Lenses

Knowing your camera

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If you are passionate about photography, you know how important it is to know your camera well. Your camera is your tool, your partner, and your creative expression. Knowing your camera means you can take better photos, faster and easier.

But how do you get to know your camera? There are so many features, settings, and options that it can be overwhelming at first. Don’t worry, we are here to help you with some tips and tricks to get you started.

The first thing you need to do is read the manual. Yes, we know it sounds boring and tedious, but trust us, it will save you a lot of time and frustration later on. The manual will tell you everything you need to know about your camera’s functions, modes, menus, and buttons. You will learn how to adjust the exposure, focus, white balance, ISO, aperture, shutter speed, and more. You will also learn how to use the flash, the zoom, the timer, the burst mode, and other features that can enhance your photos.

The second thing you need to do is practice. The best way to learn is by doing. Take your camera with you everywhere you go and try different settings and situations. Experiment with different angles, perspectives, lighting conditions, and subjects. See how your camera reacts and what results you get. Don’t be afraid to make mistakes and learn from them. The more you practice, the more comfortable and confident you will become with your camera.

The third thing you need to do is have fun. Photography is not only a skill but also an art form. It is a way of expressing yourself and capturing moments that matter to you. Don’t get too caught up in the technical details and forget to enjoy the process. Be creative, be curious, be adventurous. Find your own style and voice. Share your photos with others and get feedback. Learn from other photographers and get inspired by their work.

Knowing your camera is not a one-time thing. It is a continuous journey of discovery and improvement. As you grow as a photographer, so will your camera skills. You will always find new things to learn and new ways to challenge yourself.

But remember, the most important thing is not the camera itself but what you do with it.

Ethical issues for street photographers: Old Man Series.

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Street photography is a fascinating and rewarding genre of photography that captures candid moments of life in public spaces. However, street photography also poses some ethical challenges that require careful consideration and respect from the photographer. Here are some ethical issues for the street photographer to keep in mind:

Respect the privacy and dignity of the people you are photographing as much as possible. Even though you have the legal right to take photos in public spaces, you should also be mindful of how your photos might affect the people you are photographing. For example, you should avoid taking photos of people in vulnerable or embarrassing situations, such as homeless people, people with disabilities, or people who are grieving. You should also respect the wishes of people who do not want to be photographed and delete their photos if they ask you to do so.

Consider the power dynamics at play when taking photos. As a street photographer, you have the power to choose what to photograph, how to photograph it, and how to present it to the world. You should be aware of how your photos might reinforce or challenge stereotypes, biases, or prejudices about certain groups of people or places. You should also be aware of how your presence and actions might affect the people and environments you are photographing. For example, you should avoid being intrusive, aggressive, or disrespectful when taking photos, and you should not interfere with or endanger anyone’s safety or well-being.

Be culturally sensitive so as not to feed into stereotypes and biases. Street photography can be a great way to learn about and appreciate different cultures and lifestyles, but it can also be a source of misunderstanding and misrepresentation if done without cultural sensitivity. You should do some research and educate yourself about the places and people you are photographing, and try to understand their context and perspective. You should also avoid taking photos that might be considered offensive, disrespectful, or inappropriate by the local culture or norms.

Put the safety of the people you are photographing above the photograph. Street photography can sometimes involve taking risks or facing dangers, such as going to unfamiliar or unsafe places, encountering hostile or violent people, or breaking laws or rules. However, you should never put yourself or others in harm’s way for the sake of a photo. You should always prioritize your own safety and the safety of the people you are photographing over getting a shot. You should also be prepared for any possible consequences or repercussions of your actions.

Think about the risks and consequences of intrusive shooting before getting in someone’s face. Some street photographers prefer to shoot close-up and candidly, without asking for permission or notifying their subjects. This can result in striking and evocative images that capture raw emotions and expressions, but it can also result in unwanted confrontations, conflicts, or lawsuits. You should weigh the pros and cons of this approach before deciding to use it, and be ready to deal with any negative reactions or outcomes. You should also respect the personal space and boundaries of your subjects, and not invade their privacy or comfort.

Think about how you will use and share your photos. Street photography can have many purposes and audiences, such as artistic expression, social commentary, documentary evidence, or personal enjoyment. You should think about why you are taking photos and who you are taking them for before you use or share them. You should also consider how your photos might affect or influence others who see them. For example, you should obtain consent from your subjects if you plan to use their photos for commercial purposes, such as selling prints or licensing images. You should also respect the intellectual property rights of other photographers and not copy or steal their work.

Why I make pictures

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I take photographs because I love capturing the beauty and the emotion of the world around me. I take photographs because I want to share my perspective and my stories with others. I take photographs because I enjoy the challenge and the creativity of finding the right angle, the right light, and the right moment. I take photographs because I feel alive and happy when I hold a camera in my hands.

Photography is more than just a hobby for me. It is a passion, a way of expression, a form of art. Photography is a journey of discovery, of learning, of growth. Photography is a gift that I can give to myself and to others. Photography is my way of saying thank you to life for all the wonderful experiences and memories that it offers me. Photography is my voice, my vision, my expression. It is who I am and what I do. It is why I take photographs.

Using the Fujifilm XE2 camera plus XF 18mm f2 for street photography: Old Photographer Series.

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If you are looking for a compact and versatile camera for street photography, you might want to consider the Fujifilm XE2 with a 18mm f2 lens. This combination offers many advantages for capturing candid moments in the urban environment. Here are some reasons why:

  • The Fujifilm XE2 is a mirrorless camera that has a retro design and a solid build quality. It has a 16.3 megapixel APS-C sensor that delivers excellent image quality and low-light performance. It also has a fast and accurate autofocus system that can track moving subjects with ease.
  • The 18mm f2 lens is a wide-angle prime lens that has a 35mm equivalent focal length of 27mm. This is a classic focal length for street photography, as it allows you to capture a wide view of the scene without distorting the perspective too much. It also has a bright aperture of f2 that lets you create shallow depth of field effects and shoot in low-light situations.
  • The combination of the Fujifilm XE2 and the 18mm f2 lens is very lightweight and discreet. You can easily carry it around in your bag or pocket, and it won’t attract too much attention from your subjects.
  • The Fujifilm XE2 and the 18mm f2 lens also give you a lot of creative control over your images. You can choose from various film simulation modes that emulate the look of classic Fujifilm films, such as Provia, Velvia, Astia, and more. You can also adjust the exposure compensation, white balance, ISO, and other settings with dedicated dials and buttons on the camera body.

As you can see, the Fujifilm XE2 and the 18mm f2 lens are a great pair for street photography. They allow you to capture the beauty and spontaneity of life on the streets with ease and style. If you are interested in this setup, you can find more information and reviews online or visit your local camera store to try it out for yourself.

In Camera Cropping.

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In-camera cropping is a term that refers to composing your photos with your camera, rather than cropping them later on a computer. Some photographers prefer this method, as it allows them to create more interesting compositions, achieve better background blur, and preserve the image quality and file size. However, in-camera cropping also requires more skill and confidence, as you have to decide on the final framing before you take the shot.

Other photographers like to crop their photos during post-production, as it gives them more flexibility and room for experimentation. Cropping on a computer can help you improve a poor composition, remove distracting elements, or alter the aspect ratio of your photo. You can also try different crops and see which one works best for your image. However, cropping on a computer also has some drawbacks, such as reducing the number of pixels in your image, affecting its clarity and printability.

So, is in-camera cropping right or wrong? There is no definitive answer to this question, as different photographers have different opinions and preferences. Some may argue that in-camera cropping is more authentic and artistic, while others may say that cropping on a computer is more practical and creative. Ultimately, it depends on your personal style, vision, and goals. The best way to find out what works for you is to experiment with both methods and see how they affect your photos.

Is it acceptable to use a telephoto lens for street photography?

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Street photography is a genre of photography that captures candid moments of people and places in public spaces. It is often associated with wide-angle lenses, which allow the photographer to get close to the subject and capture more of the surrounding context. However, some street photographers prefer to use telephoto lenses, which have a longer focal length and can create a different perspective and effect.

Telephoto lenses have some advantages and disadvantages for street photography. On the positive side, they can help the photographer to isolate the subject from the background, creating a shallow depth of field and a more dramatic composition. They can also allow the photographer to shoot from a distance, without being noticed or disturbing the scene. This can be useful for capturing candid expressions and emotions, or for photographing in places where it might be unsafe or inappropriate to get too close.

On the negative side, telephoto lenses can also pose some challenges for street photography. They are usually heavier and bulkier than wide-angle lenses, which can make them more difficult to carry around and handle. They also require a faster shutter speed to avoid camera shake, which can limit the creative possibilities of using motion blur or low-light conditions. Moreover, they can create a more detached and voyeuristic feeling, which might not suit the style or intention of some street photographers who want to engage with their subjects and environment.

Ultimately, the choice of lens for street photography depends on the personal preference and vision of the photographer. There is no right or wrong answer, as long as the lens serves the purpose and message of the image. Some street photographers might stick to one lens for consistency and simplicity, while others might switch between different lenses depending on the situation and opportunity. The most important thing is to experiment and have fun with street photography, and to find your own voice and style.

Using a wide angle lens for street photography

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Street photography is a genre of photography that captures candid moments of people and places in public spaces. It can be challenging, rewarding and fun, but also requires some skills and techniques to get the best results. One of the most important decisions you have to make as a street photographer is what lens to use. In this blog post, we will explore the advantages and disadvantages of using a wide-angle lens for street photography, and give you some tips on how to use it effectively.

A wide-angle lens is a lens that has a focal length shorter than 35mm on a full-frame camera, or 24mm on a crop-sensor camera. This means that it can capture a wider field of view than a normal or telephoto lens, allowing you to include more of the scene in your frame. A wide-angle lens can also create some interesting effects, such as distortion, perspective and depth of field, that can enhance your street photography.

Some of the advantages of using a wide-angle lens for street photography are:

  • You can get closer to your subject without being intrusive or noticeable. A wide-angle lens allows you to fill the frame with your subject even when you are only a few feet away from them. This can help you capture more intimate and authentic expressions and emotions, as well as more details and textures.
  • You can capture more of the context and environment around your subject. A wide-angle lens can show more of the background and foreground of your scene, giving your viewers a better sense of the place and time where your photo was taken. This can help you tell a story with your photo, or create a contrast or connection between your subject and their surroundings.
  • You can create dynamic and dramatic compositions. A wide-angle lens can exaggerate the perspective and distortion of your scene, making it look more spacious or distorted. This can create a sense of movement, energy and tension in your photo, or draw attention to certain elements or lines in your frame.

Some of the disadvantages of using a wide-angle lens for street photography are:

  • You may have unwanted elements or distractions in your frame. A wide-angle lens can capture more than you intend to, especially if you are not careful with your framing and positioning. You may end up with unwanted people, objects or light sources in your photo that can ruin your composition or mood.
  • You may lose some details or sharpness in your photo. A wide-angle lens can make your subject look smaller or farther away than they actually are, especially if they are not close to the centre of your frame. This can reduce the impact and clarity of your photo, or make it look too busy or cluttered.
  • You may have some distortion or vignetting in your photo. A wide-angle lens can bend or stretch the edges of your frame, making straight lines look curved or distorted. This can create some interesting effects, but also some unwanted ones, such as making people look distorted or unnatural. A wide-angle lens can also cause some darkening or loss of contrast at the corners of your frame, known as vignetting. This can affect the exposure and colour balance of your photo.

Some tips on how to use a wide-angle lens for street photography are:

  • Get close to your subject. A wide-angle lens works best when you are close to your subject, as this will make them stand out more and create a stronger connection with them. Try to fill the frame with your subject, or leave some space around them to show their context.
  • Pay attention to your background and foreground. A wide-angle lens can show more of what is behind and in front of your subject, so make sure they are not distracting or conflicting with them. Look for interesting or complementary elements that can add depth, contrast or harmony to your photo.
  • Use lines and shapes to guide the eye. A wide-angle lens can create some powerful lines and shapes in your frame that can lead the viewer’s eye to your subject or create a sense of direction or movement. Look for diagonal, curved or converging lines that can create dynamism and drama in your photo.
  • Experiment with different angles and perspectives. A wide-angle lens can give you more creative freedom to try different angles and perspectives that can change the mood and meaning of your photo. Try shooting from low or high angles, from the side or behind your subject, or tilting or rotating your camera to create some interesting effects.

Using a wide-angle lens for street photography can be a great way to capture more of the scene and create some stunning photos. However, it also requires some skill and practice to use it effectively and avoid some common pitfalls. The key is to know the strengths and weaknesses of your lens, and how to use them to your advantage.

On the Riverside in Phnom Penh, Cambodia 04/03/23

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Fujifilm XT2 + XF 16 – 80 f4

Too Much Gear.

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I definitely have too much gear but I can’t see myself getting rid of any any time soon. I am running three systems at the moment, Nikon, Fuji and Canon and I use them at different times and for different reasons as they all have their strong points. Most of my gear is not new, the last new lens I bought was a Vitrox 13mm f1.4 for Fuji.

Nikon D3s and a few lenses I bought recently for great prices used. I still enjoy using a DSLR, especially of this quality. Other Nikons I have and still use are the Nikon D2HS, and Nikon D1. I am definitely a hoarder.

The Canon 1D Mk IV has been my main work camera for the past 10 years and it has never put a foot wrong, always giving me the images I required, but like the Nikon D3s it heavy and you need to be fairly strong to hump it and its L lenses around for a days shoot.

Fujifilm have been building wonderful cameras for a while, cameras with a bit of class. My general everyday camera for work is now Fuji either the XT2 or 3, with the battery grip as they still cannot compete with DSLR’s, power wise. Picture wise they can in certain circumstances, better the comparable DSLR.

I also use the Fujifilm X Pro1,2 & 3 .

If you are looking for a camera that can capture the essence of street photography, you might want to consider the Fuji X Pro2. This camera is designed with street photographers in mind, offering a range of features that make it easy and enjoyable to shoot in any situation. Here are some of the reasons why I love using the Fuji X Pro2 for street photography.

First of all, the Fuji X Pro2 has a hybrid viewfinder that lets you switch between an optical and an electronic viewfinder. This gives you the best of both worlds: you can use the optical viewfinder for a more natural and immersive experience, or you can use the electronic viewfinder for more accuracy and information. The electronic viewfinder also has a magnification function that helps you focus manually, which is great for street photography.

Secondly, the Fuji X Pro2 has a compact and discreet body that blends in with the crowd. The camera is not too big or heavy, so you can carry it around comfortably and discreetly. The camera also has a retro and classic design that looks stylish and elegant. The camera does not attract too much attention, which is ideal for capturing candid moments on the street.

Thirdly, the Fuji X Pro2 has superb image quality that delivers stunning results. The camera has a 24-megapixel APS-C sensor that produces sharp and detailed images with rich colours and tones. The camera also has a wide range of lenses that suit different styles and situations. You can choose from prime lenses, zoom lenses, wide-angle lenses, telephoto lenses, and more. The lenses are also fast and bright, which means you can shoot in low-light conditions without compromising on quality.

Finally, the Fuji X Pro2 has a user-friendly interface that makes it easy to adjust settings and modes. The camera has dedicated dials for shutter speed, exposure compensation, ISO, and drive mode. You can also customize the buttons and menus to suit your preferences. The camera is intuitive and responsive, which means you can focus on your subject and not on your camera.

These are some of the reasons why I think the Fuji X Pro2 is a great camera for street photography. It offers a unique and enjoyable shooting experience that lets you capture the beauty and diversity of life on the street. If you are interested in street photography, I highly recommend you to try out the Fuji X Pro2.