fujifilm

🌌 Viltrox 13mm f/1.4 Review: Wide, Fast, and Surprisingly Refined

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A Critical Look at Viltrox’s Ultra-Wide Prime for APS-C

In the world of ultra-wide primes, the Viltrox 13mm f/1.4 stands out—not just for its specs, but for what it represents: a third-party lens that competes confidently with first-party glass. Designed for APS-C mirrorless systems (Fujifilm X, Sony E, Nikon Z), it offers a 20mm full-frame equivalent field of view with a bright f/1.4 aperture. That’s a rare combination, especially at this price point.

But does it live up to the hype?

🔍 Optical Performance

Sharpness is excellent in the centre, even wide open, with only minor softness at the edges that improves by f/2.8. This makes it a strong performer for:

  • Astrophotography: minimal coma and good corner control
  • Architecture and interiors: straight lines stay straight, thanks to well-controlled distortion
  • Street and environmental portraiture: surprisingly usable for creative compositions

Chromatic aberration is minimal, and flare resistance is decent, though not flawless when shooting into strong light sources.

⚙️ Build and Handling

The lens feels premium:

  • All-metal construction with weather sealing
  • Smooth manual focus ring and a clicked aperture ring—a welcome tactile feature for photographers who prefer physical feedback
  • Compact and lightweight for an f/1.4 ultra-wide—ideal for travel and vlogging setups

Autofocus is fast and quiet, with support for eye detection AF and EXIF data transmission. Firmware updates are possible via a USB-C port on the lens mount, a thoughtful touch for long-term usability.

🎯 Real-World Use

This lens shines in:

  • Low-light urban scenes: f/1.4 lets you shoot handheld at night
  • Vlogging and video: wide field of view with minimal focus breathing
  • Creative portraiture: unconventional but effective for environmental storytelling

However, it’s not without trade-offs:

  • No image stabilisation—rely on in-body IS or careful technique
  • Some edge softness wide open, especially on high-resolution sensors
  • No weather sealing on the front element, so use a filter in harsh conditions

🧭 Final Verdict

The Viltrox 13mm f/1.4 is a bold, well-executed lens that punches above its weight. It’s not perfect—but it doesn’t need to be. For photographers and filmmakers who value wide perspectives, fast glass, and creative flexibility, it’s a compelling choice.

Best for: astrophotographers, vloggers, street shooters, and anyone who wants to explore the world at 20mm equivalent. Not ideal for: those needing edge-to-edge perfection or built-in stabilisation

📷 The Fujinon XF 18mm f/2 R: A Lens That Listens

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A Rundown of the Good and the Quirky

The Fujifilm XF 18mm f/2 isn’t perfect. But it’s present. It’s compact, fast, and quietly capable. It doesn’t demand attention—it invites it. And for street photographers, documentarians, and those who value rhythm over resolution, it’s a lens worth knowing.

I’ve used it in clinics, on the street, and in quiet corners of care. It’s not a showstopper. It’s a companion. And that’s what makes it special.

✅ The Good: Why It Still Matters

🧠 1. Classic Focal Length

  • 18mm on Fuji’s APS-C sensor gives you a 27mm equivalent—ideal for street photography, environmental portraits, and storytelling in context.
  • Wide enough to breathe, tight enough to feel.

🪶 2. Compact and Featherlight

  • This lens disappears in your hand. It makes the camera feel invisible.
  • Perfect for moving quietly, staying present, and photographing without spectacle.

⚡ 3. Fast f/2 Aperture

  • Responsive in low light. Lets you isolate gestures and moments without losing the scene.
  • Great for dusk, clinics, and shadow play.

🎞️ 4. Film-Like Rendering

  • Slight softness at the edges. Gentle contrast. A character that feels felt, not forced.
  • Prints beautifully—especially in black-and-white.

🧭 5. Teaches Restraint

  • No zoom. No overcorrection. Just you, the scene, and the moment.
  • Ideal for students learning to compose with care.

❗ The Quirks: What to Know

🧊 1. Not the Sharpest Tool

  • Wide open, it’s soft at the edges. Corner sharpness improves by f/4–f/5.6.
  • If you’re chasing clinical perfection, this isn’t your lens.

🔊 2. Noisy Autofocus

  • The AF motor isn’t silent. In quiet settings, you’ll hear it.
  • Not a dealbreaker, but worth noting for documentary work.

🧱 3. Older Design

  • No weather sealing. No linear motor. No aperture lock.
  • It’s part of Fuji’s original lens lineup—quirky, charming, and a little dated.

🧪 4. Chromatic Aberration

  • You may see some fringing in high-contrast scenes. Easily corrected in post, but present.

🖼 How It Prints

This lens isn’t about technical brilliance. It’s about emotional clarity. The files print with softness, nuance, and tonal depth. Especially in monochrome, the 18mm f/2 feels like a whisper—gentle, grounded, and true.

🕊 Final Thought: Character Over Perfection

The Fujinon XF 18mm f/2 isn’t for everyone. But for those who value presence over pixels, it’s a quiet gem. It teaches you to move slowly, see clearly, and photograph with care.

Because sometimes, the best lens isn’t the sharpest. It’s the one that listens.

The Fujifilm X100 Original: A Camera That Engages Your Mind

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In the world of photography, the Fujifilm X100 Original stands out as a camera that doesn’t just capture images; it captures the imagination of photographers who appreciate the art of photography. Released over a decade ago, the X100 Original has become something of a modern classic, revered for its design, functionality, and the quality of images it produces.

The X100 Original’s design harks back to the golden age of film cameras, with its retro aesthetic and physical control dials. It’s a camera that feels substantial in your hands, yet compact enough to carry everywhere. This blend of old-school charm with modern technology has struck a chord with photography enthusiasts who long for the tactile experience of adjusting the aperture and shutter speed manually.

But the X100 isn’t just about looks; it’s about engaging with the process of photography. The camera’s fixed 23mm lens (equivalent to 35mm in full-frame terms) challenges photographers to think more creatively about composition. Without the ability to zoom, one must move, explore different angles, and really consider what should be in the frame. This limitation becomes an opportunity for growth, pushing photographers to develop their skills and vision.

The heart of the X100 is its APS-C sensor, which, at the time of release, was a significant feature for a compact camera. This sensor size, typically found in DSLRs, allows for excellent image quality, especially in low-light conditions. The X100’s images are characterized by their sharpness, colour fidelity, and dynamic range, qualities that hold up even when compared to today’s standards.

One of the most innovative features of the X100 Original is its hybrid viewfinder, which combines an optical viewfinder with an electronic one. This feature allows photographers to switch between a direct view of their subject or a digital display that shows exposure settings and a preview of the image. This flexibility is particularly useful in changing lighting conditions or when precise framing is essential.

Despite its age, the X100 Original remains a viable option for photographers today. Its image quality, especially at high ISOs, is still impressive, and its design continues to inspire. It’s a camera that doesn’t do all the work for you; instead, it invites you to engage with the craft of photography actively. It’s a camera that requires you to think, to be present, and to create with intention.

For those who have used the X100, it often becomes more than just a tool; it becomes a companion on their photographic journey. It’s a camera that encourages you to slow down, to observe, and to connect with the world around you in a more meaningful way.

The Fujifilm X100 Original may not be the latest model with the most advanced features, but it holds a special place in the hearts of many photographers. It’s a reminder that sometimes, the best images come from the photographer who is engaged, thoughtful, and connected to their subject – and the X100 is a camera that fosters that connection.

The Fuji XF 50mm f2: A Hidden Gem in Photography

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In the world of photography, where gear often garners as much attention as the images produced, there exists a lens that has quietly captured the hearts of many photographers: the Fuji XF 50mm f2. This lens, often described as underrated, has become a steadfast companion for those who have discovered its virtues.

The Fuji XF 50mm f2 is part of Fujifilm’s esteemed X-series line of lenses, known for their compact size, robust build, and exceptional image quality. Released in January 2017, it joined the ranks of its f/2 series siblings, the XF 23mm and 35mm, offering a 76mm full-frame equivalent focal length—a perfect sweet spot for portrait and street photographers alike.

What sets the XF 50mm f2 apart is not just its focal length, but its construction. Weighing in at a mere 200 grams, this lens is a marvel of engineering, providing weather-sealing, fast autofocus, and a tactile manual aperture ring—all encased in a metal body that feels both solid and luxurious in hand.

Image quality is where the XF 50mm f2 truly shines. Photographers rave about its sharpness, even when shot wide open at f/2. The bokeh produced is creamy and pleasing, lending a professional look to portraits and isolating subjects with ease. It’s a lens that performs admirably across a variety of photographic scenarios, from intimate weddings to expansive landscapes.

Despite its prowess, the XF 50mm f2 remains surprisingly affordable, especially when compared to its larger sibling, the XF 56mm f1.2. This cost-effectiveness does not come at the expense of image quality, making it an attractive option for both amateur and professional photographers.

For those who prefer a tactile experience, the XF 50mm f2 does not disappoint. The aperture ring clicks satisfyingly into place, and the focus ring glides smoothly, allowing for precise manual focus adjustments—a feature that videographers will appreciate for its quiet operation during filming.

In conclusion, the Fuji XF 50mm f2 is a lens that deserves more recognition. It’s a testament to Fujifilm’s commitment to quality and a reminder that sometimes, the best tools are the ones that don’t demand attention but rather, quietly excel at their task. For many photographers, the XF 50mm f2 is not just an underrated lens; it’s a beloved workhorse that rarely leaves their camera. And for good reason—it’s a hidden gem that continues to prove its worth with every click of the shutter.

The Fujifilm X-Pro3: A Camera of Contrasts and Capabilities

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The Fujifilm X-Pro3 stands as a testament to the camera manufacturer’s dedication to combining classic design with modern technology. This camera has sparked discussions among photographers, with its unique features that some may love or dislike, yet it consistently delivers exceptional image quality.

At the heart of the X-Pro3 is a 26-megapixel APS-C sensor, ensuring that the images captured are of high resolution and detail. The camera’s design harks back to the film era, with a hybrid viewfinder that allows photographers to switch between optical and electronic modes. This feature caters to those who appreciate the tactile experience of traditional photography while still enjoying the benefits of digital technology.

One of the most talked-about features of the X-Pro3 is its hidden LCD screen, which encourages photographers to focus more on the moment and less on reviewing every shot—a practice known as “chimping.” This design choice aims to foster a more immersive shooting experience, reminiscent of using a film camera, where one does not see the results until the film is developed.

The X-Pro3’s body is constructed with titanium, offering durability and a premium feel. It comes in three finishes: standard black, and two Duratect-coated versions that are more scratch-resistant. The Duratec coating also gives the camera a distinctive look, whether in Dura Black or Dura Silver, though it does tend to attract fingerprints.

Image quality is where the X-Pro3 truly shines. It inherits the excellent image processing capabilities seen in its sibling, the X-T3, and adds an in-camera HDR mode. The ‘Classic Neg’ film simulation mode is another highlight, providing images with a nostalgic and timeless aesthetic.

Autofocus performance is robust, though it requires a bit more user input compared to some of its peers. For video enthusiasts, the X-Pro3 can capture impressive footage, despite its primary focus on still photography.

The X-Pro3 is a camera that may polarize opinions with its design choices, but it cannot be denied that it is a powerful tool for photography. It is a camera that challenges the norms and encourages photographers to engage with their subjects and the environment, rather than the camera itself.

For those who value a camera that offers both a connection to photography’s past and the technological advancements of the present, the Fujifilm X-Pro3 is a compelling choice. It is a camera that reminds us that photography is not just about the gear but the vision and experience of the photographer.

Exploring the Fujifilm XF 55-200mm f3.5 – 4.8 USD OIS Lens

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Photography enthusiasts looking for a versatile telephoto zoom lens may find a perfect companion in the Fujifilm XF 55-200mm. This lens is designed for the Fujifilm X-series mirrorless cameras and offers a 35mm equivalent focal length of 83-300mm, making it suitable for a wide range of subjects from portraits to wildlife photography.

One of the standout features of this lens is its optical image stabilization system, which claims to provide a benefit of 4.5 stops. This feature is particularly useful when shooting in low light conditions or at the long end of the zoom range, where camera shake can be more pronounced. The stabilization allows photographers to shoot at slower shutter speeds without compromising on sharpness.

The lens construction includes two extra-low dispersion elements, including one Super ED element, which helps to reduce chromatic aberrations and produce clear, sharp images with accurate colours. The build quality of the lens is also noteworthy, with an all-metal barrel and an aperture control ring that adds to the tactile experience of shooting.

Autofocus performance is another area where the XF 55-200mm lens excels. It uses a pair of linear stepper motors for quick and near-silent autofocus, which is beneficial for both stills and video shooting. The relatively fast maximum aperture of F3.5-4.8 also allows for more control over depth of field and helps to isolate subjects from the background.

Despite its range and capabilities, the lens remains relatively compact and portable, which is a significant advantage for photographers who travel or hike with their gear. It’s not weather-sealed, so some care is necessary when using it in adverse conditions.

In terms of pricing, the lens offers good value considering its performance and build quality. It’s positioned as a premium option in the Fujifilm lens lineup and competes favourably with similar lenses from other manufacturers.

For those invested in the Fujifilm X system, the XF 55-200mm lens is a solid choice that delivers excellent image quality and versatility. Whether you’re capturing distant landscapes or intimate portraits, this lens is capable of producing stunning results that will satisfy both amateur and professional photographers alike.

For more detailed reviews and sample images, you can visit various photography websites and forums that provide in-depth analysis and user experiences with this lens. Exploring these resources can help you make an informed decision if you’re considering adding the Fujifilm XF 55-200mm to your photography kit.

Exploring the 7Artisans 50mm f0.95 Lens on a Fuji XE2: A Photographer’s Delight

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Photography enthusiasts, gather around as we dive into the world of bokeh and low-light performance with the 7Artisans 50mm f0.95 lens mounted on the classic Fuji XE2. This combination is not just about capturing images; it’s about embracing a unique photographic experience.

The 7Artisans 50mm f0.95 lens, often praised for its affordability and solid metal build, brings a new dimension to the Fuji XE2. With a maximum aperture of f0.95, this lens promises to transform the way you capture portraits and low-light scenes. The wide aperture allows for a shallow depth of field, creating that dreamy bokeh effect that makes your subjects pop against a smoothly blurred background.

But what truly sets this lens apart is its manual focus, which offers a tactile and engaging experience. It’s a return to the roots of photography, where the photographer is in complete control. The pleasure of focusing with this lens is often highlighted by users, noting its good throw and the ability to keep up with moving subjects like a slow-moving cat. This level of control is perfect for those who love to take their time, crafting each shot with precision and artistic intent.

The lens’s 13 aperture blades contribute to a pleasing round bokeh, enhancing the aesthetic quality of your photos. And while it’s not a macro lens, the minimum focus distance of about 18 inches allows for decent close-ups, adding versatility to your shooting repertoire.

Now, let’s talk about the Fuji XE2, a camera that has won the hearts of many photographers for its compact size and retro design. When paired with the 7Artisans 50mm f0.95 lens, the XE2 becomes a powerhouse for street and portrait photography. The camera’s classic design, combined with the lens’s modern optical performance, creates a synergy that’s both visually appealing and functionally impressive.

Some users have compared the 7Artisans 50mm f0.95 to other lenses in its category, noting that it holds its own in terms of brightness and optical quality. It’s even been said to be a tad brighter than some of its competitors, which is quite a statement considering its price point. The 7Artisans 50mm f0.95 is not without its quirks, such as some optical flaws like vignetting and chromatic aberration when wide open, but these are often considered part of the lens’s character rather than detriments. For those who enjoy the artistry of photography and the tactile experience of manual focusing, this lens offers a unique opportunity to explore creativity at a relatively low cost.

In conclusion, the 7Artisans 50mm f0.95 lens on a Fuji XE2 is a match made in photography heaven for those who appreciate the art of manual focusing and the beauty of a large aperture. It’s a setup that encourages you to slow down, compose thoughtfully, and immerse yourself in the creative process. Whether you’re a seasoned photographer or someone who’s just starting, this combo is sure to inspire and delight.

So, what are you waiting for? Grab your camera, attach that 7Artisans lens, and step into the world where every shot is a potential masterpiece. Happy shooting!

Zoom or Prime Lens

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If you are into photography, you might have wondered whether you should get a zoom lens or a prime lens for your camera. Zoom lenses and prime lenses differ by how long their focal points are. Prime lenses have a unifocal lens (usually between 12mm to 5200mm), while zoom lenses have a variable focal length. This means that prime lenses are better for portrait shots, while zoom lenses are ideal for general photography.

In this blog post, I will explain the pros and cons of each type of lens and help you decide which one is best for your needs.

Prime Lenses: The Pros

One of the main advantages of prime lenses is that they are usually sharper, faster, and cheaper than zoom lenses. Sharper means that they produce images with more detail and clarity. Faster means that they have larger maximum apertures (such as f/1.4 or f/1.8), which allow more light to enter the lens and create a shallow depth of field. This is great for isolating your subject from the background and creating a beautiful bokeh effect. Cheaper means that they are more affordable than zoom lenses of similar quality.

Another benefit of prime lenses is that they are smaller and lighter than zoom lenses, which makes them easier to carry around and use. They also force you to be more creative and move around to get the best shot, rather than relying on the zoom ring to adjust your framing.

Prime Lenses: The Cons

The main drawback of prime lenses is that they are less versatile and convenient than zoom lenses. You can’t change the focal length of a prime lens, so you have to switch lenses if you want a different angle of view or magnification. This can be time-consuming and inconvenient, especially if you are shooting in a fast-paced or changing environment. You also have to carry more lenses with you if you want to cover a wide range of focal lengths.

Another disadvantage of prime lenses is that they may not suit every situation or style of photography. For example, if you want to capture landscapes, wildlife, sports, or events, you might need a zoom lens that can cover a wide or long focal range and give you more flexibility and reach.

Zoom Lenses: The Pros

The main advantage of zoom lenses is that they are more versatile and convenient than prime lenses. You can change the focal length of a zoom lens by simply turning the zoom ring, which gives you more options and controls over your composition and framing. You can also capture different perspectives and effects with one lens, such as wide-angle shots, telephoto shots, or macro shots (if your zoom lens has macro capabilities).

Another benefit of zoom lenses is that they are more suitable for certain situations and styles of photography. For example, if you want to capture landscapes, wildlife, sports, or events, you might need a zoom lens that can cover a wide or long focal range and give you more flexibility and reach. You can also react faster to changing scenes and subjects without having to switch lenses.

Zoom Lenses: The Cons

The main drawback of zoom lenses is that they are usually heavier, bulkier, and more expensive than prime lenses. Heavier and bulkier means that they are harder to carry around and use, especially for long periods. They also tend to attract more attention and may not be ideal for discreet or candid photography. More expensive means that they cost more than prime lenses of similar quality.

Another disadvantage of zoom lenses is that they are usually slower, less sharp, and more prone to distortion and vignetting than prime lenses. Slower means that they have smaller maximum apertures (such as f/3.5-5.6 or f/4-5.6), which limit the amount of light that enters the lens and create a deeper depth of field. This can make it harder to shoot in low-light conditions or achieve a shallow depth of field effect. Less sharp means that they produce images with less detail and clarity than prime lenses. More prone to distortion and vignetting means that they may cause some curvature or darkening at the edges of your images, especially at the wide or telephoto end of their range.

Conclusion

So which type of lens is best for you? It depends on your personal preference, budget, and style of photography. You might prefer a prime lens if you value sharpness, speed, affordability, and portability over versatility and convenience. If you value versatility, convenience, flexibility, and reach over sharpness, speed, affordability, and portability, then you might prefer a zoom lens.

Of course, you don’t have to choose one over the other. You can have both types of lenses in your camera bag and use them according to your needs and mood. The best way to find out which lens type suits you best is to try them out yourself and see what works for you.

Nikkor 50mm lenses

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If you are looking for the sharpest 50mm lens from Nikon, you might be wondering which one of the three models you have is the best choice. The 50mm f1.4D, the 50mm f1.8D and the 50mm f1.8G are all popular lenses that offer good performance and image quality. However, there are some differences between them that might affect your decision.

The 50mm f1.4D is the oldest and most expensive of the three. It has a fast aperture of f1.4, which allows you to shoot in low light and create a shallow depth of field. However, it also has some drawbacks, such as lower contrast, more chromatic aberration and more distortion than the other two lenses. It also lacks an autofocus motor, which means it will not autofocus on some Nikon cameras that do not have a built-in motor.

The 50mm f1.8D AF is the cheapest and lightest of the three. It has a slightly slower aperture of f1.8, but it still performs well in low light and produces a nice bokeh. It has better contrast, less chromatic aberration and less distortion than the 50mm f1.4D, but it also lacks an autofocus motor and has a noisy and slow autofocus mechanism.

The 50mm f1.8 AFS G is the newest and most advanced of the three. It has a silent wave motor (SWM) that enables fast and quiet autofocus on any Nikon camera. It also has an aspherical element that reduces spherical aberration and improves sharpness across the frame. It has the best contrast, least chromatic aberration and least distortion of the three lenses, but it also has a higher price tag and a larger size than the 50mm f1.8D.

So, which one is the sharpest? The answer depends on several factors, such as your shooting conditions, your camera model, your aperture setting and your personal preference. However, based on some tests and reviews, the general consensus is that the 50mm f1.8AFS G is the sharpest of the three at most apertures, especially at wide open and stopped down to f5.6 or f8. The 50mm f1.8D AF is slightly less sharp than the 50mm f1.8AFS G, but still sharper than the 50mm f1.4D at most apertures. The 50mm f1.4D is the least sharp of the three at wide open and only becomes comparable to the other two at smaller apertures, such as f11 or f16.

Of course, sharpness is not everything when it comes to choosing a lens. You might also consider other aspects, such as color rendition, flare resistance, build quality, weight, size and price. Ultimately, the best lens for you is the one that suits your needs and budget.

The images here were taken with the Nikkor 50mm f1.4D at between f4 and 5.6 certainly not my sharpest lens.

I own and use all three of these lenses and IMO the cheapest of the bunch gives me the best result for the way I make pictures.