Lenses

Back button AF

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Using the back button AF is a technique that allows you to focus on your subject without having to press the shutter button halfway. It involves assigning a different button on the back of your camera to activate the autofocus system, instead of using the shutter button. Normally, when you press the shutter button halfway, you activate the autofocus system and lock the focus on your subject. When you press it fully, you take the picture. However, if you move your camera after locking the focus, or if your subject moves, you may lose focus and end up with a blurry image. By using a separate button for focusing, you can avoid this problem and have more control over when and where to focus. This way, you can lock the focus on your subject and recompose the frame without losing focus. Using back button AF can be useful for situations where you want to have more control over the focus point, or when you are shooting moving subjects and want to track them continuously. Some of the benefits of using back button AF are:

  • You can avoid accidental refocusing when you press the shutter button fully.
  • You can switch between single and continuous autofocus modes without changing the settings on your camera.
  • You can prevent focus hunting when shooting in low light or low contrast scenes.
  • You can use manual focus and autofocus interchangeably without switching modes.

To use the back button AF, you need to assign a button on the back of your camera to activate the autofocus system. The exact procedure may vary depending on your camera model, but generally, you can find it in the custom functions menu. Once you have assigned the button, you need to disable the autofocus function from the shutter button. This way, the shutter button will only be used to take the picture, and the back button will be used to focus. To use the back button AF, you simply press and hold the back button to focus on your subject, and then release it when you have achieved focus. You can then recompose the frame and press the shutter button to take the picture.

Why do some photographers get noticed and others don’t.

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Why do some photographers get noticed and others don’t. What is the trick?

This is a question that many aspiring photographers ask themselves, and there is no easy answer. Photography is a creative field, and different people have different tastes and preferences. What appeals to one person may not appeal to another. However, there are some general tips that can help you improve your chances of getting noticed as a photographer.

  • Find your niche. Don’t try to copy what others are doing, but instead focus on what makes you unique and passionate. What kind of photography do you enjoy the most? What kind of stories do you want to tell with your images? What kind of style and mood do you want to create? By finding your niche, you can develop your own voice and vision as a photographer, and attract people who share your interests and values.
  • Be consistent. Once you find your niche, stick to it and be consistent in your work. This doesn’t mean you can’t experiment or try new things, but it does mean you should have a clear direction and purpose for your photography. Consistency helps you build your brand and reputation and also helps you grow as a photographer. People will recognize your work and trust your quality.
  • Be visible. If you want to get noticed, you need to put yourself out there and show your work to the world. There are many platforms and channels where you can showcase your photography, such as social media, websites, blogs, magazines, galleries, contests, etc. Choose the ones that suit your goals and audience, and be active and engaging. Share your work regularly, but also interact with other photographers and potential clients. Give feedback, ask for feedback, join communities, network, collaborate, etc. The more visible you are, the more opportunities you will have.
  • Be persistent. Getting noticed as a photographer is not easy, and it takes time and effort. You will face challenges, rejections, criticisms, and competition along the way. Don’t let that discourage you or stop you from pursuing your passion. Keep learning, improving, creating, and sharing your work. Keep trying new things and reaching out to new people. Keep believing in yourself and your vision. Eventually, you will find your audience and your success.

Is being able to shoot manually a real requirement

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Do I have to learn to shoot manually before I can consider myself a photographer? That’s like asking if I have to learn how to drive a stick before I can consider myself a driver. Sure, it might make you feel more in control and impress some people, but it’s not a requirement. There are plenty of amazing photographers who use auto mode and still capture stunning images. Manual mode is just a tool, not a badge of honour. It can help you in some situations, but it can also hinder you in others. The most important thing is to know your camera, your subject, and your vision. And to have fun, of course. Photography is supposed to be fun, not stressful. So don’t worry about what other people think or what mode you use. Just go out there and shoot!

One of the best ways to capture stunning portraits is to use the aperture priority mode on your camera. This mode allows you to adjust the depth of field, which is how much of the scene is in focus. By using a large aperture (a small f-number), you can create a shallow depth of field that blurs the background and makes the person stand out. This way, you can emphasize their facial features, expressions, and emotions. Aperture priority mode is great for people’s pictures because it lets you focus on the person without worrying about other settings. You can simply point and shoot, and let the camera do the rest. Aperture priority mode gives you more creative control and flexibility than auto mode and helps you achieve professional-looking results with ease. Whatever mode you use its is just a tool to help you get the picture you see.

The Fuji 27mm f2.8 (first version)

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If you are looking for a versatile and compact lens to pair with your X Pro3, you can’t go wrong with the Fujifilm 27mm f2.8. This lens is a gem for general and street photography, as it offers a fast aperture, sharp image quality, and a lightweight design. The 27mm focal length is equivalent to 41mm on a full-frame sensor, which is close to the classic 35mm field of view many photographers love. It allows you to capture many scenes, from landscapes to portraits, without distortion or cropping. The f2.8 aperture lets you shoot in low-light conditions and create beautiful bokeh effects. The lens also has a quick and silent autofocus system that works well with the X Pro3’s hybrid viewfinder. The best part is that the lens is so tiny and light that you can easily carry it around in your pocket or bag. It barely adds any bulk to the X Pro3’s sleek and retro body. The Fujifilm 27mm f2.8 is a great lens for anyone who wants to enjoy the simplicity and creativity of photography with the X Pro3.

I have owned it for quite a while but never really used the Fujifilm 27mm f2.8 lens until recently, and I have to say I’m blown away by its performance! It’s so compact and lightweight, yet it delivers sharp and crisp images with beautiful colours and contrast. It’s perfect for street photography, landscapes, and portraits. It has a fast autofocus and a smooth aperture ring that lets me control the depth of field easily. I love how it makes my camera look sleek and discreet, and how it fits in my pocket when I’m on the go. This lens is a gem and I’m so glad I finally gave it a chance!

Defining your photographic comfort zone

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One of the most important aspects of photography is finding your own style and voice. But how do you do that? How do you know what kind of photos you like to take and what kind of photos you are good at taking? One way to approach this question is by defining your photographic comfort zone.

Your photographic comfort zone is the range of subjects, situations, and techniques that you feel comfortable and confident with. It’s where you can express yourself freely and creatively, without feeling anxious or frustrated. It’s where you can enjoy the process of making images and have fun with your camera.

But how do you find your photographic comfort zone? Well, there is no definitive answer to that, as everyone’s comfort zone is different and personal. However, here are some possible steps that might help you:

  • Experiment with different genres and styles of photography. Try shooting landscapes, portraits, street, macro, wildlife, abstract, etc. See what appeals to you and what doesn’t. See what challenges you and what bores you. See what makes you happy and what makes you stressed.
  • Analyze your existing photos. Look at your portfolio and see if there are any patterns or themes that emerge. What kind of subjects do you tend to photograph the most? What kind of lighting do you prefer? What kind of colors do you use? What kind of mood or emotion do you convey? What kind of composition or perspective do you favor?
  • Ask for feedback. Show your photos to other people and see what they think. Ask them what they like and dislike about your photos. Ask them what they think your strengths and weaknesses are. Ask them what they think your style or voice is. Be open to constructive criticism and learn from it.
  • Challenge yourself. Once you have a sense of your photographic comfort zone, don’t be afraid to step out of it from time to time. Try something new or different that pushes you beyond your limits. Try a new technique or a new genre that you are not familiar with. Try a new location or a new subject that you are not comfortable with. Try to overcome your fears or insecurities and grow as a photographer.

Defining your photographic comfort zone can help you discover your own style and voice as a photographer. It can also help you improve your skills and expand your horizons. However, remember that your comfort zone is not fixed or static. It can change over time as you evolve as a photographer and as a person. So keep exploring, keep learning, and keep enjoying photography!

Knowing your camera

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If you are passionate about photography, you know how important it is to know your camera well. Your camera is your tool, your partner, and your creative expression. Knowing your camera means you can take better photos, faster and easier.

But how do you get to know your camera? There are so many features, settings, and options that it can be overwhelming at first. Don’t worry, we are here to help you with some tips and tricks to get you started.

The first thing you need to do is read the manual. Yes, we know it sounds boring and tedious, but trust us, it will save you a lot of time and frustration later on. The manual will tell you everything you need to know about your camera’s functions, modes, menus, and buttons. You will learn how to adjust the exposure, focus, white balance, ISO, aperture, shutter speed, and more. You will also learn how to use the flash, the zoom, the timer, the burst mode, and other features that can enhance your photos.

The second thing you need to do is practice. The best way to learn is by doing. Take your camera with you everywhere you go and try different settings and situations. Experiment with different angles, perspectives, lighting conditions, and subjects. See how your camera reacts and what results you get. Don’t be afraid to make mistakes and learn from them. The more you practice, the more comfortable and confident you will become with your camera.

The third thing you need to do is have fun. Photography is not only a skill but also an art form. It is a way of expressing yourself and capturing moments that matter to you. Don’t get too caught up in the technical details and forget to enjoy the process. Be creative, be curious, be adventurous. Find your own style and voice. Share your photos with others and get feedback. Learn from other photographers and get inspired by their work.

Knowing your camera is not a one-time thing. It is a continuous journey of discovery and improvement. As you grow as a photographer, so will your camera skills. You will always find new things to learn and new ways to challenge yourself.

But remember, the most important thing is not the camera itself but what you do with it.

Ethical issues for street photographers: Old Man Series.

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Street photography is a fascinating and rewarding genre of photography that captures candid moments of life in public spaces. However, street photography also poses some ethical challenges that require careful consideration and respect from the photographer. Here are some ethical issues for the street photographer to keep in mind:

Respect the privacy and dignity of the people you are photographing as much as possible. Even though you have the legal right to take photos in public spaces, you should also be mindful of how your photos might affect the people you are photographing. For example, you should avoid taking photos of people in vulnerable or embarrassing situations, such as homeless people, people with disabilities, or people who are grieving. You should also respect the wishes of people who do not want to be photographed and delete their photos if they ask you to do so.

Consider the power dynamics at play when taking photos. As a street photographer, you have the power to choose what to photograph, how to photograph it, and how to present it to the world. You should be aware of how your photos might reinforce or challenge stereotypes, biases, or prejudices about certain groups of people or places. You should also be aware of how your presence and actions might affect the people and environments you are photographing. For example, you should avoid being intrusive, aggressive, or disrespectful when taking photos, and you should not interfere with or endanger anyone’s safety or well-being.

Be culturally sensitive so as not to feed into stereotypes and biases. Street photography can be a great way to learn about and appreciate different cultures and lifestyles, but it can also be a source of misunderstanding and misrepresentation if done without cultural sensitivity. You should do some research and educate yourself about the places and people you are photographing, and try to understand their context and perspective. You should also avoid taking photos that might be considered offensive, disrespectful, or inappropriate by the local culture or norms.

Put the safety of the people you are photographing above the photograph. Street photography can sometimes involve taking risks or facing dangers, such as going to unfamiliar or unsafe places, encountering hostile or violent people, or breaking laws or rules. However, you should never put yourself or others in harm’s way for the sake of a photo. You should always prioritize your own safety and the safety of the people you are photographing over getting a shot. You should also be prepared for any possible consequences or repercussions of your actions.

Think about the risks and consequences of intrusive shooting before getting in someone’s face. Some street photographers prefer to shoot close-up and candidly, without asking for permission or notifying their subjects. This can result in striking and evocative images that capture raw emotions and expressions, but it can also result in unwanted confrontations, conflicts, or lawsuits. You should weigh the pros and cons of this approach before deciding to use it, and be ready to deal with any negative reactions or outcomes. You should also respect the personal space and boundaries of your subjects, and not invade their privacy or comfort.

Think about how you will use and share your photos. Street photography can have many purposes and audiences, such as artistic expression, social commentary, documentary evidence, or personal enjoyment. You should think about why you are taking photos and who you are taking them for before you use or share them. You should also consider how your photos might affect or influence others who see them. For example, you should obtain consent from your subjects if you plan to use their photos for commercial purposes, such as selling prints or licensing images. You should also respect the intellectual property rights of other photographers and not copy or steal their work.

Why I make pictures

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I take photographs because I love capturing the beauty and the emotion of the world around me. I take photographs because I want to share my perspective and my stories with others. I take photographs because I enjoy the challenge and the creativity of finding the right angle, the right light, and the right moment. I take photographs because I feel alive and happy when I hold a camera in my hands.

Photography is more than just a hobby for me. It is a passion, a way of expression, a form of art. Photography is a journey of discovery, of learning, of growth. Photography is a gift that I can give to myself and to others. Photography is my way of saying thank you to life for all the wonderful experiences and memories that it offers me. Photography is my voice, my vision, my expression. It is who I am and what I do. It is why I take photographs.

Using the Fujifilm XE2 camera plus XF 18mm f2 for street photography: Old Photographer Series.

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If you are looking for a compact and versatile camera for street photography, you might want to consider the Fujifilm XE2 with a 18mm f2 lens. This combination offers many advantages for capturing candid moments in the urban environment. Here are some reasons why:

  • The Fujifilm XE2 is a mirrorless camera that has a retro design and a solid build quality. It has a 16.3 megapixel APS-C sensor that delivers excellent image quality and low-light performance. It also has a fast and accurate autofocus system that can track moving subjects with ease.
  • The 18mm f2 lens is a wide-angle prime lens that has a 35mm equivalent focal length of 27mm. This is a classic focal length for street photography, as it allows you to capture a wide view of the scene without distorting the perspective too much. It also has a bright aperture of f2 that lets you create shallow depth of field effects and shoot in low-light situations.
  • The combination of the Fujifilm XE2 and the 18mm f2 lens is very lightweight and discreet. You can easily carry it around in your bag or pocket, and it won’t attract too much attention from your subjects.
  • The Fujifilm XE2 and the 18mm f2 lens also give you a lot of creative control over your images. You can choose from various film simulation modes that emulate the look of classic Fujifilm films, such as Provia, Velvia, Astia, and more. You can also adjust the exposure compensation, white balance, ISO, and other settings with dedicated dials and buttons on the camera body.

As you can see, the Fujifilm XE2 and the 18mm f2 lens are a great pair for street photography. They allow you to capture the beauty and spontaneity of life on the streets with ease and style. If you are interested in this setup, you can find more information and reviews online or visit your local camera store to try it out for yourself.

In Camera Cropping.

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In-camera cropping is a term that refers to composing your photos with your camera, rather than cropping them later on a computer. Some photographers prefer this method, as it allows them to create more interesting compositions, achieve better background blur, and preserve the image quality and file size. However, in-camera cropping also requires more skill and confidence, as you have to decide on the final framing before you take the shot.

Other photographers like to crop their photos during post-production, as it gives them more flexibility and room for experimentation. Cropping on a computer can help you improve a poor composition, remove distracting elements, or alter the aspect ratio of your photo. You can also try different crops and see which one works best for your image. However, cropping on a computer also has some drawbacks, such as reducing the number of pixels in your image, affecting its clarity and printability.

So, is in-camera cropping right or wrong? There is no definitive answer to this question, as different photographers have different opinions and preferences. Some may argue that in-camera cropping is more authentic and artistic, while others may say that cropping on a computer is more practical and creative. Ultimately, it depends on your personal style, vision, and goals. The best way to find out what works for you is to experiment with both methods and see how they affect your photos.