Travel Photography

cameras, fujifilm, Lenses, opinons, thoughts, photography, pictures, Travel

Less is More – don’t take too much equipment and travel light. It’ll make you less obtrusive and you will be able to move around for the best shot quickly.

  1. Off the Beaten Track – don’t just go to all the touristy shots – try to get ‘behind the scenes’ and ‘real life’ scenes.

Stolen Moments – anticipate moments between people before they happen.

2. True Colours – black and white is often where it’s at with street photography but at times colourful situations arise and can really make a shot – be on the look out for these.

3. In the Background – what’s going on behind your subject can actually ‘make’ the shot. Billboards, signs, graffiti and other visual elements can really make a statement in a shot.

4. Dare to Go Diagonal – don’t just hold your camera horizontally – experiment with angles. Street photography is a less formal medium – make the most of it.

5. Opposites Attract – shots that challenge the ‘norm’ in terms of composition and story/subject matter can be powerful. Look out for ‘surprising’ subject matter and composition.

6. What a Performance – street performers, parades and other street entertainment can be great subject matter on the street.

7. Off the Streets – other places where people gather in number can lead to great shots in this genre – zoos, fairs, shows, parks, sporting events etc all can be worth trying.

8. New Angle – find ways to get up high or down low – these new perspectives on subjects that are familiar can lead to eye-catching shots.

9. Practice makes Perfect – over time and with practice your photography will improve. You’ll not only get better at technique but also spot the things to focus on on the street.

10. Fortune Favors the Brave – sometimes the best thing you can do is to get close to your subject – this can be a little confronting but will produce powerful images

11. Fun in the Sun – often we try to avoid shooting into the sun and the shadows that direct sunlight can produce – in street photography breaking these ‘rules’ can lead to great shots.

12. Ready to Pounce – have your camera out and ready to shoot at all times. Things can move quickly on the street so if you’re not ready you’ll miss lots of opportunities.

13. Revise the Revisit – street photography is not all about spontaneity – if you see a scene with potential don’t be afraid to keep coming back to it until you get the shot.

14. Frozen Motion – the street is a place of movement – to capture it and still get sharp shots make sure your shutter speed is fast enough. 1/125 or more with an ISO of 400 is recommended as a base. I also think it can be fun to experiment with slower shutter speeds on the street – capture the movement as blur.

15. Street Wallpaper – blend in with the scene – shoot unobtrusively and unnoticed.

16. Life Through a Lens – ‘exaggerating perspective will help set your subject in context and provide a more forgiving depth of field’ – use a wide-angle lens (or even a fisheye).

17. Expect the Expected – people can be suspicious of street photographers so shoot in places where people expect to see people doing photography. Smile, be polite and be willing to delete images if people protest.

18. Location, Location, Location – really this is what it is all about. Choose places where people interact with one another and times when they are present.

Fujifilm X Pro 3

cameras, Fujichrome, fujifilm, photography

X-Pro3

X-Pro3

Pure Photography

Something different is here. This camera turns anticipation into reality. The texture of titanium stimulates your senses, while the unique viewfinder prompts discovery and creativity. It brings back the desire to interact with the world through a camera, while attaining an understanding to record it as your own for eternity. The X-Pro3 is the definition of pure photography.

The X-Pro3 design means you can keep your eyes focussed on the subject while your fingers access the various buttons and dials to ensure that you never miss a perfect photo opportunity. This is the ultimate design for analog camera operation.

Titanium

TITANIUM + MAGNESIUM

From the start, the X Series has made sure to preserve the elegance, beauty and functionality of a camera while making sure we respect the history of photography. Once you pick up this camera, you will feel this and enjoy the sense of nostalgia. The frame of the camera body is made from magnesium, while the top cover and the base plate, which are the parts exposed to the elements are made from corrosion resistant titanium. The unique character of the titanium finish will never be lost. You quickly realize a camera is much more than just a photographic tool.

Titanium

TITANIUM + MAGNESIUM

Black

BLACK

DURATECT

DURATECT

Weather Resistant

WEATHER RESISTANT

LCD

Enjoy Taking Pictures Without Distractions

The hidden LCD encourages a more traditional shooting style, asking photographers to concentrate on composing using the viewfinder. Of course, you can flip open the screen to check your images between shooting sessions, but in essence, the X-Pro3 wants you to trust your instincts as a photographer and shoot without the distraction of checking every image. The LCD screen helps you to adjust the settings and find what needs to be improved, ready for next time.

The LCD screen has an anti-reflective coating, a wide angle of view, and is able to display images with high contrast and natural colors, ideal for reviewing or composing images in bright daylight or low light.

Digitally representation of film based visual effects are something only allowed for iconic photographic equipment. The visual effects appeal to users’ emotions and inspire imagination. The use of Memory LCD means users can easily see the settings for Film Simulation, white balance, etc. when the camera is turned off or on.

LCD

Enjoy Taking Pictures Without Distractions

Finder

FINDER

Motion Blur Reduction

MOTION BLUR REDUCTION

ERF;Electronic Rangefinder;Hybrid Optical Viewfinder

Electronic Rangefinder

Masters of color for over 85 years

color;film simulation

Film Simulation Modes

FUJIFILM has continued to study color since the production and development of photographic films in 1934. The technologies and experiences, accumulated over the years, have been injected into the Film Simulation modes. Each of the carefully chosen modes has a unique set of colors and tonality to create images that reflect how a photographer felt when taking the picture. The world of extended color expressions including CLASSIC CHROME, ACROS and ETERNA, is now joined by another new mode of Film Simulation.

The new Film Simulation mode has been designed to simulate color negative film that was traditionally chosen for snapshots of everyday scenes. The colors, precisely controlled for each level of brightness, create a rich chromatic contrast to add extra definition. The new “CLASSIC Neg.” takes you back to scenes as you saw them growing up, bringing back the joy of photography.

Monochromatic Color

Monochromatic Color

The X-Pro3 allows you to choose a key color from a matrix of Warm / Cool tones and Magenta / Green hues. You can incorporate the rich gradation into your images to create photographs with a personal twist. Enjoy creating your own monochrome world with added hues, going beyond the traditional approach of using warm tones for a retro look and cool tones for urban snapshots.

What is TRUTH

cameras, copyrights, fujifilm, opinons, thoughts, photography, Uncategorized

“I believe that an essential part of man’s duty upon this earth is to bear witness to the truth as it has been revealed to him.”  John Godolphin Bennett (8 June 1897 – 13 December 1974) was a British mathematician, scientist, technologist, industrial research director, and author. ​

Accepted Definition​

My Fuji making pictures.

cameras, Fujichrome, fujifilm, Lenses, opinons, thoughts, pictures

I have been using Fujifilm cameras and lenses for some time now and it never ceases to amaze me at their ability to give me great colours with little effort in post-processing.

I can choose from the many film simulation that Fuji supply with the camera or devise my own interpretations of any film or an effect that I find appealing. This is very easy to do.

Fujifilm XT3 + XF 55-200

cameras, fujifilm, Lenses, photography, pictures, Travel

Have not used this lens in a while and I really don’t know why as it is a fine lens with great sharpness and contrast especially in the middle apertures f5.6 to f11,

Over the Water

cameras, Fujichrome, fujifilm, Lenses, opinons, thoughts, photography, pictures

Took a trip on the ferry over the Tonle Sap river today to get out and make some pictures. Using my Fujifilm XT3 and an XF 16-80 f4 OIS WR zoom. The lens is new too me so was really just giving it a workout.

This is a fine walk around and travel lens, no real need to carry anything else.

Fuji XF 16-80 f4 OIS WR

cameras, Fujichrome, fujifilm, Lenses, opinons, thoughts

Fujinon xf16-80mmf4 R OIS WR has a maximum aperture value of F4 throughout the focal length of 16-80mm (equivalent to 24-122mm in the 35mm film format). This lens has a minimum shooting distance of 35cm over the entire zoom range, which gives a maximum shooting magnification of 0.25x. The compact and lightweight lens weighs only 440G which is approximately 40% lighter than an equivalent lens for a 35mm format system. When attached to an x-t3 the kit weighs only 979G and 823G when combined with x-t30, making it the ultimate travel combination. This new standard zoom lens features 6.0-Stop OIS, meaning you can comfortably shoot in a wide variety of situations from a Night scene or indoors without worrying about camera shake.Just upgraded to this lens and it looks and functions extremely well giving great images. Very pleased. Yet to try it on my X Pro3 but balances well on the XT3.

GAS – Gear Acquisition Syndrome

cameras, Fujichrome, fujifilm, opinons, thoughts, photography, pictures, public

I have always had an appreciation for fine pieces of engineering, be it cars or cameras or even phones. I can feel the urge biting at me again, having recently found a very competitively priced (used) Fujifilm X Pro 3 with a couple of decent lenses. As is always the question, at these times, do I need it, what will it do that I cannot already do with the cameras I already own.

x pro2 2019 Online Shopping -

I already own the X Pro 2, which I admire greatly and does the job I require of it, it takes great pictures with great colours. So why am I considering the X Pro 3 ??

Fujifilm X-Pro2 vs Fujifilm X-Pro3 Comparison Review

There is, as far as I can tell, no real rational explanation for GAS other than I want, I have the cash and I love the design. Yes the XPro3 has a slightly larger sensor, and does things that the XPro2 cannot, but none of them are deal breakers. I just want.

Fujifilm X-Pro3 review: living in the moment, not a screen in sight:  Digital Photography Review

I must say, I do like the idea of not chimping all the time, which I have a habit of doing, as the main screen is hidden as to make this more difficult, not impossible, but less likely. Giving a more film like operation to the camera. Making you think before you soot, slowing you down a little, getting things right before you click the shutter. Sounds like I am trying to persuade myself, and I probably am. Even used, it is a very expensive item for me.

FUJIFILM X-Pro3実写レビュー。最も富士フイルムらしさを感じられる個性的な最新ミラーレス一眼 - Rentio  PRESS[レンティオプレス]

It certainly won’t make me any better of a photographer, but will encourage me to get out and take pictures because I have robbed the bank manager of all that cash. LOL. Watch this space as I have not bought it yet.

Deposit left, collect on Friday, great deal. Trading in one of my XT’s for this icon

Day 2

Early thoughts, this camera and the way it produces colour is simply amazing

Always Clamouring for New Gear

cameras, Fujichrome, fujifilm, Lenses, opinons, thoughts, photography

Some people always seem to be wanting to upgrade to ”a better” camera because it has newer features or a bigger sensor. I truly find it hard to understand. When I find a camera lens combination that does what I want it to do, I tend to stick with it for a long time and ignore all the new gadget, bells and whistles. The images below, taken today, on what many would say is an obsolete camera, Fujifilm X Pro1. This camera still is capable of excellent quality. Yes it does not have all the ”features” of the newer cameras but it does what it says on the box, takes amazing quality images.

I also took out with me today my ”old” Canon 5D Mk2, another machine that is able to produce high quality images. Its robust and heavy and slower to use that the newer cameras but who cares, it produces images that I enjoy at a price that I can afford, why would I upgrade.

The need to upgrade continually to the next ”best” camera, is a phantasy invented by the camera makers to enable them to sell more cameras, not to enable you to make the best pictures IMO. If you need to upgrade for a specific reason, and can afford to do so, then by all means go for it but think about,clearly, what you need to produce the images that you (and others) may enjoy.

Leica Q2 Monochrom Full Frame Compact Digital Camera

cameras, Lenses, opinons, thoughts, photography, public

Would I buy one even if I could afford it, the answer would probably be YES.

$6,195.00

47.3MP full-frame black-and-white CMOS sensor Captures amazing stills and 4K video 3-inch TFT LCD monitor with touch control 3.68MP OLED electronic viewfinder with eye sensor Built-in Wi-Fi and Bluetooth LE connectivity ISO range of 100-100,000 Fast and accurate AF Compact, fully weather-sealed body Compatible with Leica FOTOS app Leica Summilux 28mm f/1.7 ASPH lens. It certainly has an impressive specification, but would I need it. I have never handled the camera but have used Leica cameras in my film days and know just how well constructed they are, but is this just overkill, a rich mans toy. Watch the review below.

https://www.bhphotovideo.com/explora/videos/photography/hands-on-review-the-new-leica-q2-monochrom