The 50mm f/1.4 lens has long been a staple in Nikon’s lineup—ideal for portraits, low-light shooting, and general-purpose photography. But when choosing between the AF-S 50mm f/1.4G and the older AF 50mm f/1.4D, photographers often ask: which one suits my style better?
Let’s break it down.
🔍 AF-S Nikkor 50mm f/1.4G — Modern Mood Maker
Released in 2008, the AF-S 50mm f/1.4G is Nikon’s update to the classic 50mm formula. It features:
Silent Wave Motor (SWM) for autofocus—works on all Nikon DSLRs, including entry-level bodies without built-in motors.
Rounded 9-blade aperture for smoother bokeh.
Weather-sealed mount and solid build quality.
More refined rendering—soft wide open, but with a gentle, filmic character.
👍 Pros
Creamy bokeh and subtle tonal transitions.
Compatible with all Nikon DSLRs and Z bodies via FTZ adapter.
Quiet autofocus, ideal for video and discreet shooting.
👎 Cons
Slower autofocus than the D version.
Softer wide-open performance—requires stopping down for critical sharpness.
Larger and heavier (290g vs 230g).
🔍 Nikkor 50mm f/1.4D — Compact Classic
The 50mm f/1.4D is a legacy lens that still holds its own. It features:
Mechanical autofocus—requires a Nikon body with a built-in AF motor (won’t autofocus on D40, D60, D3xxx, or D5xxx series).
7-blade aperture—bokeh is slightly busier than the G version.
Compact and lightweight design—great for travel and street work.
Snappier AF performance—especially on pro bodies like the D700 or D810.
The Fujinon XF 56mm f/1.2 R WR is Fuji’s short-tele flagship for the X system, offering roughly an 85mm full-frame equivalent perspective on APS-C bodies. It’s engineered for portraiture, intimate documentary work, and any situation that benefits from strong subject isolation, shallow depth of field, and reliable weather resistance.
Key specifications
Focal length: 56mm (≈85mm equivalent)
Maximum aperture: f/1.2
Mount: Fujifilm X
Weather resistance: WR (dust and moisture sealed)
Optical construction: Multi-element design optimised for sharpness and bokeh control
Size/weight: Substantial; built for hand-held stability rather than absolute compactness
Optical character and performance
Center sharpness: Exceptional wide open; microcontrast and detail render skin and fabrics with natural dimensionality.
Edge performance: Edges and corners improve noticeably when stopped to f/2–f/2.8; wide-open edges are softer but not problematic for the lens’s primary use.
Bokeh: One of the lens’s defining strengths; extremely smooth, creamy out-of-focus transition with pleasing highlight shaping and minimal nervousness.
Rendering: Filmic and painterly rather than clinical; midtones and highlights roll off in a way that flatters faces and small textures.
Aberrations and flare: Well controlled in typical lighting; some care required with strong backlight but coatings and design limit intrusive flare and colour fringing.
Build, ergonomics, and handling
Construction: Solid metal build with weather sealing; a premium, reassuring feel.
Aperture and focus feel: Smooth aperture ring with well-defined stops; manual focus throw is precise and useful for deliberate focus work.
Balance: Heavier than compact primes; balances well on X-T and X-Pro bodies but feels deliberate in the hand.
Practicality: Not a grab-and-go lens for every outing; it’s a tool chosen for intent rather than convenience.
Autofocus, low-light, and hybrid use
AF performance: Fast and reliable on modern Fuji bodies, particularly with face and eye-detection enabled; suitable for portrait sessions, events, and run-and-gun documentary work when paired with capable bodies.
Low-light capability: f/1.2 provides real advantage for handheld shooting in dim environments, allowing lower ISOs or faster shutters while maintaining subject isolation.
Video: Minimal focus breathing and smooth transitions make it usable for interviews and cinematic shallow-depth-of-field work, though it’s optimised for stills.
Strengths
Outstanding subject isolation and bokeh that flatters faces and creates emotional separation.
Robust weather-resistant construction for outdoor sessions in variable conditions.
Strong centre sharpness wide open that supports large prints and editorial work.
Emotional, film-like rendering that excels in portraiture and intimate documentary imagery.
Trade-offs and caveats
Size, weight, and cost: Premium price and substantial heft make it a considered purchase.
Narrower framing on APS-C: ≈85mm eq. is ideal for head-and-shoulders but less versatile for environmental storytelling.
Very thin depth of field at f/1.2: Technique and reliable AF are essential; missed focus is more obvious.
Edge sharpness wide open: If you need edge-to-edge perfection at f/1.2, stopping down is necessary.
Recommended use cases and technique
Ideal for: Portraits, engagement and wedding work, editorial headshots, intimate documentary sequences, and low-light portraiture.
Shooting tips: Use f/1.2–f/1.8 for dramatic subject separation; stop to f/2.8–f/4 for small groups or increased sharpness. Rely on eye-detection AF for higher keeper rates. Maintain careful focus technique when shooting wide open and favour single-subject compositions where background compression enhances narrative.
Final verdict
The Fujinon XF 56mm f/1.2 R WR is a signature portrait lens that delivers on its promise: creamy bokeh, strong center sharpness, and reliable weather-resistant performance. It’s a lens for photographers who prioritise mood, presence, and tactile control over ultimate compactness or focal flexibility. For anyone focused on portraiture and intimate storytelling on the Fuji X system, it’s a high-impact, expressive tool that earns its place in the bag.
The Fujifilm X-Pro2 is a camera designed around presence and intentionality: a rangefinder-style body with a hybrid optical/electronic viewfinder that encourages anticipation and composition rather than reactive shooting. Its tactile dials and manual controls make settings an extension of the photographer’s intent, which suits street work where speed of thought and quiet operation matter.
The X-Pro2 solved many of the usability complaints of earlier rangefinder-style mirrorless models—autofocus performance is markedly improved, making it fast and accurate enough for candid street moments. That combination of responsive AF and an interface that rewards deliberate choices is why many street photographers still choose the X-Pro2 despite newer models being available.
Why lens choice matters on the X-Pro2
Prime lenses pair especially well with the X-Pro2’s design philosophy. The camera’s viewfinder and controls encourage a single-lens mindset—learning a focal length’s “mood” and the ways it frames relationships between subject and context. Choosing a prime narrows options in a productive way: you move with your feet, you compose deliberately, and you build a visual language around that perspective.
Practically, XF primes are small and light, preserving the X-Pro2’s discreet profile on the street. Many XF primes also offer fast apertures, letting you work in low light and control depth subtly for isolation when needed.
Best lenses in practice — how and when to use them
Fujinon XF 23mm f/2 (35mm eq): The everyday street lens. Use it when you want natural perspective that includes background context without distortion. It’s excellent for markets, cafe scenes, and quiet portraits where you want to show environment and gesture in one frame.
Fujinon XF 35mm f/2 (53mm eq): Reach for this when you want separation and intimacy. It’s a portraitist’s street lens—great for faces, gestures, and composing tighter narratives within a busy street scene. Its weather sealing and reliable AF make it workhorse-ready.
Fujinon XF 16mm f/2.8 (24mm eq): The wide storyteller. Use it for alleyways, architectural rhythm, and scenes where foreground-to-background relationships are essential. Be mindful of edge distortion when people are close to frame edges.
Fujinon XF 18mm f/2 (27mm eq): A sweet middle ground—wider than 23mm but closer than 16mm. It’s excellent for narrow streets and markets where you want to be close yet preserve intimacy; it renders with a film-like character that suits print and monochrome work.
Fujinon XF 50mm f/2 (75mm eq): Use it selectively for environmental portraits that need compression and background separation. It requires more distance but rewards with isolation and graceful bokeh.
Shooting tips with the X-Pro2 and primes
Commit to a focal length for a session. Let the lens shape your attention and force you to “see” differently. The X-Pro2’s finder rewards this practice by teaching you the aperture, distance, and timing for that lens.
Use the optical finder for anticipation and the EVF for confirmation. The hybrid finder lets you pre-visualize a scene optically and then confirm exposure or focus with electronic feedback when needed.
Embrace tactile control. Use the mechanical dials to keep your attention on framing and gesture, not menus. This supports presence—crucial for catching those decisive moments.
Balance AF modes. Single-point AF for composed portraits; zone AF or wide tracking when you expect movement. The X-Pro2’s autofocus improvements make both workable in street scenarios.
Print often. The X-Pro2’s filmic sensor rendering rewards print output; revisiting images on paper helps refine what lenses and framing best serve your visual voice.
Final thought
The Fujifilm X-Pro2 is more than an aging model—it’s a design philosophy incarnate. It places the photographer’s eye first, supports deliberate practice, and pairs beautifully with a small suite of prime lenses that each teach a different way of seeing. For street work—where presence, anticipation, and quiet clarity matter—the X-Pro2 remains an instrumental, expressive camera that still rewards deep practice and restraint.
A Critical Look at Viltrox’s Ultra-Wide Prime for APS-C
In the world of ultra-wide primes, the Viltrox 13mm f/1.4 stands out—not just for its specs, but for what it represents: a third-party lens that competes confidently with first-party glass. Designed for APS-C mirrorless systems (Fujifilm X, Sony E, Nikon Z), it offers a 20mm full-frame equivalent field of view with a bright f/1.4 aperture. That’s a rare combination, especially at this price point.
But does it live up to the hype?
🔍 Optical Performance
Sharpness is excellent in the centre, even wide open, with only minor softness at the edges that improves by f/2.8. This makes it a strong performer for:
Astrophotography: minimal coma and good corner control
Architecture and interiors: straight lines stay straight, thanks to well-controlled distortion
Street and environmental portraiture: surprisingly usable for creative compositions
Chromatic aberration is minimal, and flare resistance is decent, though not flawless when shooting into strong light sources.
⚙️ Build and Handling
The lens feels premium:
All-metal construction with weather sealing
Smooth manual focus ring and a clicked aperture ring—a welcome tactile feature for photographers who prefer physical feedback
Compact and lightweight for an f/1.4 ultra-wide—ideal for travel and vlogging setups
Autofocus is fast and quiet, with support for eye detection AF and EXIF data transmission. Firmware updates are possible via a USB-C port on the lens mount, a thoughtful touch for long-term usability.
🎯 Real-World Use
This lens shines in:
Low-light urban scenes: f/1.4 lets you shoot handheld at night
Vlogging and video: wide field of view with minimal focus breathing
Creative portraiture: unconventional but effective for environmental storytelling
However, it’s not without trade-offs:
No image stabilisation—rely on in-body IS or careful technique
Some edge softness wide open, especially on high-resolution sensors
No weather sealing on the front element, so use a filter in harsh conditions
🧭 Final Verdict
The Viltrox 13mm f/1.4 is a bold, well-executed lens that punches above its weight. It’s not perfect—but it doesn’t need to be. For photographers and filmmakers who value wide perspectives, fast glass, and creative flexibility, it’s a compelling choice.
Best for: astrophotographers, vloggers, street shooters, and anyone who wants to explore the world at 20mm equivalent. Not ideal for: those needing edge-to-edge perfection or built-in stabilisation
The Fujifilm XF 18mm f/2 isn’t perfect. But it’s present. It’s compact, fast, and quietly capable. It doesn’t demand attention—it invites it. And for street photographers, documentarians, and those who value rhythm over resolution, it’s a lens worth knowing.
I’ve used it in clinics, on the street, and in quiet corners of care. It’s not a showstopper. It’s a companion. And that’s what makes it special.
✅ The Good: Why It Still Matters
🧠 1. Classic Focal Length
18mm on Fuji’s APS-C sensor gives you a 27mm equivalent—ideal for street photography, environmental portraits, and storytelling in context.
Wide enough to breathe, tight enough to feel.
🪶 2. Compact and Featherlight
This lens disappears in your hand. It makes the camera feel invisible.
Perfect for moving quietly, staying present, and photographing without spectacle.
⚡ 3. Fast f/2 Aperture
Responsive in low light. Lets you isolate gestures and moments without losing the scene.
Great for dusk, clinics, and shadow play.
🎞️ 4. Film-Like Rendering
Slight softness at the edges. Gentle contrast. A character that feels felt, not forced.
Prints beautifully—especially in black-and-white.
🧭 5. Teaches Restraint
No zoom. No overcorrection. Just you, the scene, and the moment.
Ideal for students learning to compose with care.
❗ The Quirks: What to Know
🧊 1. Not the Sharpest Tool
Wide open, it’s soft at the edges. Corner sharpness improves by f/4–f/5.6.
If you’re chasing clinical perfection, this isn’t your lens.
🔊 2. Noisy Autofocus
The AF motor isn’t silent. In quiet settings, you’ll hear it.
Not a dealbreaker, but worth noting for documentary work.
🧱 3. Older Design
No weather sealing. No linear motor. No aperture lock.
It’s part of Fuji’s original lens lineup—quirky, charming, and a little dated.
🧪 4. Chromatic Aberration
You may see some fringing in high-contrast scenes. Easily corrected in post, but present.
🖼 How It Prints
This lens isn’t about technical brilliance. It’s about emotional clarity. The files print with softness, nuance, and tonal depth. Especially in monochrome, the 18mm f/2 feels like a whisper—gentle, grounded, and true.
🕊 Final Thought: Character Over Perfection
The Fujinon XF 18mm f/2 isn’t for everyone. But for those who value presence over pixels, it’s a quiet gem. It teaches you to move slowly, see clearly, and photograph with care.
Because sometimes, the best lens isn’t the sharpest. It’s the one that listens.
In a world chasing megapixels, mirrorless speed, and AI-driven autofocus, the Nikon D3S stands quietly in the corner—unbothered, unbroken, and still deeply capable. Released in 2009, it was Nikon’s first full-frame DSLR to truly master low-light performance. Today, it’s more than a relic. It’s a reminder: that restraint, reliability, and character still matter.
I’ve used the D3S in clinics, on the street, and in moments of care. It’s never asked for attention. It’s just done the work.
🧠 What Made the D3S Special
12.1MP Full-Frame Sensor Not flashy by today’s standards, but beautifully tuned. Files are clean, balanced, and emotionally honest. The lower resolution encourages intentional framing and thoughtful printing.
ISO Performance That Changed the Game At the time, ISO 12,800 was revolutionary. Even today, the D3S holds its own in low light—especially in documentary work where grain isn’t a flaw, but a feeling.
Tank-Like Build Magnesium alloy body. Weather sealing. Shutter rated to 300,000 actuations. This camera was built for war zones, operating rooms, and long nights in the rain.
Dual CF Slots Redundancy and reliability. For those who print, archive, and teach, this matters more than speed.
No-Nonsense Ergonomics Everything falls to hand. No touchscreens. No distractions. Just tactile control and muscle memory.
🪞 Why It Still Matters
1. It Slows You Down—in a Good Way
The D3S isn’t about rapid-fire bursts or eye-detection AF. It’s about presence. You compose with care. You anticipate. You listen to the scene.
2. It Honors the Print
The files from the D3S print beautifully. Tonal transitions are smooth. Highlights roll off gently. Blacks hold depth. For those who see printing as completion, the D3S delivers.
3. It’s a Teaching Tool
For students learning restraint, the D3S is ideal. It forces intentionality. It rewards patience. It teaches that gear doesn’t make the image—vision does.
4. It Carries Legacy
This camera has seen things. It’s been in the hands of photojournalists, volunteers, and quiet documentarians. Using it feels like joining a lineage—not chasing a trend.
🧭 Who Is It For Today?
Documentarians who value reliability over novelty
Educators who want to teach presence, not presets
Street photographers who prefer quiet strength to flashy specs
Archivists and printers who care about tonal integrity
Anyone who believes that interesting pictures come from how you see, not what you shoot with
🕊 Final Thought: Enoughness in a Shutter Click
The Nikon D3S isn’t just relevant—it’s resonant. It reminds us that photography isn’t about chasing perfection. It’s about showing up. Seeing clearly. Printing with care.
In a time of constant upgrades, the D3S whispers: You already have enough. Now go make something that matters.
A Farewell to a Workhorse That Never Asked for Praise
For a decade, the Canon 1D Mark IV was my companion. Not my tool. Not my gear. My companion.
It didn’t flatter. It didn’t fail. It simply showed up—day after day, shoot after shoot—with a kind of quiet reliability that modern cameras often forget in their race for relevance.
🧱 Built Like a Promise
The 1D Mark IV was never sleek. It was solid. Magnesium alloy, weather-sealed, unapologetically heavy. It felt like commitment in the hand.
16MP APS-H sensor with a 1.3x crop—perfect for reach without sacrificing tone
Dual DIGIC 4 processors that never blinked, even at 10fps
Autofocus that tracked motion like instinct, not algorithm
I shot with one AF point. The center. Always. Because the camera didn’t need tricks—it needed trust.
📷 What It Gave Me
Color rendering that felt like memory, not measurement
Files that breathed—not just pixels, but presence
Low-light performance that surprised me, even in candlelit homes and monsoon dusk
Battery life that outlasted the day, and sometimes the doubt
It wasn’t perfect. But it was predictable. And in documentary work, that’s gold.
🧘 Why I Stayed So Long
Because it never asked me to rush. Because it never distracted me with features I didn’t need. Because it taught me to anticipate, to listen, to wait.
I shot weddings, markets, protests, and quiet portraits with it. I traveled with it across borders and into stories that didn’t need spectacle—just presence.
✍️ The Shift to Nikon
Eventually, I moved to Nikon. Not because the 1D failed me, but because my rhythm changed. I wanted different tonal nuance. Different ergonomics. A different conversation with the frame.
But I didn’t leave the 1D behind. I graduated from it. And like any good teacher, it still echoes in my practice.
🖼️ Closing Thought
The Canon 1D Mark IV wasn’t just a camera. It was a decade of trust. And in a world of constant upgrades, trust is the rarest feature of all.
Choosing a potentially dangerous profession like photojournalism requires preparation, resilience, and a deep passion for storytelling. Here’s a guide to help someone navigate this path safely and effectively:
1. Develop Strong Skills and Portfolio
Master the Craft: Enhance photography skills through courses, workshops, and hands-on practice. Street photography, capturing candid moments, is a good starting point.
Build a Portfolio: Create a compelling portfolio showcasing a variety of work, with an emphasis on impactful, human-interest stories.
2. Gain Relevant Experience
Internships and Freelance Work: Start with internships at media outlets or freelance assignments to gain practical experience.
Network: Connect with other photojournalists and professionals in the field. Attend industry events, join photography groups, and participate in exhibitions.
3. Understand the Risks
Safety Training: Take courses on safety in conflict zones and hazardous environments. Organizations like the Rory Peck Trust offer such training.
Stay Informed: Research and stay updated on the regions and situations you will be covering. Knowledge of the political, social, and environmental context is crucial.
4. Equip Yourself Properly
Right Gear: Invest in durable and reliable photography equipment. Consider cameras like the Nikon D3S or Canon 1D MkIV which have proven performance.
Safety Gear: In dangerous areas, gear like bulletproof vests and helmets might be necessary.
5. Develop a Support System
Mentorship: Find a mentor in the field who can offer guidance and support.
Mental Health Support: Dealing with traumatic events can be challenging. Have access to mental health resources and support networks.
6. Legal and Ethical Considerations
Understand Legalities: Be aware of the legal implications and regulations in the areas you are working in.
Ethics: Maintain ethical standards in journalism. Respect the dignity and privacy of the subjects you photograph.
7. Be Persistent and Adaptable
Stay Determined: The path to becoming a successful photojournalist can be challenging and competitive.
Adaptability: Be open to different styles and methods of storytelling.
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The journey to becoming a photojournalist is both demanding and rewarding. It requires a balance of technical skill, safety awareness, and a profound commitment to telling human stories.
If you’re eager to start, why not practice your skills by capturing compelling stories in your local area? Street photography often provides a rich tapestry of human experiences and can serve as excellent preparation for more intense assignments.
For a burgeoning photojournalist like yourself, focusing on specific photography skills can elevate your work and help you capture impactful, story-driven images. Here are some key skills to hone:
1. Composition and Framing
Rule of Thirds: Understand how to compose images by dividing the frame into thirds, placing points of interest along these lines.
Leading Lines: Use lines to guide the viewer’s eye to the main subject of the photograph.
Framing: Experiment with natural frames within your environment to highlight the subject.
2. Exposure and Lighting
Manual Mode Mastery: Get comfortable shooting in manual mode to have full control over shutter speed, aperture, and ISO.
Low-Light Photography: Practice capturing sharp and well-exposed images in low-light conditions, a crucial skill for photojournalists.
Natural Light: Learn to use and manipulate natural light to enhance your images.
3. Focus and Depth of Field
Selective Focus: Understand how to use selective focus to isolate your subject from the background.
Depth of Field: Play with different apertures to create depth in your images. Use a shallow depth of field for portraits and a deeper one for environmental shots.
4. Candid and Street Photography
Spontaneity: Capture un-posed, genuine moments. This is essential for telling authentic human stories.
Discreet Shooting: Develop techniques to shoot discreetly, so as not to disturb the scene you photograph.
5. Post-Processing
Editing Software: Gain proficiency in photo editing software like Adobe Lightroom and Photoshop.
Ethical Editing: Learn to enhance images while maintaining their authenticity and integrity. Avoid excessive manipulation.
6. Visual Storytelling
Narrative: Each photo should contribute to the overarching story you aim to tell. Think about how your images work together to convey a message.
Sequencing: Practice creating a photo series that guides the viewer through a visual narrative.
7. Technical Proficiency with Gear
Camera Handling: Be familiar with your camera’s functions. Practice changing settings quickly and efficiently.
Lens Selection: Understand which lenses to use for different scenarios. Prime lenses are great for low light, while zoom lenses offer versatility.
8. Research and Contextual Knowledge
Background Research: Always research the context of the stories you are documenting. This ensures your images are informative and respectful.
Cultural Sensitivity: Be aware of and sensitive to cultural norms and practices in the regions you photograph.
9. Resilience and Adaptability
Patience: Sometimes the perfect shot requires waiting for the right moment.
Adaptability: Be prepared to adapt to changing conditions and unpredictable situations.
10. Ethical Journalism
Code of Ethics: Familiarize yourself with the ethical standards in journalism. Always prioritize the dignity and safety of your subjects.
Consistent practice and a willingness to experiment and learn from each shot will help you develop these skills. Documenting your local area can be a great way to start building these competencies.
Is there a particular technique or skill you’d like to dive deeper into?
Enhancing your visual storytelling in photography involves more than just capturing beautiful images—it’s about conveying a narrative that resonates with your audience. Here are some techniques to elevate your storytelling:
Define Your Story Purpose: Clearly define the purpose of your story. What message do you want to convey? What emotions do you want to evoke?
Subject: Identify the main subject or theme of your story. It could be a person, a place, or an event.
Research and Plan Background Research: Gather information about your subject. Understanding the context helps in capturing more meaningful images.
Storyboarding: Plan your shots in advance. Create a storyboard to visualize the sequence of your story.
Capture Emotions and Moments Expressions: Focus on capturing genuine emotions and expressions. They add depth to your story.
Moments: Look for decisive moments that highlight the essence of your narrative.
Use Composition Effectively Visual Hierarchy: Guide the viewer’s eye through the image using composition techniques like leading lines, framing, and the rule of thirds.
Juxtaposition: Use contrast and juxtaposition to highlight differences or similarities within the frame.
Play with Light and Shadows Natural Light: Utilize natural light to create mood and atmosphere. The quality of light can significantly impact the emotional tone of your images.
Shadows: Incorporate shadows to add depth and drama.
Incorporate Symbolism and Metaphors Symbols: Use objects or elements that symbolize broader concepts or themes. They can add layers of meaning to your story.
Metaphors: Create visual metaphors that represent abstract ideas in a tangible form.
Create a Sense of Place Environmental Shots: Capture the environment and setting to provide context. It helps the viewer understand the surroundings and the story’s backdrop.
Details: Pay attention to small details that contribute to the overall narrative.
Sequence Your Images Chronology: Arrange your images in a sequence that makes sense chronologically or thematically.
Pacing: Vary the pacing by mixing wide shots, medium shots, and close-ups. It keeps the viewer engaged.
Post-Processing Consistent Style: Maintain a consistent editing style that complements your story. It helps in creating a cohesive visual narrative.
Enhancements: Enhance colours, contrast, and sharpness to draw attention to key elements without over-editing.
Engage with Your Audience Captions and Context: Provide captions or context to accompany your images. It helps the audience understand the story behind the shots.
The Nikon D700 is a beloved camera among photography enthusiasts and professionals for several reasons:
Full-Frame Sensor: It features a 12.1-megapixel FX-format CMOS sensor, which provides excellent image quality and low-light performance.
Build Quality: The D700 is known for its robust and durable build, making it suitable for various shooting conditions.
Autofocus System: It has a 51-point autofocus system with 15 cross-type sensors, ensuring precise and fast focusing.
High ISO Performance: The camera performs well at high ISO settings, allowing for great shots in low-light environments.
Continuous Shooting: It offers a speed of up to 5 frames per second. An optional battery grip can increase this to 8 frames per second.
Versatility: The D700 supports a wide range of Nikon F-mount lenses. Including older AI/AI-S lenses, making it a versatile choice for photographers.
Overall, the Nikon D700 is praised for its combination of image quality, build, and performance, making it a reliable choice for many photographers.
What is so good about its sensor ??
The Nikon D700’s sensor is highly regarded for several reasons:
Full-Frame Sensor: The 12.1-megapixel FX-format CMOS sensor provides excellent image quality with a wide dynamic range and rich colour depth.
Low-Light Performance: The sensor performs exceptionally well in low-light conditions, producing clean images with minimal noise even at high ISO settings.
Detail and Sharpness: The sensor captures fine details and sharpness, making it ideal for various types of photography, from landscapes to portraits.
Versatility: The full-frame sensor allows for greater control over depth of field, enabling photographers to achieve beautiful background blur (bokeh) and more creative compositions.
Overall, the sensor in the Nikon D700 is a key factor in its reputation for delivering high-quality images in a variety of shooting conditions.
The Nikon D700’s autofocus (AF) system is highly praised for its performance and reliability. Here are some key features:
51-Point AF System: The D700 features a 51-point autofocus system, which includes 15 cross-type sensors. This ensures precise and fast focusing across a wide area of the frame.
3D Tracking: The camera’s 3D tracking feature allows it to follow moving subjects accurately, making it ideal for action and sports photography.
Low-Light Performance: The AF system performs well in low-light conditions, maintaining accuracy and speed even in challenging lighting situations.
Customizable Settings: The D700 offers various AF modes and settings, allowing photographers to customize the autofocus performance to suit their specific needs.
Overall, the AF system in the Nikon D700 is one of its standout features, providing reliable and accurate focusing for a wide range of photography scenarios.
The Nikon D700’s shutter is indeed rated for 150,000 actuations, which is a realistic estimate for its lifespan. However, it’s important to note that this is an average figure. Some shutters may fail earlier, while others can exceed this number significantly. Many users have reported their D700s lasting well beyond the 150,000 mark2. If the shutter does wear out, it can be replaced, allowing the camera to continue functioning.
So, while 150,000 actuations is a good benchmark, individual experiences may vary. If you’re a heavy shooter, it’s always good to keep an eye on the shutter count and be prepared for potential maintenance down the line.
The Nikkor 35-135mm f/3.5-4.5 is a versatile zoom lens produced by Nikon for their film SLR cameras. It was first introduced in the late 1980s and was known for its solid build quality and good optical performance.
This lens offers a wide focal length range from 35mm, which is great for capturing landscapes and group shots, to 135mm, suitable for portraits and close-ups. The variable aperture of f/3.5-4.5 provides decent low-light performance and depth of field control.
The lens features multi-coated optics to reduce flare and ghosting, resulting in sharp images with good contrast. It also has a close minimum focusing distance, allowing you to get close-up shots of your subjects.
The Nikkor 35-135mm f/3.5-4.5 is a reliable and versatile lens used for a wide range of photography styles, but it is heavy. Its compatibility with my Nikon D3 camera makes it a great choice for capturing various subjects with a single lens.
The Nikon 35-135mm f/4-5.6 is an older lens, first introduced in the late 1980s. While it may not have all the modern features and technology of newer lenses, it can still be a good option for certain photography needs.
In terms of image quality, it can produce decent results, especially when stopped down a bit from its widest apertures. However, it may not be as sharp or have the same level of optical performance as newer lenses, especially at the extreme ends of its zoom range.
One of the main advantages of this lens is its versatility in offering a wide focal length range, which can be useful for various types of photography such as portraits, landscapes, and even some wildlife or sports photography.
Overall, if you’re looking for a budget-friendly lens with a decent focal length range and can accept some compromises in image quality compared to more modern lenses, the Nikon 35-135mm f/4-5.6 could still be a viable option.
a world without pictures is like coffee without cream and sugar, bitter 