrace its philosophy of slowing down and shooting deliberately. Its titanium build, hybrid viewfinder, and superb sensor make it a joy for those aligned with its design ethos. However, ongoing problems with the sub monitor, shutter button feedback, and the divisive hidden LCD design mean it’s not universally loved. For photographers who value reliability and modern conveniences, the X‑T series may be a safer bet; for those who want a camera that challenges their habits, the X‑Pro3 remains unique.

📸 Fuji X-Pro2 + 18mm f/2: A Street Photography Combo That Honors Presence

cambodia, cameras, fujifilm, Lenses, opinons, thoughts, photography, pictures, street, Travel

Street photography thrives on intuition, timing, and connection. The gear you choose should disappear in your hands, allowing you to focus on the fleeting gestures and subtle interactions that define urban life. The Fujifilm X-Pro2, with its rangefinder-inspired design, and the XF 18mm f/2, Fuji’s compact wide-angle prime, form a partnership that embodies this philosophy.

🏙️ The X-Pro2: A Tool for Storytellers

  • Hybrid Viewfinder: The X-Pro2’s optical/electronic hybrid finder is its signature feature. It allows you to see beyond the frame lines, anticipating action before it enters your composition—a gift for street shooters.
  • Discreet Design: Its rangefinder styling is understated, drawing less attention than a DSLR. On the street, invisibility is power.
  • Image Quality: The 24MP X-Trans III sensor delivers rich tones, excellent dynamic range, and Fuji’s renowned film simulations (like Classic Chrome and Acros) that give images a timeless, documentary feel.
  • Customization: With tactile dials for shutter speed, ISO, and exposure compensation, the X-Pro2 encourages a hands-on, mindful shooting process.

🎯 The XF 18mm f/2: Compact and Characterful

  • Field of View: Equivalent to 27mm on full-frame, this lens strikes a balance between wide context and intimate framing—perfect for capturing both environment and subject.
  • Size and Weight: At just 116g, it’s a true “pancake” lens. Mounted on the X-Pro2, it creates a slim, unobtrusive package that slips easily into a jacket pocket.
  • Rendering: While not clinically sharp like Fuji’s newer primes, the 18mm f/2 has a characterful rendering—slightly imperfect, but soulful. Its gentle vignetting and contrast lend images a filmic quality.
  • Speed: The f/2 aperture is fast enough for low-light alleys and night markets, while still keeping the lens compact.

🌆 Why This Combo Works for Street Photography

  • Presence, Not Distance: The 18mm encourages you to get close, to step into the scene rather than observe from afar. This fosters images that feel immersive and authentic.
  • Quiet Confidence: The X-Pro2’s shutter is discreet, and the small lens doesn’t intimidate subjects—ideal for candid moments.
  • Fluid Workflow: Physical dials and compact ergonomics mean you can adjust settings without breaking eye contact with the street.
  • Timeless Aesthetic: Together, they produce images with a classic look—clean, contrasty, and cinematic.

✨ The Philosophy of Presence

Street photography isn’t about perfection; it’s about being there. The X-Pro2 + 18mm f/2 combo honours this by stripping away excess. It’s not the sharpest or fastest setup, but it’s one that encourages awareness, patience, and connection. With this kit, you’re not just photographing the street—you’re part of it.

✅ Final Thought: If you value discretion, character, and the ability to move fluidly through the city, the Fuji X-Pro2 with the XF 18mm f/2 is more than just a camera and lens—it’s a philosophy of presence, a reminder that the best street photographs come not from technical perfection, but from being fully alive to the moment.

The Fujifilm X100 Original: A Camera That Engages Your Mind

fujifilm, opinons, thoughts, photography, pictures, street, Travel

In the world of photography, the Fujifilm X100 Original stands out as a camera that doesn’t just capture images; it captures the imagination of photographers who appreciate the art of photography. Released over a decade ago, the X100 Original has become something of a modern classic, revered for its design, functionality, and the quality of images it produces.

The X100 Original’s design harks back to the golden age of film cameras, with its retro aesthetic and physical control dials. It’s a camera that feels substantial in your hands, yet compact enough to carry everywhere. This blend of old-school charm with modern technology has struck a chord with photography enthusiasts who long for the tactile experience of adjusting the aperture and shutter speed manually.

But the X100 isn’t just about looks; it’s about engaging with the process of photography. The camera’s fixed 23mm lens (equivalent to 35mm in full-frame terms) challenges photographers to think more creatively about composition. Without the ability to zoom, one must move, explore different angles, and really consider what should be in the frame. This limitation becomes an opportunity for growth, pushing photographers to develop their skills and vision.

The heart of the X100 is its APS-C sensor, which, at the time of release, was a significant feature for a compact camera. This sensor size, typically found in DSLRs, allows for excellent image quality, especially in low-light conditions. The X100’s images are characterized by their sharpness, colour fidelity, and dynamic range, qualities that hold up even when compared to today’s standards.

One of the most innovative features of the X100 Original is its hybrid viewfinder, which combines an optical viewfinder with an electronic one. This feature allows photographers to switch between a direct view of their subject or a digital display that shows exposure settings and a preview of the image. This flexibility is particularly useful in changing lighting conditions or when precise framing is essential.

Despite its age, the X100 Original remains a viable option for photographers today. Its image quality, especially at high ISOs, is still impressive, and its design continues to inspire. It’s a camera that doesn’t do all the work for you; instead, it invites you to engage with the craft of photography actively. It’s a camera that requires you to think, to be present, and to create with intention.

For those who have used the X100, it often becomes more than just a tool; it becomes a companion on their photographic journey. It’s a camera that encourages you to slow down, to observe, and to connect with the world around you in a more meaningful way.

The Fujifilm X100 Original may not be the latest model with the most advanced features, but it holds a special place in the hearts of many photographers. It’s a reminder that sometimes, the best images come from the photographer who is engaged, thoughtful, and connected to their subject – and the X100 is a camera that fosters that connection.

The Fuji XF 50mm f2: A Hidden Gem in Photography

fujifilm, Lenses, opinons, thoughts, photography, pictures, street, Travel

In the world of photography, where gear often garners as much attention as the images produced, there exists a lens that has quietly captured the hearts of many photographers: the Fuji XF 50mm f2. This lens, often described as underrated, has become a steadfast companion for those who have discovered its virtues.

The Fuji XF 50mm f2 is part of Fujifilm’s esteemed X-series line of lenses, known for their compact size, robust build, and exceptional image quality. Released in January 2017, it joined the ranks of its f/2 series siblings, the XF 23mm and 35mm, offering a 76mm full-frame equivalent focal length—a perfect sweet spot for portrait and street photographers alike.

What sets the XF 50mm f2 apart is not just its focal length, but its construction. Weighing in at a mere 200 grams, this lens is a marvel of engineering, providing weather-sealing, fast autofocus, and a tactile manual aperture ring—all encased in a metal body that feels both solid and luxurious in hand.

Image quality is where the XF 50mm f2 truly shines. Photographers rave about its sharpness, even when shot wide open at f/2. The bokeh produced is creamy and pleasing, lending a professional look to portraits and isolating subjects with ease. It’s a lens that performs admirably across a variety of photographic scenarios, from intimate weddings to expansive landscapes.

Despite its prowess, the XF 50mm f2 remains surprisingly affordable, especially when compared to its larger sibling, the XF 56mm f1.2. This cost-effectiveness does not come at the expense of image quality, making it an attractive option for both amateur and professional photographers.

For those who prefer a tactile experience, the XF 50mm f2 does not disappoint. The aperture ring clicks satisfyingly into place, and the focus ring glides smoothly, allowing for precise manual focus adjustments—a feature that videographers will appreciate for its quiet operation during filming.

In conclusion, the Fuji XF 50mm f2 is a lens that deserves more recognition. It’s a testament to Fujifilm’s commitment to quality and a reminder that sometimes, the best tools are the ones that don’t demand attention but rather, quietly excel at their task. For many photographers, the XF 50mm f2 is not just an underrated lens; it’s a beloved workhorse that rarely leaves their camera. And for good reason—it’s a hidden gem that continues to prove its worth with every click of the shutter.

Exploring the Battery Life of Fuji Cameras: A Comparative Analysis

cameras, Fujichrome, fujifilm, opinons, thoughts, photography, street, Travel, Uncategorized

Photography enthusiasts often face the challenge of balancing their love for the art with the practical aspects of their equipment. One such practical consideration is the battery life of cameras, which can significantly impact the shooting experience. Fuji cameras, known for their exceptional image quality and user-friendly design, unfortunately, fall short when it comes to battery longevity, especially compared to the stalwarts of the DSLR world, Nikon and Canon.

The issue of battery life in cameras is not a trivial one. For photographers who spend long hours on shoots or travel extensively, the frequency of battery changes can be frustrating. This is where DSLRs from Nikon and Canon have traditionally excelled, offering robust battery performance that allows photographers to shoot for extended periods without interruption.

Fuji’s mirrorless cameras, while offering the advantages of a lighter body and a more compact form factor, have been criticized for their less impressive battery life. The reasons for this are multifaceted. Mirrorless cameras like those from Fuji rely heavily on electronic viewfinders and LCD screens, which consume a significant amount of power. Additionally, the smaller bodies of these cameras can only accommodate smaller batteries, which inherently have a lower capacity.

Recent developments, however, show promise for Fuji users. The Fujifilm X-S20, for instance, boasts an enhanced battery that claims to capture an additional 800 frames on a single charge compared to its predecessor. This is a substantial improvement and indicates that Fuji is responsive to the needs of its users and is working towards bridging the gap in battery performance.

Despite these advancements, potential buyers and current users need to be aware of the limitations and plan accordingly. Investing in spare batteries or external power banks can mitigate the issue to some extent. Moreover, it’s advisable to purchase batteries from reputable manufacturers to ensure safety and reliability.

In conclusion, while Fuji cameras may currently lag behind Nikon and Canon DSLRs in terms of battery life, the gap is narrowing. With technological advancements and a user-centric approach, Fuji is poised to overcome this hurdle, much to the delight of its loyal user base. For now, photographers must weigh the pros and cons, considering whether the unparalleled image quality and compactness of Fuji cameras outweigh the inconvenience of more frequent battery changes. As the technology evolves, we remain hopeful that future models will continue to address this concern, making Fuji cameras an even more attractive choice for photography enthusiasts.

The Fujifilm X-T3, even when equipped with a battery grip, offers a more compact mirrorless design but falls short in battery life compared to the robust Nikon D3 and D800. The X-T3 provides around 390 shots per charge, which is significantly less than the 900 shots offered by the D800 or D3. This difference is often a consideration for photographers who require longer shooting times without the need for frequent battery swaps. However, the X-T3 compensates with features like higher video recording quality and a lighter body, which may appeal to users looking for portability and advanced video capabilities.

Exploring the Fujifilm XF 55-200mm f3.5 – 4.8 USD OIS Lens

fujifilm, Lenses, opinons, thoughts, photography, pictures, street, Travel, war

Photography enthusiasts looking for a versatile telephoto zoom lens may find a perfect companion in the Fujifilm XF 55-200mm. This lens is designed for the Fujifilm X-series mirrorless cameras and offers a 35mm equivalent focal length of 83-300mm, making it suitable for a wide range of subjects from portraits to wildlife photography.

One of the standout features of this lens is its optical image stabilization system, which claims to provide a benefit of 4.5 stops. This feature is particularly useful when shooting in low light conditions or at the long end of the zoom range, where camera shake can be more pronounced. The stabilization allows photographers to shoot at slower shutter speeds without compromising on sharpness.

The lens construction includes two extra-low dispersion elements, including one Super ED element, which helps to reduce chromatic aberrations and produce clear, sharp images with accurate colours. The build quality of the lens is also noteworthy, with an all-metal barrel and an aperture control ring that adds to the tactile experience of shooting.

Autofocus performance is another area where the XF 55-200mm lens excels. It uses a pair of linear stepper motors for quick and near-silent autofocus, which is beneficial for both stills and video shooting. The relatively fast maximum aperture of F3.5-4.8 also allows for more control over depth of field and helps to isolate subjects from the background.

Despite its range and capabilities, the lens remains relatively compact and portable, which is a significant advantage for photographers who travel or hike with their gear. It’s not weather-sealed, so some care is necessary when using it in adverse conditions.

In terms of pricing, the lens offers good value considering its performance and build quality. It’s positioned as a premium option in the Fujifilm lens lineup and competes favourably with similar lenses from other manufacturers.

For those invested in the Fujifilm X system, the XF 55-200mm lens is a solid choice that delivers excellent image quality and versatility. Whether you’re capturing distant landscapes or intimate portraits, this lens is capable of producing stunning results that will satisfy both amateur and professional photographers alike.

For more detailed reviews and sample images, you can visit various photography websites and forums that provide in-depth analysis and user experiences with this lens. Exploring these resources can help you make an informed decision if you’re considering adding the Fujifilm XF 55-200mm to your photography kit.

Zoom or Prime Lens

cameras, Fujichrome, fujifilm, Lenses, opinons, thoughts, photography, street, Travel, viltrox

If you are into photography, you might have wondered whether you should get a zoom lens or a prime lens for your camera. Zoom lenses and prime lenses differ by how long their focal points are. Prime lenses have a unifocal lens (usually between 12mm to 5200mm), while zoom lenses have a variable focal length. This means that prime lenses are better for portrait shots, while zoom lenses are ideal for general photography.

In this blog post, I will explain the pros and cons of each type of lens and help you decide which one is best for your needs.

Prime Lenses: The Pros

One of the main advantages of prime lenses is that they are usually sharper, faster, and cheaper than zoom lenses. Sharper means that they produce images with more detail and clarity. Faster means that they have larger maximum apertures (such as f/1.4 or f/1.8), which allow more light to enter the lens and create a shallow depth of field. This is great for isolating your subject from the background and creating a beautiful bokeh effect. Cheaper means that they are more affordable than zoom lenses of similar quality.

Another benefit of prime lenses is that they are smaller and lighter than zoom lenses, which makes them easier to carry around and use. They also force you to be more creative and move around to get the best shot, rather than relying on the zoom ring to adjust your framing.

Prime Lenses: The Cons

The main drawback of prime lenses is that they are less versatile and convenient than zoom lenses. You can’t change the focal length of a prime lens, so you have to switch lenses if you want a different angle of view or magnification. This can be time-consuming and inconvenient, especially if you are shooting in a fast-paced or changing environment. You also have to carry more lenses with you if you want to cover a wide range of focal lengths.

Another disadvantage of prime lenses is that they may not suit every situation or style of photography. For example, if you want to capture landscapes, wildlife, sports, or events, you might need a zoom lens that can cover a wide or long focal range and give you more flexibility and reach.

Zoom Lenses: The Pros

The main advantage of zoom lenses is that they are more versatile and convenient than prime lenses. You can change the focal length of a zoom lens by simply turning the zoom ring, which gives you more options and controls over your composition and framing. You can also capture different perspectives and effects with one lens, such as wide-angle shots, telephoto shots, or macro shots (if your zoom lens has macro capabilities).

Another benefit of zoom lenses is that they are more suitable for certain situations and styles of photography. For example, if you want to capture landscapes, wildlife, sports, or events, you might need a zoom lens that can cover a wide or long focal range and give you more flexibility and reach. You can also react faster to changing scenes and subjects without having to switch lenses.

Zoom Lenses: The Cons

The main drawback of zoom lenses is that they are usually heavier, bulkier, and more expensive than prime lenses. Heavier and bulkier means that they are harder to carry around and use, especially for long periods. They also tend to attract more attention and may not be ideal for discreet or candid photography. More expensive means that they cost more than prime lenses of similar quality.

Another disadvantage of zoom lenses is that they are usually slower, less sharp, and more prone to distortion and vignetting than prime lenses. Slower means that they have smaller maximum apertures (such as f/3.5-5.6 or f/4-5.6), which limit the amount of light that enters the lens and create a deeper depth of field. This can make it harder to shoot in low-light conditions or achieve a shallow depth of field effect. Less sharp means that they produce images with less detail and clarity than prime lenses. More prone to distortion and vignetting means that they may cause some curvature or darkening at the edges of your images, especially at the wide or telephoto end of their range.

Conclusion

So which type of lens is best for you? It depends on your personal preference, budget, and style of photography. You might prefer a prime lens if you value sharpness, speed, affordability, and portability over versatility and convenience. If you value versatility, convenience, flexibility, and reach over sharpness, speed, affordability, and portability, then you might prefer a zoom lens.

Of course, you don’t have to choose one over the other. You can have both types of lenses in your camera bag and use them according to your needs and mood. The best way to find out which lens type suits you best is to try them out yourself and see what works for you.