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The Nikon D3 plus Nikkor 35-135 f3.5/4.5 Zoom

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The Nikon D3, a camera that has carved its niche in the world of photography, pairs exceptionally well with the versatile Nikkor 35-135mm f/3.5-4.5 lens. This combination offers photographers a blend of classic design and modern functionality, making it a delightful duo for both seasoned professionals and enthusiastic hobbyists.

The Nikon D3, known for its robust build and exceptional image quality, has been a go-to choice for photographers who demand reliability and performance. Its full-frame sensor ensures that every shot captures the finest details with remarkable clarity. When combined with the Nikkor 35-135mm lens, which is celebrated for its versatility and optical performance, the Nikon D3 reaches new heights of photographic excellence.

The Nikkor 35-135mm lens, despite being an older model, has stood the test of time with its solid construction and impressive image quality. Reviews have consistently highlighted its good contrast and sharpness, which, although not on par with the latest lenses, is still commendable and holds up well against its contemporaries. Its push-pull zoom mechanism may seem dated to some, but it offers a tactile experience that many photographers find satisfying.

One of the lens’s notable features is its macro mode at 35mm, which allows for close-up photography, albeit with manual focus. This adds another layer of versatility, making it an excellent choice for those who appreciate the ability to capture both expansive landscapes and intricate details without changing lenses.

The lens’s autofocus, while not the fastest by today’s standards, is accurate and reliable. It’s a testament to the lens’s design that it continues to perform admirably, providing users with a level of consistency that is essential for capturing those fleeting moments.

In conclusion, the Nikon D3 paired with the Nikkor 35-135mm f/3.5-4.5 lens is indeed a treat to use. It’s a combination that respects the heritage of photography while still delivering the performance expected by today’s standards. Whether you’re capturing the dynamic energy of a bustling city or the serene beauty of nature, this duo will not disappoint. It’s a pairing that reminds us that in photography, the synergy between camera and lens is just as important as the vision behind the viewfinder.

The Nikon D3: A Love Story. LOL.

Ah, the Nikon D3, my camera that has stood the test of time and technology’s relentless march. Why do some photographers still cling to this digital relic, you ask? Well, let me tell you, it’s not just about taking pictures; it’s about being one with a device that has more personality than a grumpy cat on the internet.

First off, reliability. The Nikon D3 doesn’t just work; it works like a charm, a very sturdy charm. It’s the kind of camera that would survive a drop from a tripod, a splash during a rainy wedding shoot, or even an accidental tumble down a hill after you tripped over that rock you swore wasn’t there a second ago.

Then there’s the performance. It’s solid, like that one friend who always shows up on time, rain or shine. The D3 doesn’t care if you’re shooting a fast-paced sports event or trying to capture the slow, majestic movement of clouds. It’s ready for action, with a “hold my beer” attitude.

Let’s not forget the build quality. If cameras were tanks, the D3 would be the one leading the charge into battle. It’s built like a fortress, with a grip that feels like a firm handshake from your favourite uncle—the one who used to be a wrestler and still has the biceps to prove it.

And the feel in the hand? Oh, it’s sublime. Holding the D3 is like holding hands with a loved one, except it’s better because it doesn’t get sweaty. It’s the kind of ergonomic bliss that makes you want to whisper sweet nothings into its viewfinder.

So, why do we still love the Nikon D3? Because in a world where gadgets come and go faster than a celebrity marriage, the D3 is our rock, our steady companion in the chaotic world of photography. It’s the camera that says, “I got you, buddy,” and you believe it.

The Nikon D3 isn’t just a camera; it’s a trusty sidekick, a timeless tool, and for some of us, a reason to smile every time we pick it up. It’s the photographic equivalent of comfort food, and we wouldn’t have it any other way. Nikon D3, you’re the real MVP.

Switching Between Camera Giants: A Personal Journey

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The world of photography is rich with choices, and for enthusiasts and professionals alike, the equipment can make all the difference. For years, Canon has been a trusted name in the industry, known for its reliable performance and high-quality images. But as with any art, the urge to explore and experiment with new tools is ever-present.

Enter Fuji and Nikon, two other titans in the world of photography, each with their unique strengths and characteristics. Fuji is renowned for its colour science, producing images with a distinct, vibrant look straight out of the camera. It’s a feature that has won the hearts of many photographers who crave that signature Fuji aesthetic. On the other hand, Nikon has long been celebrated for its ergonomics and build quality, as well as the sheer versatility of its lens lineup.

So, what happens when a long-time Canon user decides to venture into the realms of Fuji and Nikon? It’s a transition that can be both exhilarating and daunting. The tactile experience of a new camera, the excitement of different features, and the potential for a fresh perspective on one’s photography are alluring prospects.

But with new territory comes the inevitable comparison. Does the image quality measure up? How does the handling compare to the familiar grip of a Canon body? Are the menus intuitive, or do they require a retraining of muscle memory? These are questions that can only be answered through experience, through the viewfinder, and in the final images captured.

For those who have made the switch, like our inquisitive photographer here, it’s a personal journey of discovery. Some may find that the change brings a renewed passion for their craft, while others may realize a newfound appreciation for the nuances of their old gear. It’s a testament to the diversity and personal nature of photography—there is no one-size-fits-all solution, and the ‘best’ camera is often the one that simply feels right in your hands and becomes an extension of your creative vision.

So, did our photographer notice a difference? Undoubtedly. Each brand brings something unique to the table, and the experience of using Fuji and Nikon cameras is distinct from that of Canon. But the true measure of this difference lies not in the specs or the reviews but in the personal relationship between photographer and camera. It’s a relationship built over time, through trial and error, success and frustration, and ultimately, through the images that speak to the photographer’s soul.

Whether you’re a Canon loyalist, a Fuji aficionado, or a Nikon devotee, the journey through the landscape of photography is one of endless learning and joy. So, embrace the differences, explore the possibilities, and let your choice of camera inspire you to new heights of photographic expression. Happy shooting!

Full Frame or Crop sensor ??

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If you are a photography enthusiast, you might have wondered whether full-frame 35mm cameras are better than crop-frame cameras. This is a common question that many photographers ask, and the answer is not so simple. There are advantages and disadvantages to both types of cameras, depending on your needs, preferences and budget.

Full frame 35mm cameras have a larger sensor size than crop frame cameras, which means they can capture more light and produce higher quality images with less noise and more dynamic range. They also have a wider field of view, which can be useful for landscape, architecture and street photography. Full-frame 35mm cameras tend to be more expensive, heavier and bulkier than crop frame cameras, and they require larger and more costly lenses.

Crop frame cameras have a smaller sensor size than full frame 35mm cameras, which means they have a crop factor that magnifies the focal length of the lenses. This can be beneficial for wildlife, sports and portrait photography, as you can get closer to your subject without losing image quality. Crop frame cameras tend to be cheaper, lighter and more compact than full-frame 35mm cameras, and they can use smaller and more affordable lenses.

Fuji XT3
Nikon D3S

So, which one is better? The answer depends on what kind of photography you do, what kind of results you want, and how much money you are willing to spend. There is no definitive answer to this question, as both types of cameras have their pros and cons. The best way to decide is to try them out for yourself and see which one suits your style and needs better. Happy shooting!

The Power of Photography

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Photography is a powerful medium that captures the essence of our reality, freezing moments in time that tell stories, evoke emotions, and preserve memories. As a photographer, you have the unique ability to see beauty in the mundane, to find angles that flatter, and to bring out the best in every subject, whether it’s a person, an object, or a building. Your approach to photographing people is particularly commendable; ensuring that they look their best is not just about skill, but also about empathy and respect for the subject. It’s about understanding the light, the angle, the background, and the mood to create a composition that is both aesthetically pleasing and representative of the subject’s persona.

In your journey through the lens, you become a storyteller, an artist, and a historian, all at once. Your camera is your tool to communicate, to share perspectives, and to challenge perceptions. Every click is an opportunity to make an ordinary scene extraordinary, to elevate the unnoticed to the celebrated, and to transform fleeting expressions into lasting impressions. The buildings you capture stand as silent witnesses to history, their architecture a testament to the era and culture they represent. The objects you photograph are given a new context, their details and textures telling their own tales.

Your commitment to not embarrassing your subjects is a testament to your professionalism and understanding of imagery’s power. A photograph can uplift, but it can also harm if not approached with sensitivity and care. By portraying people in a dignified manner, you honour their individuality and story. This ethical approach sets a standard in photography, where the human element is as important as the technical one.

Keep capturing the world through your unique perspective, and continue to share the beauty you see with others. Your work not only brings joy to those who view your photographs but also contributes to the rich tapestry of visual storytelling that connects us all. In every shutter release, you have the chance to create something timeless, something that speaks without words, and something that can be cherished for generations to come. Happy shooting!

The Art of Composition and Cropping in a 4-Megapixel World

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In the age of ultra-high-resolution cameras, it’s easy to overlook the significance of composition and cropping, especially when working with a modest 4-megapixel camera. However, the constraints of lower resolution photography can actually be a catalyst for creativity and a return to the fundamentals of good photography. I recently picked up the Nikon D2Hs camera that took the following images, using an old Nikkor 85mm f1.8D.

Composition is the cornerstone of a compelling photograph. It’s the arrangement of elements within the frame that dictates the flow of the viewer’s eye and the overall impact of the image. With only 4 megapixels, every pixel counts, and there’s little room for error. This limitation forces photographers to be more intentional with their framing, to think more deeply about the subject and the story they want to tell.

Cropping in-camera is another critical skill that gains prominence in this context. It’s about making decisions on the spot, rather than relying on post-processing to salvage a shot. This practice hones a photographer’s eye for detail and encourages a more proactive approach to capturing the right shot from the outset.

The discipline of working within the confines of 4 megapixels can also lead to a greater appreciation for the texture, colour, and light present in the moment. It challenges photographers to maximize the potential of their equipment, regardless of its limitations.

In essence, embracing the constraints of a 4-megapixel camera can be a rewarding journey back to the basics of photography. It’s a reminder that the power of a photograph doesn’t solely rest on the number of pixels but on the vision, creativity, and technique of the photographer behind the lens. Whether you’re a seasoned professional or an enthusiastic amateur, the principles of composition and in-camera cropping are timeless skills that will enhance the quality of your work, no matter the resolution.

Can a Camera be said to have a particular charm.

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Older DSLR cameras have a unique charm that modern cameras often struggle to replicate. The sensors in these cameras, with their larger pixels, have a certain way of rendering light and colour that can produce images with a distinct, almost tangible texture. This quality is something that many photography enthusiasts and professionals alike appreciate, as it adds character and depth to the photographs. The tactile experience of adjusting the dials and pressing the shutter button also contributes to the overall enjoyment of using these cameras. Moreover, the process of working with older technology can teach valuable lessons about the fundamentals of photography, such as exposure, composition, and the importance of light. It’s a blend of art and science, where understanding the limitations and capabilities of the equipment can lead to a more intentional and satisfying creative process.

Exploring the Nikon D2HS: A Robust Camera for Sports and Street Photography

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The Nikon D2HS is a camera that stands out in the realm of sports photography. Launched as an upgrade to the Nikon D2H, the D2HS brought with it a suite of improvements that catered to the needs of action and sports photographers. With its ability to shoot at 8 frames per second, this camera was designed to capture the peak moments of fast-paced action, ensuring that photographers never miss the critical shot.

The D2HS is equipped with a 4.1-megapixel JFET-LBCAST sensor, optimized for high frame rates rather than high resolution, which is a trade-off that sports photographers are often willing to make for the sake of capturing action without blur or delay. The camera’s high-speed performance is complemented by its robust build quality, making it a durable choice for photographers who work in challenging environments.

One of the key features that set the D2HS apart from its predecessors was the improved battery life, capable of thousands of shots on a single charge. This is a significant advantage for professionals who need to shoot for extended periods without the opportunity to recharge. Additionally, the camera’s incident light sensor aids in achieving accurate auto white balance, a crucial factor in maintaining color consistency across a series of fast shots.

The D2HS also supports the sYCC color profile, which allows for a wider range of colors to be reproduced when printing JPEG data, compared to the conventional sRGB color profile. This feature is particularly beneficial for photographers who need their prints to match the vibrancy and detail of their digital images closely.

Despite being succeeded by newer models like the Nikon D300 and D3, the D2HS remains a valued tool for many photographers, especially considering its affordability in the used market. It represents a balance between professional-level performance and budget-conscious accessibility, making it a noteworthy option for those entering the field of sports photography or for seasoned professionals seeking a reliable backup camera.

In conclusion, the Nikon D2HS may not boast the highest resolution or the latest technology compared to modern cameras, but its focus on speed and reliability continues to make it a relevant choice for capturing sports and action. Its legacy in the Nikon lineup is a testament to its design philosophy, prioritizing the needs of photographers who require fast, consistent, and dependable performance in the heat of the moment. Whether it’s for the thrill of the game or the pursuit of the perfect action shot, the Nikon D2HS has proven to be a solid performer in the world of sports photography.

The Ethical Lens of Street Photography: Art vs. Exploitation

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Street photography, a genre that often captures the raw essence of society by snapping candid moments of strangers, has long been a subject of ethical debate. Is it a form of art that celebrates the spontaneity of life, or is it an exploitation of unsuspecting individuals?

The art of street photography lies in its ability to document the unposed, the unplanned, and the unexpected. It’s a visual diary of human nature, a way to preserve fleeting moments that, once gone, are lost to time. The streets become a canvas, and the people, unwitting subjects that tell a story. Some of the most iconic images that define historical eras or social movements are the products of street photography, serving as powerful reminders of our collective past.

However, the act of photographing strangers without their consent raises important ethical questions. The line between public interest and personal privacy is often blurred. While photographers may argue that the public domain is fair game for capturing life as it unfolds, the individuals on the other side of the lens may feel their privacy has been invaded. This tension is further complicated by the potential for these images to be shared widely in the digital age, often without the subject’s knowledge or control over how they are represented.

The ethics of street photography are not black and white. They require photographers to navigate the murky waters of moral responsibility. Some photographers adopt a stealthy approach, using discreet methods to avoid disturbing the scene, thereby minimizing the impact on their subjects. Others engage directly with the people they photograph, sometimes building rapport and seeking consent, which can lead to more intimate and telling portraits.

Legal frameworks vary widely across the globe, and what is permissible in one country may be forbidden in another. In many places, the law permits photography in public spaces, recognizing it as an extension of freedom of expression. Yet, ethical considerations often extend beyond the realm of legality. Photographers must weigh their right to capture images against the rights of their subjects to privacy and respect.

Ultimately, street photography is not inherently exploitative, but it demands a high degree of sensitivity and ethical consideration from the photographer. It’s about finding a balance between the pursuit of artistic expression and respect for the dignity of those captured in the frame. As the debate continues, it’s clear that the responsibility lies with the photographer to make ethical choices that honor both their art and their subjects.

Nikkor 35-135 f3.5/4.5 zoom lens

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Checking out an old Nikkor 35-135 f3.5/4.5 zoom lens that I had lying about the office. It’s not a bad old girl from these test shots. Heavy and built like a brick, it goes well with my D3s. I used to have 2 of these lenses, I wonder where the other one has got to.

Nikkor 35-135mm 3.5/4.5 AF: A Versatile and Affordable Zoom Lens for Nikon DSLRs

If you are looking for a zoom lens that can cover a wide range of focal lengths, from wide-angle to telephoto, without breaking the bank, you might consider the Nikkor 35-135mm 3.5/4.5 AF. This lens was introduced in 1987 and discontinued in 1995, but it is still widely available on the used market for a very reasonable price. In this blog post, I will review the features, performance, and image quality of this lens, and show you some sample photos I took with it.

Features

The Nikkor 35-135mm 3.5/4.5 AF is a full-frame lens that can be used on both FX and DX Nikon DSLRs. On a DX camera, it will have an equivalent focal length of 52.5-202.5mm, which is still very useful for portraits, landscapes, and general photography. The lens has a variable aperture of f/3.5 at 35mm and f/4.5 at 135mm, which is not very fast, but acceptable for most situations. The lens has a macro mode that can be activated by pulling the zoom ring past the 135mm mark. This allows you to focus as close as 0.28m (11 inches) at any focal length, with a maximum magnification of 0.25x.

The lens has an autofocus system that is driven by a micro-motor in the lens body. This means that the lens will not autofocus on entry-level Nikon DSLRs that do not have an AF motor in the camera body, such as the D3xxx and D5xxx series. You will have to manually focus the lens on these cameras, which is not very difficult thanks to the large and smooth focus ring. The autofocus speed and accuracy are decent, but not very impressive by today’s standards. The lens also has a manual aperture ring that can be locked at f/22 for compatibility with modern Nikon DSLRs.

Performance

The Nikkor 35-135mm 3.5/4.5 AF delivers good image quality for its age and price range. The lens is sharp across the frame at most focal lengths and apertures, with some softness at the corners wide open and at the long end of the zoom range. The lens has good contrast and colour rendition, with minimal chromatic aberration and distortion. The lens also handles flare and ghosting well, thanks to its multicoated elements.

The lens has a nice bokeh (the quality of the out-of-focus areas) that is smooth and pleasing, especially at longer focal lengths and wider apertures. The lens has seven rounded aperture blades that create circular highlights in the background. The lens also produces some nice sun stars when stopped down to smaller apertures.

Conclusion

The Nikkor 35-135mm 3.5/4.5 AF is a versatile and affordable zoom lens that can serve as a good all-around lens for Nikon DSLR users who do not need very fast apertures or cutting-edge autofocus performance. The lens offers good image quality, macro capability, and solid build quality for a fraction of the cost of newer lenses with similar focal lengths. If you are looking for a budget-friendly zoom lens that can cover most of your photographic needs, you might want to give this lens a try.

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The Fuji XF 50mm f2: A Hidden Gem in Photography

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In the world of photography, where gear often garners as much attention as the images produced, there exists a lens that has quietly captured the hearts of many photographers: the Fuji XF 50mm f2. This lens, often described as underrated, has become a steadfast companion for those who have discovered its virtues.

The Fuji XF 50mm f2 is part of Fujifilm’s esteemed X-series line of lenses, known for their compact size, robust build, and exceptional image quality. Released in January 2017, it joined the ranks of its f/2 series siblings, the XF 23mm and 35mm, offering a 76mm full-frame equivalent focal length—a perfect sweet spot for portrait and street photographers alike.

What sets the XF 50mm f2 apart is not just its focal length, but its construction. Weighing in at a mere 200 grams, this lens is a marvel of engineering, providing weather-sealing, fast autofocus, and a tactile manual aperture ring—all encased in a metal body that feels both solid and luxurious in hand.

Image quality is where the XF 50mm f2 truly shines. Photographers rave about its sharpness, even when shot wide open at f/2. The bokeh produced is creamy and pleasing, lending a professional look to portraits and isolating subjects with ease. It’s a lens that performs admirably across a variety of photographic scenarios, from intimate weddings to expansive landscapes.

Despite its prowess, the XF 50mm f2 remains surprisingly affordable, especially when compared to its larger sibling, the XF 56mm f1.2. This cost-effectiveness does not come at the expense of image quality, making it an attractive option for both amateur and professional photographers.

For those who prefer a tactile experience, the XF 50mm f2 does not disappoint. The aperture ring clicks satisfyingly into place, and the focus ring glides smoothly, allowing for precise manual focus adjustments—a feature that videographers will appreciate for its quiet operation during filming.

In conclusion, the Fuji XF 50mm f2 is a lens that deserves more recognition. It’s a testament to Fujifilm’s commitment to quality and a reminder that sometimes, the best tools are the ones that don’t demand attention but rather, quietly excel at their task. For many photographers, the XF 50mm f2 is not just an underrated lens; it’s a beloved workhorse that rarely leaves their camera. And for good reason—it’s a hidden gem that continues to prove its worth with every click of the shutter.