The Nikkor 35-135mm f/3.5-4.5 is a versatile zoom lens produced by Nikon for their film SLR cameras. It was first introduced in the late 1980s and was known for its solid build quality and good optical performance.
This lens offers a wide focal length range from 35mm, which is great for capturing landscapes and group shots, to 135mm, suitable for portraits and close-ups. The variable aperture of f/3.5-4.5 provides decent low-light performance and depth of field control.
The lens features multi-coated optics to reduce flare and ghosting, resulting in sharp images with good contrast. It also has a close minimum focusing distance, allowing you to get close-up shots of your subjects.
The Nikkor 35-135mm f/3.5-4.5 is a reliable and versatile lens used for a wide range of photography styles, but it is heavy. Its compatibility with my Nikon D3 camera makes it a great choice for capturing various subjects with a single lens.
The Nikon 35-135mm f/4-5.6 is an older lens, first introduced in the late 1980s. While it may not have all the modern features and technology of newer lenses, it can still be a good option for certain photography needs.
In terms of image quality, it can produce decent results, especially when stopped down a bit from its widest apertures. However, it may not be as sharp or have the same level of optical performance as newer lenses, especially at the extreme ends of its zoom range.
One of the main advantages of this lens is its versatility in offering a wide focal length range, which can be useful for various types of photography such as portraits, landscapes, and even some wildlife or sports photography.
Overall, if you’re looking for a budget-friendly lens with a decent focal length range and can accept some compromises in image quality compared to more modern lenses, the Nikon 35-135mm f/4-5.6 could still be a viable option.
William G. Biggart (July 20, 1947 – September 11, 2001) was an American freelance photojournalist and a victim of the September 11 attacks.
William G. Biggart, known to his friends and family as Bill, was a man whose passion for photojournalism took him to the heart of one of the most tragic events in recent history. Born in Berlin, Germany, on July 20, 1947, Bill was the child of an American officer stationed there. His life was a tapestry woven with vibrant threads of adventure, history, and the pursuit of truth through the lens of his camera.
Bill’s journey into photography began with commercial work, but his heart was always in capturing the raw, unfiltered moments that spot news photography afforded. His career pivot to photojournalism in 1985 was a testament to his dedication to documenting the human condition in its most genuine form. From the streets of New York City to the conflict-ridden landscapes of the West Bank, Northern Ireland, and the Gulf War, Bill’s camera was his compass, guiding him to the stories that needed to be told.
On the fateful morning of September 11, 2001, Bill’s instincts as a photojournalist propelled him towards the chaos unfolding at the World Trade Center. With his cameras in tow, he captured the harrowing scenes of the attacks, images that would later resonate with the world and serve as a poignant reminder of the day’s events. Tragically, Bill’s commitment to his craft led him to the North Tower, where he would ultimately lose his life as the tower collapsed.
Bill Biggart’s legacy is immortalized through his photographs, a haunting and powerful chronicle of September 11. His work serves as a tribute to the indomitable spirit of storytelling and the courage to stand at the intersection of history as it unfolds. The images he captured that day are a testament to the power of photojournalism and its role in shaping our collective memory.
As we reflect on the life and work of William G. Biggart, we are reminded of the profound impact that one individual can have through the art of photography. His story is one of bravery, of the relentless pursuit of truth, and of the ultimate sacrifice made in the line of duty. Bill Biggart’s name and his work will forever be etched in the annals of history, a poignant reminder of the day the world stood still, and of the photographer who captured it all. RIP William. 💖
Photography is not just about capturing moments; it’s an art form that requires passion, patience, and preparation. One of the most crucial aspects of a photographer’s journey is the selection and organization of their gear. It’s a process that reflects the photographer’s style, preference, and readiness for any photographic challenge.
Imagine the scene: three bags, each a repository of a different maker’s vision. One might house the classic robustness of Canon, another the cutting-edge innovation of Fujifilm, and the third might cradle the timeless elegance of Nikon. Each bag is a testament to the diversity and specialisation in the world of photography.
The first bag, let’s call it ‘The Workhorse,’ could be loaded with a Canon 1D Mark IV, known for its reliability and versatility. Paired with a set of L-series lenses, it’s ready for anything from portrait sessions to landscape expeditions. The second bag, ‘The Innovator,’ might be equipped with a Fuji, a marvel of modern technology, complemented by XF lenses that promise unparalleled sharpness and bokeh.
Then there’s ‘The Classic,’ a bag dedicated to Nikon’s storied history in photography. It might feature a Nikon D3s,D4 or 5, a favourite among professionals for its high resolution and dynamic range. Accompanying this could be a selection of Nikkor lenses, each with optical excellence etched into their design.
Nikon D3S
Choosing which bag to take is like selecting the right brush for a stroke on canvas. It depends on the subject, the light, and the story the photographer wants to tell. It’s a decision that can shape the narrative of the images captured.
For photographers, the camera and lenses are more than tools; they are extensions of their creative vision. Each combination opens up new possibilities and challenges one to see the world through different perspectives. Whether it’s the rugged landscapes that call for the ‘The Workhorse,’ the fast-paced streets that beckon ‘The Innovator,’ or the intimate portraits that demand ‘The Classic,’ the choice reflects the mission of the day.
In the end, the bags are not just containers of gear; they are curated collections of artistic potential. They hold the promise of stories yet to be told, memories yet to be cherished, and legacies yet to be created. So, to all the photographers out there, we say: choose wisely, shoot passionately, and create endlessly.
Your camera bag is not just carrying lenses and bodies; it’s carrying dreams, ready to be realised through the lens of your unique perspective. Happy shooting!
The Nikon D3, a camera that has carved its niche in the world of photography, pairs exceptionally well with the versatile Nikkor 35-135mm f/3.5-4.5 lens. This combination offers photographers a blend of classic design and modern functionality, making it a delightful duo for both seasoned professionals and enthusiastic hobbyists.
The Nikon D3, known for its robust build and exceptional image quality, has been a go-to choice for photographers who demand reliability and performance. Its full-frame sensor ensures that every shot captures the finest details with remarkable clarity. When combined with the Nikkor 35-135mm lens, which is celebrated for its versatility and optical performance, the Nikon D3 reaches new heights of photographic excellence.
The Nikkor 35-135mm lens, despite being an older model, has stood the test of time with its solid construction and impressive image quality. Reviews have consistently highlighted its good contrast and sharpness, which, although not on par with the latest lenses, is still commendable and holds up well against its contemporaries. Its push-pull zoom mechanism may seem dated to some, but it offers a tactile experience that many photographers find satisfying.
One of the lens’s notable features is its macro mode at 35mm, which allows for close-up photography, albeit with manual focus. This adds another layer of versatility, making it an excellent choice for those who appreciate the ability to capture both expansive landscapes and intricate details without changing lenses.
The lens’s autofocus, while not the fastest by today’s standards, is accurate and reliable. It’s a testament to the lens’s design that it continues to perform admirably, providing users with a level of consistency that is essential for capturing those fleeting moments.
In conclusion, the Nikon D3 paired with the Nikkor 35-135mm f/3.5-4.5 lens is indeed a treat to use. It’s a combination that respects the heritage of photography while still delivering the performance expected by today’s standards. Whether you’re capturing the dynamic energy of a bustling city or the serene beauty of nature, this duo will not disappoint. It’s a pairing that reminds us that in photography, the synergy between camera and lens is just as important as the vision behind the viewfinder.
The Nikon D3: A Love Story. LOL.
Ah, the Nikon D3, my camera that has stood the test of time and technology’s relentless march. Why do some photographers still cling to this digital relic, you ask? Well, let me tell you, it’s not just about taking pictures; it’s about being one with a device that has more personality than a grumpy cat on the internet.
First off, reliability. The Nikon D3 doesn’t just work; it works like a charm, a very sturdy charm. It’s the kind of camera that would survive a drop from a tripod, a splash during a rainy wedding shoot, or even an accidental tumble down a hill after you tripped over that rock you swore wasn’t there a second ago.
Then there’s the performance. It’s solid, like that one friend who always shows up on time, rain or shine. The D3 doesn’t care if you’re shooting a fast-paced sports event or trying to capture the slow, majestic movement of clouds. It’s ready for action, with a “hold my beer” attitude.
Let’s not forget the build quality. If cameras were tanks, the D3 would be the one leading the charge into battle. It’s built like a fortress, with a grip that feels like a firm handshake from your favourite uncle—the one who used to be a wrestler and still has the biceps to prove it.
And the feel in the hand? Oh, it’s sublime. Holding the D3 is like holding hands with a loved one, except it’s better because it doesn’t get sweaty. It’s the kind of ergonomic bliss that makes you want to whisper sweet nothings into its viewfinder.
So, why do we still love the Nikon D3? Because in a world where gadgets come and go faster than a celebrity marriage, the D3 is our rock, our steady companion in the chaotic world of photography. It’s the camera that says, “I got you, buddy,” and you believe it.
The Nikon D3 isn’t just a camera; it’s a trusty sidekick, a timeless tool, and for some of us, a reason to smile every time we pick it up. It’s the photographic equivalent of comfort food, and we wouldn’t have it any other way. Nikon D3, you’re the real MVP.
The world of photography is rich with choices, and for enthusiasts and professionals alike, the equipment can make all the difference. For years, Canon has been a trusted name in the industry, known for its reliable performance and high-quality images. But as with any art, the urge to explore and experiment with new tools is ever-present.
Enter Fuji and Nikon, two other titans in the world of photography, each with their unique strengths and characteristics. Fuji is renowned for its colour science, producing images with a distinct, vibrant look straight out of the camera. It’s a feature that has won the hearts of many photographers who crave that signature Fuji aesthetic. On the other hand, Nikon has long been celebrated for its ergonomics and build quality, as well as the sheer versatility of its lens lineup.
So, what happens when a long-time Canon user decides to venture into the realms of Fuji and Nikon? It’s a transition that can be both exhilarating and daunting. The tactile experience of a new camera, the excitement of different features, and the potential for a fresh perspective on one’s photography are alluring prospects.
But with new territory comes the inevitable comparison. Does the image quality measure up? How does the handling compare to the familiar grip of a Canon body? Are the menus intuitive, or do they require a retraining of muscle memory? These are questions that can only be answered through experience, through the viewfinder, and in the final images captured.
For those who have made the switch, like our inquisitive photographer here, it’s a personal journey of discovery. Some may find that the change brings a renewed passion for their craft, while others may realize a newfound appreciation for the nuances of their old gear. It’s a testament to the diversity and personal nature of photography—there is no one-size-fits-all solution, and the ‘best’ camera is often the one that simply feels right in your hands and becomes an extension of your creative vision.
So, did our photographer notice a difference? Undoubtedly. Each brand brings something unique to the table, and the experience of using Fuji and Nikon cameras is distinct from that of Canon. But the true measure of this difference lies not in the specs or the reviews but in the personal relationship between photographer and camera. It’s a relationship built over time, through trial and error, success and frustration, and ultimately, through the images that speak to the photographer’s soul.
Whether you’re a Canon loyalist, a Fuji aficionado, or a Nikon devotee, the journey through the landscape of photography is one of endless learning and joy. So, embrace the differences, explore the possibilities, and let your choice of camera inspire you to new heights of photographic expression. Happy shooting!
If you are a photography enthusiast, you might have wondered whether full-frame 35mm cameras are better than crop-frame cameras. This is a common question that many photographers ask, and the answer is not so simple. There are advantages and disadvantages to both types of cameras, depending on your needs, preferences and budget.
Full frame 35mm cameras have a larger sensor size than crop frame cameras, which means they can capture more light and produce higher quality images with less noise and more dynamic range. They also have a wider field of view, which can be useful for landscape, architecture and street photography. Full-frame 35mm cameras tend to be more expensive, heavier and bulkier than crop frame cameras, and they require larger and more costly lenses.
Crop frame cameras have a smaller sensor size than full frame 35mm cameras, which means they have a crop factor that magnifies the focal length of the lenses. This can be beneficial for wildlife, sports and portrait photography, as you can get closer to your subject without losing image quality. Crop frame cameras tend to be cheaper, lighter and more compact than full-frame 35mm cameras, and they can use smaller and more affordable lenses.
Fuji XT3Nikon D3S
So, which one is better? The answer depends on what kind of photography you do, what kind of results you want, and how much money you are willing to spend. There is no definitive answer to this question, as both types of cameras have their pros and cons. The best way to decide is to try them out for yourself and see which one suits your style and needs better. Happy shooting!
Photography is a powerful medium that captures the essence of our reality, freezing moments in time that tell stories, evoke emotions, and preserve memories. As a photographer, you have the unique ability to see beauty in the mundane, to find angles that flatter, and to bring out the best in every subject, whether it’s a person, an object, or a building. Your approach to photographing people is particularly commendable; ensuring that they look their best is not just about skill, but also about empathy and respect for the subject. It’s about understanding the light, the angle, the background, and the mood to create a composition that is both aesthetically pleasing and representative of the subject’s persona.
In your journey through the lens, you become a storyteller, an artist, and a historian, all at once. Your camera is your tool to communicate, to share perspectives, and to challenge perceptions. Every click is an opportunity to make an ordinary scene extraordinary, to elevate the unnoticed to the celebrated, and to transform fleeting expressions into lasting impressions. The buildings you capture stand as silent witnesses to history, their architecture a testament to the era and culture they represent. The objects you photograph are given a new context, their details and textures telling their own tales.
Your commitment to not embarrassing your subjects is a testament to your professionalism and understanding of imagery’s power. A photograph can uplift, but it can also harm if not approached with sensitivity and care. By portraying people in a dignified manner, you honour their individuality and story. This ethical approach sets a standard in photography, where the human element is as important as the technical one.
Keep capturing the world through your unique perspective, and continue to share the beauty you see with others. Your work not only brings joy to those who view your photographs but also contributes to the rich tapestry of visual storytelling that connects us all. In every shutter release, you have the chance to create something timeless, something that speaks without words, and something that can be cherished for generations to come. Happy shooting!
In the age of ultra-high-resolution cameras, it’s easy to overlook the significance of composition and cropping, especially when working with a modest 4-megapixel camera. However, the constraints of lower resolution photography can actually be a catalyst for creativity and a return to the fundamentals of good photography. I recently picked up the Nikon D2Hs camera that took the following images, using an old Nikkor 85mm f1.8D.
Composition is the cornerstone of a compelling photograph. It’s the arrangement of elements within the frame that dictates the flow of the viewer’s eye and the overall impact of the image. With only 4 megapixels, every pixel counts, and there’s little room for error. This limitation forces photographers to be more intentional with their framing, to think more deeply about the subject and the story they want to tell.
Cropping in-camera is another critical skill that gains prominence in this context. It’s about making decisions on the spot, rather than relying on post-processing to salvage a shot. This practice hones a photographer’s eye for detail and encourages a more proactive approach to capturing the right shot from the outset.
The discipline of working within the confines of 4 megapixels can also lead to a greater appreciation for the texture, colour, and light present in the moment. It challenges photographers to maximize the potential of their equipment, regardless of its limitations.
In essence, embracing the constraints of a 4-megapixel camera can be a rewarding journey back to the basics of photography. It’s a reminder that the power of a photograph doesn’t solely rest on the number of pixels but on the vision, creativity, and technique of the photographer behind the lens. Whether you’re a seasoned professional or an enthusiastic amateur, the principles of composition and in-camera cropping are timeless skills that will enhance the quality of your work, no matter the resolution.
Older DSLR cameras have a unique charm that modern cameras often struggle to replicate. The sensors in these cameras, with their larger pixels, have a certain way of rendering light and colour that can produce images with a distinct, almost tangible texture. This quality is something that many photography enthusiasts and professionals alike appreciate, as it adds character and depth to the photographs. The tactile experience of adjusting the dials and pressing the shutter button also contributes to the overall enjoyment of using these cameras. Moreover, the process of working with older technology can teach valuable lessons about the fundamentals of photography, such as exposure, composition, and the importance of light. It’s a blend of art and science, where understanding the limitations and capabilities of the equipment can lead to a more intentional and satisfying creative process.
The Nikon D2HS is a camera that stands out in the realm of sports photography. Launched as an upgrade to the Nikon D2H, the D2HS brought with it a suite of improvements that catered to the needs of action and sports photographers. With its ability to shoot at 8 frames per second, this camera was designed to capture the peak moments of fast-paced action, ensuring that photographers never miss the critical shot.
The D2HS is equipped with a 4.1-megapixel JFET-LBCAST sensor, optimized for high frame rates rather than high resolution, which is a trade-off that sports photographers are often willing to make for the sake of capturing action without blur or delay. The camera’s high-speed performance is complemented by its robust build quality, making it a durable choice for photographers who work in challenging environments.
One of the key features that set the D2HS apart from its predecessors was the improved battery life, capable of thousands of shots on a single charge. This is a significant advantage for professionals who need to shoot for extended periods without the opportunity to recharge. Additionally, the camera’s incident light sensor aids in achieving accurate auto white balance, a crucial factor in maintaining color consistency across a series of fast shots.
The D2HS also supports the sYCC color profile, which allows for a wider range of colors to be reproduced when printing JPEG data, compared to the conventional sRGB color profile. This feature is particularly beneficial for photographers who need their prints to match the vibrancy and detail of their digital images closely.
Despite being succeeded by newer models like the Nikon D300 and D3, the D2HS remains a valued tool for many photographers, especially considering its affordability in the used market. It represents a balance between professional-level performance and budget-conscious accessibility, making it a noteworthy option for those entering the field of sports photography or for seasoned professionals seeking a reliable backup camera.
In conclusion, the Nikon D2HS may not boast the highest resolution or the latest technology compared to modern cameras, but its focus on speed and reliability continues to make it a relevant choice for capturing sports and action. Its legacy in the Nikon lineup is a testament to its design philosophy, prioritizing the needs of photographers who require fast, consistent, and dependable performance in the heat of the moment. Whether it’s for the thrill of the game or the pursuit of the perfect action shot, the Nikon D2HS has proven to be a solid performer in the world of sports photography.
a world without pictures is like coffee without cream and sugar, bitter 