Travel

🌍 Slowing Down in a Fast World

cambodia, cameras, fujifilm, homelessness, Lenses, nikon, opinons, thoughts, photography, street, Travel

Introduction

We live in an age of acceleration. News cycles refresh by the minute, feeds scroll endlessly, and even creativity is pressured to produce faster, louder, more. Yet in the midst of this speed, there is value in slowing down — in reclaiming attention, rediscovering meaning, and reconnecting with the world around us.

The Case for Slowness

  • Depth over breadth: When everything is consumed quickly, little is truly absorbed. Slowness allows us to linger, to notice details.
  • Presence over distraction: Slowing down means being present — whether in conversation, in work, or in art.
  • Sustainability over burnout: Constant speed drains energy. Slowness restores balance, making creativity and living sustainable.

Rediscovery Through Attention

  • Objects: Everyday things reveal character when looked at closely — a weathered wall, a hand‑written note, a shadow at dusk.
  • People: Listening deeply, rather than rushing to respond, uncovers nuance in relationships.
  • Places: Streets, parks, and cities hold layers of history and atmosphere that only patience can reveal.
  • Returning again and again: Revisiting the same subject or place allows new layers to emerge. Each return reframes the familiar, showing how time and perspective reshape vision.

Reclaiming Vision

  • Against noise: Slowness cuts through distraction, sharpening what matters.
  • For clarity: It allows us to see not just what is in front of us, but what lies beneath.
  • As practice: Slowness is not passive — it is an active choice to resist speed and reclaim vision.

Using Technology When It’s Useful

  • Tool, not master: Technology should serve attention, not dictate it.
  • Selective use: Embrace tools that extend vision — editing software, digital archives, or cameras — but resist the pull of endless feeds.
  • Balance: The slow archive doesn’t reject technology; it uses it deliberately, when it amplifies meaning rather than dilutes it.
  • Agency: Choosing when and how to use technology is part of reclaiming vision in a fast world.

Harnessing Speed to Anticipate

  • Machine as ally: Cameras and devices can operate faster than human reflexes.
  • Anticipation: Using burst modes, predictive autofocus, or rapid shutter speeds allows the photographer to anticipate and catch fleeting gestures.
  • Integration: Slowness is about vision, but speed is about execution — together they form a rhythm of patience and precision.
  • Lesson: Technology’s speed is not about rushing; it is about being ready when the moment arrives.

Conclusion

Slowing down is not about rejecting progress. It is about reclaiming agency in how we see, feel, and create. Technology can be part of that process — but only when it is useful, intentional, and aligned with vision. Returning to a subject or place over and over again reminds us that meaning is not found in novelty alone, but in patience, repetition, and rediscovery. And when the decisive moment comes, the speed of a machine can help anticipate and capture it — ensuring vision and execution meet.

Verdict: Slow down, return often, use tools wisely, harness speed — and the world reveals itself anew.

📖 The Slow Archive: Rediscovering Photographs, Reclaiming Vision

cambodia, opinons, thoughts, photography, printing, street, Travel, voluntary

Introduction

In an age of infinite scroll and instant capture, photographs risk becoming disposable. The Slow Archive is a counter‑movement: a deliberate practice of rediscovery, where images are not consumed but contemplated, not forgotten but reclaimed. It is about slowing down to see again — to reclaim vision from speed.

Rediscovering Photographs

  • Beyond immediacy: Digital culture often reduces photographs to fleeting impressions. Rediscovery means returning to images with patience, allowing them to reveal layers missed in the moment.
  • The tactile return: Printed contact sheets, marked negatives, and weathered photo albums remind us that photographs are not just files — they are artifacts.
  • Memory as archive: Rediscovery is not nostalgia; it is an act of re‑reading, where photographs become texts that shift meaning over time.

Reclaiming Vision

  • Against speed: Vision is diluted when images are consumed at the pace of algorithms. Reclaiming vision means resisting the demand for immediacy.
  • Seeing atmospheres: A slow gaze restores atmosphere — shadows, textures, gestures — the overlooked details that give photographs resonance.
  • Ethics of attention: To reclaim vision is to honour subjects, contexts, and histories, rather than flatten them into content.

The Practice of the Slow Archive

  • Curate deliberately: Select images not for clicks but for clarity, atmosphere, and focus.
  • Revisit regularly: Allow photographs to evolve in meaning as time reframes them.
  • Print and preserve: Physical archives resist the ephemerality of digital feeds.
  • Narrate context: Pair images with stories, captions, or timelines that anchor them in lived experience.

Editorial Resonance

For me, the Slow Archive is a natural extension of my lens triangle:

  • Clarity: Rediscovery sharpens what was blurred by time.
  • Atmosphere: Reclamation restores the mood and texture of overlooked frames.
  • Focus: Slow vision isolates meaning, cutting through noise.

It is also deeply Phnom Penh: a city where resilience cycles through erasure and rediscovery, where archives are not just collections but acts of survival.

Conclusion

The Slow Archive is not about resisting technology but about reclaiming agency. It is a manifesto for photographers, editors, and storytellers who believe that vision deserves time, that photographs deserve rediscovery, and that archives are not storage but living memory.

Verdict: To slow down is to see again. To archive is to reclaim vision.

Freelance photojournalism is rewarding but inherently risky

conflict, Lenses, nikon, opinons, thoughts, photography, Travel, war

Freelance photojournalism is rewarding but inherently risky: photographers face physical danger, legal exposure, digital threats, and long‑term psychological harm; mitigation requires training, insurance, local networks, and disciplined safety protocols.

Quick guide — key considerations, clarifying questions, decision points

  • Key considerations: personal safety, legal status, digital security, mental health, and financial protection.
  • Clarifying questions to answer for planning: Will you work alone or with a fixer; do you have hostile‑environment training and insurance; can you secure rapid evacuation and medical support?
  • Decision points: Choose assignments that match your training; invest in HEFAT (hostile environment and first aid), digital security, and reliable local contacts; decide acceptable risk vs reward before deployment.

Common dangers and what they mean

  • Physical harm and death. Photojournalists are exposed to gunfire, explosions, and crowd violence; historically, dozens of photographers have been killed while working in the field.
  • Kidnapping and detention. Freelancers lack institutional backing and can be targeted for ransom or political leverage; arrests may lead to long detentions without consular access.
  • Legal and bureaucratic risk. Working without correct visas, permits, or press accreditation can result in fines, equipment seizure, or deportation.
  • Equipment theft and loss. Cameras and lenses are high‑value and make you visible; losing gear can end a trip and create financial strain.
  • Digital threats. Unsecured devices and communications expose sources and material to surveillance, hacking, or evidence seizure.
  • Psychological trauma. Repeated exposure to violence and suffering increases risk of PTSD, depression, and burnout; trauma‑informed practices are essential.

Practical mitigation (what to do)

  • Training: Complete HEFAT and trauma‑informed safety courses; these teach risk assessment, emergency first aid, and psychological resilience.
  • Insurance and legal prep: Buy kidnap & ransom, medical evacuation, and equipment insurance; register with your embassy and carry legal documents.
  • Local networks: Hire vetted fixers and translators, coordinate with local journalists and NGOs, and establish check‑in protocols.
  • Digital hygiene: Use encrypted comms, full‑disk encryption, strong passwords, and secure backups; compartmentalise sensitive files.
  • Operational discipline: Wear low‑profile clothing, limit time in hotspots, plan exit routes, and avoid predictable patterns.
  • Aftercare: Build access to counselling and peer support; rotate out of high‑stress assignments to recover.

Risks, trade‑offs, and actionable steps

  • Risk: Training and insurance cost time and money; trade‑off: they dramatically reduce life‑threatening exposure and financial ruin. Action: budget safety into every assignment and refuse work beyond your training.
  • Risk: Working with fixers increases dependence and cost; trade‑off: they provide local knowledge and protection. Action: vet fixers through trusted networks and pay fairly.
  • Risk: Digital security can slow workflows; trade‑off: it protects sources and your material. Action: adopt simple, repeatable encryption and backup routines before deployment.

Bottom line: Freelance photojournalism demands more than courage—it requires preparation, training, and systems to protect your body, your sources, and your mind. Invest in safety before you chase the story.

Nikkor 85mm f/1.4G and 85mm f1.8G : a comparison

Lenses, nikon, opinons, thoughts, photography, street, Travel

Both lenses are excellent; the 85mm f/1.4G gives the smoothest bokeh and the shallowest depth of field, while the 85mm f/1.8G delivers nearly the same image quality for far less weight and cost—choose the f/1.4 for ultimate portrait look, the f/1.8 for value and portability.

Quick guide

  • Key considerations: bokeh quality, wide‑open sharpness, autofocus speed/noise, weight, and budget.
  • Clarifying questions: Do you shoot mostly tight portraits or environmental headshots? Do you need the absolute shallowest DOF or a lighter, quieter lens for long sessions?
  • Decision points: Pick 85mm f/1.4G if you prioritise creamy bokeh and maximum subject separation; pick 85mm f/1.8G if you want excellent optics, lower weight, and better value.

Comparison table

Attribute85mm f/1.8G85mm f/1.4G
Max aperturef/1.8f/1.4
Typical weightLighter; easy to carryHeavier; more substantial
BokehSmooth, very goodCreamier, more painterly
Sharpness (stopped down)ExcellentExcellent
AF speed/noiseFast and quiet (AF‑S)Good, depends on generation
Best useEveryday portraits, eventsHigh‑end portraits, editorial work

Optical performance

Sharpness: Both lenses become very sharp by f/2.8–f/4; the D800/D810 will reveal differences, so technique matters. Wide open the f/1.4G can deliver a softer, more painterly look that many portraitists prize, while the f/1.8G tends to be a touch crisper and more forgiving wide open. Bokeh and rendering: the f/1.4G generally produces smoother highlight roll‑off and creamier backgrounds, but the f/1.8G renders pleasing, natural separation at a fraction of the cost.

Autofocus, handling, and build

AF system: Both are AF‑S designs (built‑in motor) and work well on modern Nikon bodies; the f/1.8G is typically lighter and quieter, making it easier for long handheld sessions. Build and balance: the f/1.4G often feels more substantial and better balanced on larger bodies, which some photographers prefer for controlled portrait work.

Price, value, and real‑world use

Cost vs benefit: The f/1.4G commands a premium for its shallow DOF and build; the f/1.8G is widely praised as an excellent value that covers 90–95% of real‑world portrait needs. For event shooters or photographers who carry a kit all day, the f/1.8G often wins on practicality and ROI.

Risks, trade‑offs, and actionable steps

  • Risk: Buying the f/1.4G for its shallow DOF can lead to missed shots due to narrow focus; Action: practice precise focus, use single‑point AF or back‑button AF, and stop down when needed.
  • Trade‑off: Heavier kit vs subtle image nuance; Action: rent or test both on your body to judge real differences in your workflow.
  • Budget risk: Paying for marginal gains; Action: if you shoot long sessions or need portability, favour the f/1.8G for the best cost‑to‑performance ratio.

Recommendation

If you want the ultimate portrait look and can live with extra weight and cost, choose the 85mm f/1.4G. If you want nearly identical image quality with lower weight and much better value, choose the 85mm f/1.8G.

Rediscovering Nikon DSLRs That Still Deliver

Lenses, nikon, opinons, thoughts, photography, pictures, street, Travel

Quick guide and decisions to make

  • Key considerations: Do you prioritise resolution and cropping or low‑light headroom and tactile handling?
  • Clarifying questions to frame the post: Which primes do you favour; do you shoot more daylight or night street work; is portability or ruggedness more important?
  • Decision points for readers: Choose a primary body for the job (high resolution vs low light), keep a consistent RAW workflow, and match prime focal lengths to your shooting style.

Why these bodies matter

  • Nikon D810 delivers 36.3MP full‑frame resolution and a wide ISO range, making it ideal when detail and cropping latitude matter.
  • Nikon D300S is a rugged DX workhorse with 12.3MP, weather sealing, and reliable handling—built for deliberate street work.
  • Nikon D700 brought full‑frame ergonomics and low‑noise files in a compact body, with ~12MP that many still prize for tonality and handling.
  • Nikon D800 introduced 36MP full‑frame resolution that rewards sharp glass and careful technique.
  • Nikon D3S remains a low‑light specialist with exceptional high‑ISO performance and professional durability.

Lenses and setups

  • Core approach: Use high‑quality primes; the glass defines look more than megapixels.
  • Recommended focal lengths: 35mm for context; 50mm for natural perspective; 85mm for portraits and distance; use short tele on the D800/D810 for tight editorial crops.
  • Sample kits: D300S + 35mm f/1.8 for light, fast street; D3S + 50mm/85mm f/1.4 for night; D800/D810 + premium primes for high‑detail work.

How limitations shape style

  • Lower megapixel bodies encourage decisive composition and embrace of grain as aesthetic.
  • High‑resolution bodies change your workflow: sharper technique, steadier support, and premium glass become essential.
  • Low‑light specialists let you capture moments others miss, expanding creative possibilities after dark.

Practical tips and workflow

  • Expose for highlights and protect midtones on older sensors; shoot RAW and apply selective noise reduction.
  • Keep ISO conservative on D300S/D700; use D3S for high‑ISO freedom.
  • Maintain lens care and a consistent edit style to preserve camera character.
  • Let lenses lead: prime rendering, micro‑contrast, and bokeh shape the final image more than sensor specs.

Risks trade‑offs and actionable steps

  • Trade‑offs: Older bodies lack modern conveniences (Wi‑Fi, fastest AF, greatest dynamic range). Action: pick one body as your daily driver and a second as a specialist to avoid workflow fragmentation.
  • Noise and recovery limits: Older sensors have less headroom. Action: expose carefully, bracket when possible, and use modern denoise tools selectively.
  • Value vs needs: If you need cutting‑edge AF or extreme high ISO, consider supplementing with a modern body; otherwise, invest in sharp primes and technique.

Closing thought Paired with high‑quality primes, the D300S, D700, D800, D3S, and D810 form a versatile, characterful system that rewards intentional seeing: the lenses you choose and the way you shoot will define your voice more than the newest sensor.

Chip Mong 271 Mega Mall

cambodia, opinons, thoughts, photography, public, Travel

Chip Mong 271 Mega Mall is one of Phnom Penh’s largest and newest shopping complexes, opened in September 2022 along Street 271. It offers a mix of international and local brands, dining, entertainment, and leisure facilities, making it a major lifestyle destination in Cambodia’s capital.

📌 Key Details

  • Location: Yothapol Khemarak Phoumin Blvd (Street 271), Chak Angre Leu, Khan Mean Chey, Phnom Penh. Roughly 7 km from Wat Phnom.
  • Opening: Soft opening on 12 September 2022.
  • Size: Covers 160,000 m² total area with 58,000 m² of leasable retail space.
  • Parking: Capacity for 1,970 cars and 540 motorbikes.
  • Facilities:
    • 4 floors of retail outlets
    • International and local fashion brands
    • Food court and restaurants
    • Movie theatre
    • Cafés, souvenir shops, and convenience stores

✨ Why It Matters

  • Lifestyle hub: Designed around the theme of “Everyday Discovery”, the mall combines shopping, dining, and entertainment in one space.
  • Economic impact: Represents Chip Mong Group’s expansion into large‑scale retail, boosting Phnom Penh’s modern consumer infrastructure.
  • Accessibility: Easy to reach without crossing rivers or requiring special transport; direct parking available.

⚠️ Considerations

  • Competition: It joins other mega malls like AEON Mall Phnom Penh, intensifying competition in Cambodia’s retail sector.
  • Traffic: Located on a busy boulevard, congestion can be an issue during peak hours.
  • Cultural shift: Reflects Cambodia’s rapid urbanisation and changing consumer habits, but may overshadow traditional markets.

✅ Summary

Chip Mong 271 Mega Mall is a landmark retail and leisure destination in Phnom Penh, offering scale, convenience, and modern amenities. For residents and visitors, it’s both a shopping centre and a symbol of Cambodia’s evolving urban lifestyle.

🔺 Three Lenses, Three Ways of Seeing

Lenses, nikon, opinons, thoughts, photography, pictures, street, Travel

A philosophy in glass and focus

I don’t choose lenses for coverage. I choose them for character. Each one speaks differently. Each one sees differently. Together, they form a triangle — not of focal lengths, but of editorial stance.

📍 Clarity — NIKKOR 50mm f/1.8G

This is the lens I reach for when I want truth without embellishment. It’s sharp, democratic, unpretentious. It doesn’t romanticize the street — it respects it. In Phnom Penh’s quieter corners, it sees what’s there and lets it speak. No blur, no drama. Just presence.

🌫️ Atmosphere — NIKKOR 50mm f/1.4G

This one is softer. Wide open, it breathes. It doesn’t chase sharpness — it leans into ambiguity. I use it when I want mood over detail, when the story lives in the shadows. It’s the lens of dusk, of memory, of things half‑said.

🎯 Focus — NIKKOR 85mm f/1.8D / f/1.8G

These are my scalpels. They isolate. They clarify. The D version has grit — mechanical, tactile, full of history. The G version is quiet, refined, surgical. Both let me pull a face from the crowd, a gesture from the blur. They’re not just portrait lenses. They’re editorial tools for saying: this is what matters.

🧭 The Triangle

Clarity. Atmosphere. Focus. I move between them depending on the story. Sometimes I need the sharpness of truth. Sometimes I need the softness of ambiguity. Sometimes I need to isolate a moment and hold it still.

This triangle isn’t about gear. It’s about ethics. It’s about how I choose to see.

Sharpness Performance – Nikkor 85mm f/1.8G

Lenses, nikon, opinons, thoughts, photography, street, Travel

Centre sharpness — it’s one of the defining strengths of the Nikon AF‑S NIKKOR 85mm f/1.8G.

🔍 Centre Sharpness Performance

  • Wide open (f/1.8):
    • The lens delivers excellent sharpness in the centre of the frame, even at maximum aperture.
    • This makes it ideal for portraits where the subject’s eyes and facial features need to be tack‑sharp while the background melts away.
  • Stopped down (f/2.8–f/4):
    • Centre sharpness improves further, reaching peak performance.
    • At these apertures, the lens produces crisp detail suitable for studio work or environmental portraits.
  • Comparison to edges:
    • While the centre is impressively sharp, the edges and corners are softer at f/1.8.
    • By f/4–f/5.6, sharpness across the frame evens out, though the lens is clearly optimised for centre performance.

🌍 Why Centre Sharpness Matters

  • Portraiture: Ensures the subject’s eyes and facial features are rendered with clarity, anchoring the image.
  • Street Portraits: Allows you to isolate a face in the crowd with precision, while the background remains softly ambiguous.
  • Symbolic resonance: Technically, it’s about optics — but metaphorically, it’s about focusing on what matters most while allowing the rest to blur.

✨ Key Takeaway

The Nikkor 85mm f/1.8G is celebrated for its centre sharpness wide open, making it a reliable portrait lens. Its optical design prioritises subject isolation and clarity, which is why it remains one of Nikon’s most popular affordable primes.

The notion that using the Nikkor 85mm f/1.8G for street photography is “cheating.”

nikon, opinons, thoughts, photography, street, Travel

📸 Why Some Might Call It “Cheating”

  • Distance & Detachment:
    • An 85mm lens lets you stand further back, avoiding the intimacy and risk of close‑up encounters.
    • Critics argue street photography should be about immersing yourself in the flow of public life, not sniping from afar.
  • Portrait Bias:
    • The lens isolates subjects with shallow depth of field, producing images that look more like studio portraits than candid street shots.
    • Purists say this shifts the genre away from its documentary roots.
  • Aesthetic Control:
    • With creamy bokeh and sharp subject isolation, the 85mm f/1.8G can make almost any scene look “artful.”
    • Some feel this undermines the raw, chaotic authenticity that defines street photography.

🌍 Why It’s Not Cheating

  • Street Photography Is About Vision, Not Gear:
    • Henri Cartier‑Bresson used a 50mm; Garry Winogrand often shot wider. But the genre has never been bound to one focal length.
    • What matters is the decisive moment and the photographer’s intent.
  • Different Perspective:
    • An 85mm lens compresses space, offering a unique way to frame gestures, expressions, and interactions.
    • It can highlight individuals within the crowd, turning anonymity into intimacy.
  • Practicality:
    • In places where close interaction may be culturally sensitive or unsafe, longer focal lengths allow respectful distance.
    • In Phnom Penh, for example, using 85mm could let you capture warmth without intruding.

⚖️ Advantages of 85mm Street Work

  • Subject isolation and expressive portraits.
  • Quiet SWM autofocus — discreet in public.
  • Lightweight and portable compared to f/1.4 primes.

📊 Comparison: Nikon 85mm f/1.8D vs 85mm f/1.8G

FeatureNikon 85mm f/1.8D (1994)Nikon 85mm f/1.8G (2012)
Focal Length85mm85mm
Maximum Aperturef/1.8f/1.8
Optical Design6 elements in 6 groups9 elements in 9 groups (modern coatings)
Autofocus SystemScrew‑drive AF (requires motor in camera)Silent Wave Motor (SWM) built into lens
Manual Focus OverrideNoYes (M/A mode)
Minimum Focus Distance0.85 m0.8 m
Diaphragm Blades7 straight blades7 rounded blades (smoother bokeh)
Weight~380 g~350 g
Build QualityMetal/plastic mix, solid feelPlastic barrel, lighter, not weather‑sealed
Filter Size62 mm67 mm
Release Year19942012

⚠️ Disadvantages

  • Less context — backgrounds blur, reducing environmental storytelling.
  • Risk of voyeurism if used without engagement.
  • Narrower field of view makes spontaneous wide scenes harder to capture.

✨ Conclusion

Calling the 85mm f/1.8G “cheating” in street photography reflects a purist mindset that equates authenticity with proximity. In reality, it’s just another tool — one that shifts the genre toward street portraiture, where clarity and ambiguity coexist. The ethical weight lies not in the lens, but in how you use it: whether you engage, respect, and frame responsibly.

Tokina AT‑X 24‑70mm f/2.8 PRO FX: A Lens Built for the Demands of Real Work

cameras, Lenses, opinons, thoughts, street, Travel

🌍 Why This Lens Matters

Every photographer knows the 24‑70mm f/2.8 zoom is the backbone of a professional kit. It’s the lens you reach for when you need versatility without compromise — wide enough for landscapes, tight enough for portraits, fast enough for events. Tokina’s AT‑X 24‑70mm f/2.8 PRO FX steps into this arena with confidence, offering a blend of durability, optical quality, and thoughtful design.

🔑 Standout Features

  • Focal Range: Covers everything from sweeping 24mm vistas to intimate 70mm portraits.
  • Constant f/2.8 Aperture: Reliable exposure and shallow depth of field across the zoom range, perfect for low‑light and subject isolation.
  • Optical Quality:
    • Crisp centre sharpness at f/2.8.
    • Edge performance improves when stopped down.
    • Natural colour and contrast that hold up in demanding conditions.
  • Autofocus: Ultrasonic Silent Drive (USD) delivers fast, quiet, and accurate focusing.
  • Manual Focus Clutch: Tokina’s signature system lets you switch instantly between AF and MF by sliding the focus ring.
  • Build: Solid, weather‑resistant construction with a reassuringly professional feel.

🎯 In the Field

  • Portraits: Smooth bokeh and sharp rendering make subjects stand out.
  • Events: The focal range and AF speed handle dynamic environments with ease.
  • Landscapes: At f/8–f/11, detail across the frame is crisp and reliable.
  • Low Light: The constant f/2.8 aperture keeps you shooting confidently indoors or at dusk.

⚠️ Considerations

  • Weight: At roughly 1 kg, it’s not the lightest option.
  • Competition: Goes head‑to‑head with Canon, Nikon, Sigma, and Tamron equivalents.
  • Flare Resistance: Respectable, but not class‑leading — careful composition helps.

📊 Comparison Table: Tokina vs Canon vs Nikon 24‑70mm f/2.8 Lenses

FeatureTokina AT‑X 24‑70mm f/2.8 PRO FXCanon EF 24‑70mm f/2.8L II USMNikon AF‑S 24‑70mm f/2.8E ED VR
Focal Range24–70mm24–70mm24–70mm
ApertureConstant f/2.8Constant f/2.8Constant f/2.8
Autofocus SystemUltrasonic Silent Drive (USD)Ring‑type USM (fast, silent)Silent Wave Motor (SWM) + VR
Special FeaturesManual Focus ClutchWeather‑sealed, pro‑gradeVibration Reduction (VR)
Build QualitySolid, metal barrel, pro feelPremium L‑series constructionRugged, weather‑sealed
Weight~1,000 g~805 g~1,070 g
Release Year201520122015

✨ Final Word

The Tokina AT‑X 24‑70mm f/2.8 PRO FX is a true workhorse lens. It doesn’t just mimic the big brands — it carves out its own space with robust build quality, a clever focus clutch, and reliable optics. For photographers who demand versatility and durability without paying top‑tier prices, this lens earns its place in the bag.

Note: I picked this lens up in excellent (pristine) condition in Phnom Penh today for the bargain price of $100 US.