photography

The Kodak DCS 620: A Classic Digital Workhorse

cameras, Lenses, Lowepro, opinons, thoughts, photography, pictures, street, Travel

The Kodak DCS 620 is a remarkable piece of photographic history, representing a pivotal moment in the transition from film to digital photography. This camera, a hybrid marvel, was born from the collaboration between Kodak and Nikon, combining the robust and professional Nikon F5 body with Kodak’s advanced digital technology. Aimed at professionals in sports, photojournalism, and scientific fields, the DCS 620 was not just a camera—it was a statement that digital could meet and exceed the demands of the most critical photographers.

The DCS 620, part of the fifth generation of Kodak Professional digital cameras, boasted features that were cutting-edge for its time. Its 2-megapixel CCD sensor, while modest by today’s standards, was capable of capturing images with clarity and detail that impressed the professional market. The camera also featured an anti-alias filter to prevent moiré patterns on fine details—a common issue with digital sensors of that era.

One of the unique aspects of the DCS 620 was its ‘focal length multiplier.’ Due to the size difference between 35mm film and the camera’s CCD, lenses would have an effective focal length of 1.6 times longer than on film. This meant that a standard 28mm lens would provide a field of view equivalent to a 45mm lens on 35mm film, changing the approach to lens selection for photographers.

The DCS 620 wasn’t just about the technical specifications; it was about the experience. Photographers who were accustomed to the heft and reliability of the Nikon F5 could transition to digital without sacrificing the feel and operation they were familiar with. The camera’s design allowed for instant analysis of images with features like a histogram and exposure highlight on the LCD panel, tools that are standard in digital photography today but were innovative at the time.

Despite its age, the Kodak DCS 620 remains a beloved camera for many photographers. It stands as a testament to the innovation and quality that Kodak brought to the digital photography revolution. For those who used it, the DCS 620 was more than just a camera—it was a trusted companion that captured countless memorable moments and groundbreaking images.

As we look back at the Kodak DCS 620, we can appreciate the strides that have been made in digital photography. From the 2-megapixel sensors of the past to the high-resolution powerhouses of today, the journey has been incredible. The DCS 620 will always hold a special place in the history of photography, reminding us of a time when digital was just beginning to show its true potential.

William G. Biggart (July 20, 1947 – September 11, 2001). In remeberance.

photography, pictures, street, Travel, war

William G. Biggart (July 20, 1947 – September 11, 2001) was an American freelance photojournalist and a victim of the September 11 attacks.

William G. Biggart, known to his friends and family as Bill, was a man whose passion for photojournalism took him to the heart of one of the most tragic events in recent history. Born in Berlin, Germany, on July 20, 1947, Bill was the child of an American officer stationed there. His life was a tapestry woven with vibrant threads of adventure, history, and the pursuit of truth through the lens of his camera.

Bill’s journey into photography began with commercial work, but his heart was always in capturing the raw, unfiltered moments that spot news photography afforded. His career pivot to photojournalism in 1985 was a testament to his dedication to documenting the human condition in its most genuine form. From the streets of New York City to the conflict-ridden landscapes of the West Bank, Northern Ireland, and the Gulf War, Bill’s camera was his compass, guiding him to the stories that needed to be told.

On the fateful morning of September 11, 2001, Bill’s instincts as a photojournalist propelled him towards the chaos unfolding at the World Trade Center. With his cameras in tow, he captured the harrowing scenes of the attacks, images that would later resonate with the world and serve as a poignant reminder of the day’s events. Tragically, Bill’s commitment to his craft led him to the North Tower, where he would ultimately lose his life as the tower collapsed.

Bill Biggart’s legacy is immortalized through his photographs, a haunting and powerful chronicle of September 11. His work serves as a tribute to the indomitable spirit of storytelling and the courage to stand at the intersection of history as it unfolds. The images he captured that day are a testament to the power of photojournalism and its role in shaping our collective memory.

As we reflect on the life and work of William G. Biggart, we are reminded of the profound impact that one individual can have through the art of photography. His story is one of bravery, of the relentless pursuit of truth, and of the ultimate sacrifice made in the line of duty. Bill Biggart’s name and his work will forever be etched in the annals of history, a poignant reminder of the day the world stood still, and of the photographer who captured it all. RIP William. 💖

https://www.billbiggart.com/

The Great DSLR vs. Mirrorless Debate: A Humorous Take on a Photographer’s Dilemma

film, Fujichrome, fujifilm, Lowepro, opinons, thoughts, photography, pictures, processing, street, Travel, viltrox

Ah, the age-old question that haunts the halls of photography forums and ignites fiery debates in camera clubs across the globe: if DSLRs are supposedly pushing up daisies, why do we still see them clutched in the hands of the world’s photography elite?

Nikon D3S

Let’s set the scene: It’s 2024, and the camera market is buzzing with the latest tech. Mirrorless cameras are flaunting their sleek designs like runway models during fashion week, while DSLRs are sitting in the corner, grumbling about ‘the good old days’ when they were the belle of the ball.

Fuji XT3

But here’s the twist: despite the whispers of their demise, DSLRs are far from extinct. In fact, they’re still the go-to choice for many top-tier professionals. Why, you ask? Well, let’s dive into the comedic conundrum that is the professional photographer’s gear bag.

Firstly, let’s talk about loyalty. Photographers can be fiercely loyal creatures, much like knights to their king, or a toddler to their favourite blanket. They’ve spent years mastering the quirks and intricacies of their beloved DSLRs, and they’re not about to abandon their trusty steeds for some flashy new stallion without a good reason.

Then there’s the issue of comfort. A DSLR is like that old, worn-in pair of jeans that fits just right. It’s familiar, reliable, and doesn’t require reading a novel-sized manual to figure out where the darn autofocus button is.

But wait, there’s more! Durability plays a huge role too. A DSLR is like a tank – it can take a beating and keep on clicking. Mirrorless cameras, on the other hand, are often viewed as the delicate teacups of the camera world. Drop one, and you might as well start planning its funeral.

And let’s not forget about the optical viewfinder. For many photographers, looking through a lens with their own eyes, rather than a digital screen, is akin to a spiritual experience. It’s pure, unadulterated photography bliss that no amount of electronic wizardry can replace.

Of course, we can’t ignore the fact that DSLRs have been the backbone of professional photography for years. They’ve captured everything from weddings to wildlife, and they’ve done it with grace and power. It’s hard to turn your back on a legacy like that, even if mirrorless cameras are whispering sweet nothings about faster autofocus and lighter weight.

So, there you have it, folks. The DSLR isn’t dead; it’s just enjoying a well-deserved semi-retirement, basking in the glory of its heyday while still showing the youngsters how it’s done. And for those professionals still wielding their DSLRs like Excalibur? They know that sometimes, the classics just can’t be beaten.

As for the rush to upgrade? Let’s just say that in the photography world, patience is a virtue, and sometimes the best things come to those who wait… and wait… and wait some more. After all, who needs the latest and greatest when you’ve got a tried-and-true companion by your side?

So, whether you’re a die-hard DSLR fan or a mirrorless aficionado, remember: the best camera is the one you have with you – unless, of course, you left it at home because it’s too heavy, in which case, maybe it’s time to consider that upgrade. Just kidding! Or am I?

The Allure of Asian Markets: A Tapestry of Opportunity

cambodia, fujifilm, Lenses, opinons, thoughts, photography, pictures, street, Travel, viltrox

A Photographer’s Paradise

The markets of Asia are a treasure trove of vibrant scenes, bustling life, and cultural richness, making them an irresistible subject for photographers around the world. From the floating markets of Thailand to the spice-laden bazaars of India, each market is a microcosm of the country’s soul, offering a glimpse into the daily lives of its people.

The colours are perhaps the most striking aspect. The vivid hues of fresh produce, the rich tones of traditional fabrics, and the kaleidoscope of lanterns and decorations create a visual feast that begs to be captured through the lens. The play of light and shadow, especially in the early morning or late afternoon, adds depth and drama to the already compelling tableau.

Then there’s the ceaseless motion—a dynamic dance of commerce and survival. Vendors hawking their wares, buyers haggling for the best price, and the rhythmic movements of everyday life create a sense of energy that is almost palpable. Capturing these moments requires patience and a keen eye for the decisive moment when an expression, gesture, or interaction encapsulates the essence of the market.

The markets also tell stories of tradition and change. Ancient practices coexist with modern innovations, and each stall, vendor, and customer has a unique narrative. Photographers find themselves not just as observers but as storytellers, using their cameras to preserve fleeting moments that speak to the broader human experience.

Moreover, the markets of Asia offer a sensory overload that challenges photographers to go beyond the visual. The cacophony of sounds, the aroma of exotic spices, and the tactile experience of navigating through crowded alleys demand a multi-sensory approach to photography, where the image conveys not just a scene but an atmosphere.

In essence, the markets of Asia captivate photographers because they encapsulate life itself—raw, unscripted, and authentically beautiful. They are places where the pulse of the continent beats strongest, and for those who seek to capture the world through their lens, there are few places more rewarding to photograph. Whether it’s the connection between people and their environment, the rich tapestry of culture, or the sheer beauty of the chaos, Asian markets are a wellspring of inspiration that keeps photographers coming back for more. So, grab your camera, and let the markets of Asia fuel your creative spirit!

The Art of Composition and Cropping in a 4-Megapixel World

cambodia, cameras, opinons, thoughts, photography, pictures, street, Travel

In the age of ultra-high-resolution cameras, it’s easy to overlook the significance of composition and cropping, especially when working with a modest 4-megapixel camera. However, the constraints of lower resolution photography can actually be a catalyst for creativity and a return to the fundamentals of good photography. I recently picked up the Nikon D2Hs camera that took the following images, using an old Nikkor 85mm f1.8D.

Composition is the cornerstone of a compelling photograph. It’s the arrangement of elements within the frame that dictates the flow of the viewer’s eye and the overall impact of the image. With only 4 megapixels, every pixel counts, and there’s little room for error. This limitation forces photographers to be more intentional with their framing, to think more deeply about the subject and the story they want to tell.

Cropping in-camera is another critical skill that gains prominence in this context. It’s about making decisions on the spot, rather than relying on post-processing to salvage a shot. This practice hones a photographer’s eye for detail and encourages a more proactive approach to capturing the right shot from the outset.

The discipline of working within the confines of 4 megapixels can also lead to a greater appreciation for the texture, colour, and light present in the moment. It challenges photographers to maximize the potential of their equipment, regardless of its limitations.

In essence, embracing the constraints of a 4-megapixel camera can be a rewarding journey back to the basics of photography. It’s a reminder that the power of a photograph doesn’t solely rest on the number of pixels but on the vision, creativity, and technique of the photographer behind the lens. Whether you’re a seasoned professional or an enthusiastic amateur, the principles of composition and in-camera cropping are timeless skills that will enhance the quality of your work, no matter the resolution.

Exploring the Nikon D2HS: A Robust Camera for Sports and Street Photography

cambodia, cameras, homelessness, Lenses, opinons, thoughts, photography, pictures, street, Travel

The Nikon D2HS is a camera that stands out in the realm of sports photography. Launched as an upgrade to the Nikon D2H, the D2HS brought with it a suite of improvements that catered to the needs of action and sports photographers. With its ability to shoot at 8 frames per second, this camera was designed to capture the peak moments of fast-paced action, ensuring that photographers never miss the critical shot.

The D2HS is equipped with a 4.1-megapixel JFET-LBCAST sensor, optimized for high frame rates rather than high resolution, which is a trade-off that sports photographers are often willing to make for the sake of capturing action without blur or delay. The camera’s high-speed performance is complemented by its robust build quality, making it a durable choice for photographers who work in challenging environments.

One of the key features that set the D2HS apart from its predecessors was the improved battery life, capable of thousands of shots on a single charge. This is a significant advantage for professionals who need to shoot for extended periods without the opportunity to recharge. Additionally, the camera’s incident light sensor aids in achieving accurate auto white balance, a crucial factor in maintaining color consistency across a series of fast shots.

The D2HS also supports the sYCC color profile, which allows for a wider range of colors to be reproduced when printing JPEG data, compared to the conventional sRGB color profile. This feature is particularly beneficial for photographers who need their prints to match the vibrancy and detail of their digital images closely.

Despite being succeeded by newer models like the Nikon D300 and D3, the D2HS remains a valued tool for many photographers, especially considering its affordability in the used market. It represents a balance between professional-level performance and budget-conscious accessibility, making it a noteworthy option for those entering the field of sports photography or for seasoned professionals seeking a reliable backup camera.

In conclusion, the Nikon D2HS may not boast the highest resolution or the latest technology compared to modern cameras, but its focus on speed and reliability continues to make it a relevant choice for capturing sports and action. Its legacy in the Nikon lineup is a testament to its design philosophy, prioritizing the needs of photographers who require fast, consistent, and dependable performance in the heat of the moment. Whether it’s for the thrill of the game or the pursuit of the perfect action shot, the Nikon D2HS has proven to be a solid performer in the world of sports photography.

The Ethical Lens of Street Photography: Art vs. Exploitation

opinons, thoughts, photography, pictures, street, Travel

Street photography, a genre that often captures the raw essence of society by snapping candid moments of strangers, has long been a subject of ethical debate. Is it a form of art that celebrates the spontaneity of life, or is it an exploitation of unsuspecting individuals?

The art of street photography lies in its ability to document the unposed, the unplanned, and the unexpected. It’s a visual diary of human nature, a way to preserve fleeting moments that, once gone, are lost to time. The streets become a canvas, and the people, unwitting subjects that tell a story. Some of the most iconic images that define historical eras or social movements are the products of street photography, serving as powerful reminders of our collective past.

However, the act of photographing strangers without their consent raises important ethical questions. The line between public interest and personal privacy is often blurred. While photographers may argue that the public domain is fair game for capturing life as it unfolds, the individuals on the other side of the lens may feel their privacy has been invaded. This tension is further complicated by the potential for these images to be shared widely in the digital age, often without the subject’s knowledge or control over how they are represented.

The ethics of street photography are not black and white. They require photographers to navigate the murky waters of moral responsibility. Some photographers adopt a stealthy approach, using discreet methods to avoid disturbing the scene, thereby minimizing the impact on their subjects. Others engage directly with the people they photograph, sometimes building rapport and seeking consent, which can lead to more intimate and telling portraits.

Legal frameworks vary widely across the globe, and what is permissible in one country may be forbidden in another. In many places, the law permits photography in public spaces, recognizing it as an extension of freedom of expression. Yet, ethical considerations often extend beyond the realm of legality. Photographers must weigh their right to capture images against the rights of their subjects to privacy and respect.

Ultimately, street photography is not inherently exploitative, but it demands a high degree of sensitivity and ethical consideration from the photographer. It’s about finding a balance between the pursuit of artistic expression and respect for the dignity of those captured in the frame. As the debate continues, it’s clear that the responsibility lies with the photographer to make ethical choices that honor both their art and their subjects.

Nikkor 35-135 f3.5/4.5 zoom lens

Lenses, opinons, thoughts, photography, pictures, street, Travel

Checking out an old Nikkor 35-135 f3.5/4.5 zoom lens that I had lying about the office. It’s not a bad old girl from these test shots. Heavy and built like a brick, it goes well with my D3s. I used to have 2 of these lenses, I wonder where the other one has got to.

Nikkor 35-135mm 3.5/4.5 AF: A Versatile and Affordable Zoom Lens for Nikon DSLRs

If you are looking for a zoom lens that can cover a wide range of focal lengths, from wide-angle to telephoto, without breaking the bank, you might consider the Nikkor 35-135mm 3.5/4.5 AF. This lens was introduced in 1987 and discontinued in 1995, but it is still widely available on the used market for a very reasonable price. In this blog post, I will review the features, performance, and image quality of this lens, and show you some sample photos I took with it.

Features

The Nikkor 35-135mm 3.5/4.5 AF is a full-frame lens that can be used on both FX and DX Nikon DSLRs. On a DX camera, it will have an equivalent focal length of 52.5-202.5mm, which is still very useful for portraits, landscapes, and general photography. The lens has a variable aperture of f/3.5 at 35mm and f/4.5 at 135mm, which is not very fast, but acceptable for most situations. The lens has a macro mode that can be activated by pulling the zoom ring past the 135mm mark. This allows you to focus as close as 0.28m (11 inches) at any focal length, with a maximum magnification of 0.25x.

The lens has an autofocus system that is driven by a micro-motor in the lens body. This means that the lens will not autofocus on entry-level Nikon DSLRs that do not have an AF motor in the camera body, such as the D3xxx and D5xxx series. You will have to manually focus the lens on these cameras, which is not very difficult thanks to the large and smooth focus ring. The autofocus speed and accuracy are decent, but not very impressive by today’s standards. The lens also has a manual aperture ring that can be locked at f/22 for compatibility with modern Nikon DSLRs.

Performance

The Nikkor 35-135mm 3.5/4.5 AF delivers good image quality for its age and price range. The lens is sharp across the frame at most focal lengths and apertures, with some softness at the corners wide open and at the long end of the zoom range. The lens has good contrast and colour rendition, with minimal chromatic aberration and distortion. The lens also handles flare and ghosting well, thanks to its multicoated elements.

The lens has a nice bokeh (the quality of the out-of-focus areas) that is smooth and pleasing, especially at longer focal lengths and wider apertures. The lens has seven rounded aperture blades that create circular highlights in the background. The lens also produces some nice sun stars when stopped down to smaller apertures.

Conclusion

The Nikkor 35-135mm 3.5/4.5 AF is a versatile and affordable zoom lens that can serve as a good all-around lens for Nikon DSLR users who do not need very fast apertures or cutting-edge autofocus performance. The lens offers good image quality, macro capability, and solid build quality for a fraction of the cost of newer lenses with similar focal lengths. If you are looking for a budget-friendly zoom lens that can cover most of your photographic needs, you might want to give this lens a try.

+4

All reactions:

7Glenn Rose, Saamuel Bailey and 5 others

Share

The Fujifilm X100 Original: A Timeless Classic

fujifilm, opinons, thoughts, photography, pictures, street, Travel, Uncategorized

In the world of photography, where the latest technology often overshadows older models, the Fujifilm X100 Original stands as a testament to timeless design and enduring quality. It’s been over a decade since the X100 series first captivated the hearts of photographers around the globe, and yet, the original X100 remains a beloved piece of equipment that continues to inspire creativity.

The Fujifilm X100 Original was a game-changer when it was released. It offered a unique combination of a retro aesthetic, a fixed 23mm lens with an f/2 aperture, and a hybrid viewfinder that allowed photographers to switch between optical and electronic modes. Its APS-C sensor delivered exceptional image quality that rivalled that of larger DSLRs, all packed into a compact body that felt just right in the hands.

What truly sets the X100 apart is its ability to connect with the photographer. It’s not just a camera; it’s a companion on the journey of capturing moments. The tactile controls, the satisfying click of the shutter, the intuitive layout – every aspect of the X100 was designed with the user experience in mind. It encourages you to slow down, to consider your composition, and be more deliberate with each shot.

For many, the X100 is not about having the latest specs or the most megapixels; it’s about the experience of photography. It’s about how the camera feels in your hands, how it renders light and shadow, and how it captures the world as you see it. The X100 excels in street photography, portraits, and everyday snapshots, proving that the photographer’s vision is far more important than chasing after the newest gear.

The X100’s impact on photography is undeniable. It paved the way for a series of successors, each building upon the foundation of the original while staying true to the essence of what made the X100 so special. Photographers who have used the X100 often speak of it with a sense of nostalgia and affection, a clear indication of its significance in their creative lives.

As we look to the future of photography, the Fujifilm X100 Original remains a shining example of what it means to create a camera with soul. It’s a reminder that in a fast-paced world, there are still things worth holding onto, worth returning to, and worth celebrating. So here’s to the Fujifilm X100 Original – a camera that never fails to bring out the best in us, a true classic that continues to stand the test of time. 📷✨

The Fujifilm X100, released in September 2010, marked the inception of the renowned X100 series. It was a trailblazer, combining a retro aesthetic with advanced technology, featuring a 23mm f/2 fixed lens and a 12-megapixel APS-C sensor. Its hybrid viewfinder was a standout, offering both optical and electronic views, a feature that endeared it to photography enthusiasts. Despite its initial firmware issues and autofocus performance, the X100’s design and image quality set a high standard for its successors. Over the years, the series has evolved with significant upgrades in sensor resolution, autofocus points, and video capabilities, culminating in the latest X100VI model. The original X100 remains a beloved classic, appreciated for its blend of old-school charm and modern functionality.

The Fuji XF 50mm f2: A Hidden Gem in Photography

fujifilm, Lenses, opinons, thoughts, photography, pictures, street, Travel

In the world of photography, where gear often garners as much attention as the images produced, there exists a lens that has quietly captured the hearts of many photographers: the Fuji XF 50mm f2. This lens, often described as underrated, has become a steadfast companion for those who have discovered its virtues.

The Fuji XF 50mm f2 is part of Fujifilm’s esteemed X-series line of lenses, known for their compact size, robust build, and exceptional image quality. Released in January 2017, it joined the ranks of its f/2 series siblings, the XF 23mm and 35mm, offering a 76mm full-frame equivalent focal length—a perfect sweet spot for portrait and street photographers alike.

What sets the XF 50mm f2 apart is not just its focal length, but its construction. Weighing in at a mere 200 grams, this lens is a marvel of engineering, providing weather-sealing, fast autofocus, and a tactile manual aperture ring—all encased in a metal body that feels both solid and luxurious in hand.

Image quality is where the XF 50mm f2 truly shines. Photographers rave about its sharpness, even when shot wide open at f/2. The bokeh produced is creamy and pleasing, lending a professional look to portraits and isolating subjects with ease. It’s a lens that performs admirably across a variety of photographic scenarios, from intimate weddings to expansive landscapes.

Despite its prowess, the XF 50mm f2 remains surprisingly affordable, especially when compared to its larger sibling, the XF 56mm f1.2. This cost-effectiveness does not come at the expense of image quality, making it an attractive option for both amateur and professional photographers.

For those who prefer a tactile experience, the XF 50mm f2 does not disappoint. The aperture ring clicks satisfyingly into place, and the focus ring glides smoothly, allowing for precise manual focus adjustments—a feature that videographers will appreciate for its quiet operation during filming.

In conclusion, the Fuji XF 50mm f2 is a lens that deserves more recognition. It’s a testament to Fujifilm’s commitment to quality and a reminder that sometimes, the best tools are the ones that don’t demand attention but rather, quietly excel at their task. For many photographers, the XF 50mm f2 is not just an underrated lens; it’s a beloved workhorse that rarely leaves their camera. And for good reason—it’s a hidden gem that continues to prove its worth with every click of the shutter.