There’s a myth in photography: that “real” photographers must shoot in full manual mode, especially if they own expensive gear. The implication is that Program Mode is a shortcut, a crutch, or even a betrayal of the craft.
But here’s the truth: Program Mode is not a weakness. It’s a strategy.
I. The Myth of Manual Purism
Manual mode is often treated as a badge of honour. It suggests mastery, control, and technical discipline. But photography is not a competition in purity—it is a practice of seeing.
Street photography, especially in Phnom Penh’s fast‑moving rhythm, demands presence more than technical gymnastics. If fiddling with dials makes you miss the moment, then the pursuit of “purism” has already failed.
II. Program Mode as a Discipline
Program Mode doesn’t mean surrendering creativity. It means letting the camera handle exposure basics while you focus on what matters most: composition, timing, and anticipation.

When monks step into morning light or a vendor gestures mid‑conversation, you don’t have time to calculate shutter speed and aperture. Program Mode frees you to be present, to anticipate, and to react.
III. Control Is Still Yours
Modern DSLRs are not mindless machines. Program Mode allows overrides:
- Exposure compensation to adjust brightness.
- Program shift to balance aperture and shutter.
- Focus lock to control depth and subject.
You’re not giving up control—you’re choosing where to invest your attention. The camera becomes a collaborator, not a dictator.

IV. Anticipation Over Perfection
Street photography is about anticipation—the ability to sense a moment before it happens. Burst shooting captures micro‑variations, but anticipation is the discipline that guides it.
Program Mode supports this discipline. It keeps you ready, so when the decisive moment arrives, you’re not buried in settings—you’re alive to the rhythm of the street.
V. Philosophy of Use
An expensive DSLR is a tool. Its value lies not in how “manual” you shoot, but in how authentically you capture.
If Program Mode helps you stay present in Phnom Penh’s streets—catching candid gestures, fleeting light, and authentic human connection—then it is serving your vision.
Closing Call: The Decisive Moment Doesn’t Care
The decisive moment doesn’t care what mode you used. It cares that you were there, attentive, and ready.

Program Mode is acceptable because photography is not about proving technical purity—it’s about making images that resonate.


