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Cartier-Bresson

cambodia, cameras, fujifilm, homelessness, Lenses, opinons, thoughts, photography, pictures, street

Henri Cartier-Bresson: The Decisive Moment of Photography

Henri Cartier-Bresson, born on August 22, 1908, in Chanteloup-en-Brie, France, is a name that resonates with profound respect in the world of photography. His legacy as a master of candid photography and an early adopter of 35mm film has left an indelible mark on the art form. Cartier-Bresson’s philosophy of capturing the “decisive moment” – that split second that reveals the essence of an event – has influenced generations of photographers and artists alike.

Cartier-Bresson’s journey into the arts began with painting, which he studied from a young age, and was deeply influenced by Surrealism. However, it was his discovery of the Leica camera that truly shaped his path. The Leica’s compact size and agility allowed him to move through the streets unnoticed, capturing life as it unfolded before him. This unobtrusive approach to photography enabled him to produce images that were natural, spontaneous, and brimming with life.

His work is not just a collection of images; it is a historical document of the 20th century. From the liberation of Paris to the last days of Gandhi, Cartier-Bresson was there, camera in hand, to capture the moments that defined an era. His ability to anticipate and seize the perfect frame is what made his work stand out. He likened this process to a visual ballet, where the photographer must align their intuition, their eye, and their heart to capture the scene before them.

In 1947, Cartier-Bresson co-founded Magnum Photos, a cooperative agency for worldwide freelance photographers, which became a pivotal platform for photojournalism. Through Magnum, he and his colleagues were able to maintain control over their work and distribute it globally, changing the landscape of photography and media.

Later in life, Cartier-Bresson turned away from photography and returned to his first love, drawing and painting. He believed that each artist should follow their creative impulses, whether they lead to the darkroom or the canvas. His artistic vision and dedication to his craft have left a lasting legacy that continues to inspire and challenge photographers to this day.

Henri Cartier-Bresson passed away on August 3, 2004, but his work lives on, housed in galleries and private collections around the world. His contributions to photography are celebrated in numerous exhibitions, books, and documentaries. For those who wish to delve deeper into his life and work, his photographs and the stories behind them offer a timeless exploration of the human condition and the world we inhabit.

Cartier-Bresson’s influence extends beyond photography. His approach to the decisive moment can be applied to various aspects of life and art, teaching us to be present, observant, and ready to capture the essence of the fleeting moments that surround us. His work reminds us that beauty and significance can be found in the everyday, waiting for those with the patience and insight to see it. Henri Cartier-Bresson’s legacy is a testament to the power of seeing, not just looking, and the profound impact of capturing life as it happens.

Henri Cartier-Bresson and the Timeless Leica

Henri Cartier-Bresson, a name synonymous with the art of street photography, has left an indelible mark on the world with his concept of “the decisive moment.” His weapon of choice? The iconic Leica 35mm camera. This small, unobtrusive piece of technology was not just a tool but an extension of Cartier-Bresson’s vision, allowing him to capture life as it unfolded before him.

The Leica was Cartier-Bresson’s constant companion, its mechanical precision and reliability meshing perfectly with his need for spontaneity and discretion. With a Leica in hand, he traversed the globe, documenting the human condition and etching his view of the world onto film.

Fast forward to today, and one might wonder if Cartier-Bresson would still be loyal to his Leica if he were alive. Given the advancements in camera technology, would he opt for a modern digital Leica, or perhaps something entirely different?

Considering Cartier-Bresson’s philosophy, it’s not the camera but the eye, the mind, and the heart that captures the decisive moment. The Leica, with its simplicity and focus on the essentials, aligns with this philosophy. It’s not about having the latest features but about understanding and connecting with the subject.

So, would Henri Cartier-Bresson still use a Leica today? It’s a question that invites speculation, but one thing is certain: his legacy is not bound by the type of camera but by the timeless moments he captured. Those moments continue to inspire photographers around the world, reminding them that the true essence of photography lies in seeing and feeling, not in the gear they hold.

Restricted again by FB

cambodia, conflict, FB, opinons, thoughts, photography, pictures, Travel

Content moderation on social media platforms like Facebook can sometimes result in unexpected restrictions, especially when it comes to images. Facebook’s Community Standards are designed to create a safe environment for all users, so they say, which includes strict rules against sharing content that could be considered sexually explicit or inappropriate. However, these systems are not definitely not perfect and may flag content that does not actually violate these standards.

If you believe your picture was mistakenly restricted, you can appeal the decision through Facebook’s review process. This process allows for human review of the automated system’s decisions, which can sometimes lead to a reversal of the restriction if the content is deemed appropriate. (waste of time)

For more information on Facebook’s Community Standards and the appeal process, you can visit their official community resources. It’s important to understand these guidelines to ensure that your content aligns with the platform’s policies and to avoid future restrictions. ( a waste of time)

If anyone can explain to me just how the above picture could be considered sexually inappropriate please comment below.

Use the best Cameras & Lenses that you can afford

cameras, Lenses, opinons, thoughts, photography, pictures, street, Travel

Absolutely! The essence of photography lies in the photographer’s vision and creativity, not just in the gear. While high-end cameras and lenses can offer more features and better quality, they are not the only path to capturing stunning images. Many professional photographers have created iconic photos with equipment that was considered average at the time. It’s all about understanding light, composition, and moment. So, whether you’re using a smartphone or a DSLR, remember that your perspective is the most powerful tool you have. Keep experimenting, learning, and enjoying the process of making great images! All the images below were taken with different cameras and lenses, some with top-of-the-range and others with just everyday cameras. Can you tell which ??

The Nikon D3S still a viable option in 2024

cameras, conflict, Lenses, opinons, thoughts, photography, pictures, street, Travel

The Nikon D3S stands as a testament to the enduring quality of Nikon’s craftsmanship. Even after nearly two decades since its release, this camera continues to be celebrated for its robustness and reliability.

With its 12.1-megapixel sensor, the D3S may not boast the highest resolution by today’s standards, but it compensates with exceptional low-light capabilities and a rugged build that can withstand the elements.

It’s a camera that proves the photographer’s skill is paramount, with many professionals still achieving remarkable results with the D3S. Whether it’s for sports, wildlife, or any photography that demands speed and durability, the Nikon D3S remains a solid choice for those who value a tried-and-true performer in the field.

Indeed, the D3S is a classic that refuses to bow out to the latest trends, maintaining its place in the camera bags of dedicated photographers around the world.

Will you be remembered when your gone.

opinons, thoughts, photography, pictures, street

The legacy of a photographer, much like any artist, is often preserved through the enduring impact of their work. Photography, as a form of art and expression, captures moments in time that speak to future generations, conveying emotions, experiences, and perspectives that transcend the temporal boundaries.

The photographs taken, the stories they tell, and the emotions they evoke can become part of the collective human experience.

Through exhibitions, publications, and digital archives, a photographer’s work can continue to be discovered and appreciated long after they have left the proverbial ‘darkroom in the sky.’ Moreover, the influence on students, peers, and the photography community can ripple outward, perpetuating their artistic vision and approach.

In this way, the essence of a photographer’s life and passion can be remembered and celebrated, ensuring that their contributions to the art of photography are not forgotten but continue to inspire and resonate. The true measure of a photographer’s remembrance may not solely rest in the recognition of their name, but rather in the lasting significance of their work and its ability to connect with others across time and space.

Cropping in post-processing acceptable or not?

opinons, thoughts, photography, pictures, processing, public, street

Hi everyone! Welcome to my blog where I share my passion for street photography and tips on how to improve your skills. Today I want to talk about a topic that is often debated among street photographers: is cropping in post-processing acceptable or not?

Some people might argue that cropping in post-processing is cheating, that it alters the original composition and vision of the photographer, and that it shows a lack of skill and planning. They might say that a true street photographer should be able to capture the decisive moment with the right framing and perspective, without relying on editing software to fix their mistakes.

Others might disagree and say that cropping in post-processing is a creative tool, that it allows the photographer to enhance their images and express their artistic vision, and that it shows a willingness to experiment and learn. They might say that a true street photographer should be open to new possibilities and techniques, without being constrained by rigid rules and dogmas.

So, who is right and who is wrong? Well, in my opinion, there is no definitive answer to this question. Street photography is a form of art, and art is subjective. What works for one photographer might not work for another. What appeals to one audience might not appeal to another. What matters is that you are happy with your images and that they reflect your personal style and message.

Personally, I don’t have a problem with cropping in post-processing, as long as it doesn’t change the essence and meaning of the image. Sometimes I crop my images to remove distracting elements, to improve the balance and harmony of the composition, or to emphasize the main subject or emotion. Sometimes I don’t crop my images at all, because I like them as they are. It depends on each image and what I want to achieve with it.

I think that cropping in post-processing is acceptable in street photography, as long as it is done with intention and purpose, not with laziness and carelessness. I think that cropping in post-processing is a skill that can be learned and improved, not a shortcut that can be abused and overused. I think that cropping in post-processing is a matter of personal preference and taste, not a matter of right or wrong.

What do you think? Do you crop your images in post-processing or not? Why or why not? Let me know in the comments below. And don’t forget to subscribe to my blog for more street photography content. Thanks for reading and happy shooting!

Fanboys and Fujifilm

cambodia, cameras, film, Fujichrome, fujifilm, opinons, thoughts, photography, pictures, street, Travel

Hello, fellow photography enthusiasts! Today, I want to talk about a phenomenon that has been sweeping the photography world for the last few years: the Fujifilm craze and fanboys.

You know what I’m talking about. Those people who swear by their Fujifilm cameras and lenses, who rave about the colours, the ergonomics, the film simulations, the retro design, and the overall experience of shooting with Fuji. They are everywhere: on social media, on forums, on YouTube, on blogs, and even in real life. They are passionate, loyal, and sometimes a bit defensive. They are the Fuji FanBoys (and girls).

Now, before you accuse me of being a hater or a troll, let me make one thing clear: I have nothing against Fujifilm or its users. In fact, I own a Fujifilm X-T3 myself and a few other Fuji cameras and lenses, and I love them. It’s a great camera that delivers excellent image quality, performance, and usability. It’s fun to use and it inspires me to be creative. I also appreciate Fujifilm’s dedication to innovation and customer service. They are constantly updating their firmware, adding new features and improving existing ones. They also listen to feedback and suggestions from their users and implement them in their products.

So why am I writing this blog post? Well, because I think there is a difference between being a fan and being a fanboy/girl. A fan is someone who likes something and enjoys it. A fanboy/girl is someone who likes something and thinks it’s the best thing ever. A fan is open-minded and respectful of other opinions. A fanboy/girl is closed-minded and dismissive of other perspectives. A fan is willing to admit flaws and limitations. A fanboy is blind to faults and exaggerations.

Don’t get me wrong: there is nothing wrong with being enthusiastic about something you love. But when that enthusiasm turns into obsession, bias, or arrogance, then it becomes a problem. And that’s what I see happening with some of the Fuji FanBoys out there. They are so obsessed with their Fujifilm gear that they can’t see anything else. They are so biased that they ignore or downplay the advantages of other brands or systems. They are so arrogant that they mock or insult anyone who dares to disagree with them or choose something different.

This kind of behaviour is not only annoying but also harmful. It creates unnecessary division and hostility among photographers who should be united by their passion for the art and craft of photography. It also limits one’s own growth and learning as a photographer by shutting out other possibilities and perspectives. And it ultimately undermines one’s credibility and reputation as a photographer by making one look like a fanatic or a shill.

So what can we do about this? Well, first of all, we can be more aware of our own biases and preferences. We can acknowledge that we like Fujifilm for certain reasons, but that doesn’t mean that Fujifilm is perfect or superior to everything else. We can recognize that other brands and systems have their own strengths and weaknesses and that they may suit different needs and tastes better than Fujifilm. We can respect other people’s choices and opinions, even if they differ from ours.

Secondly, we can be more curious and open-minded about other options and opportunities. We can try out different cameras and lenses from different brands and systems, either by renting them, borrowing them from friends, or visiting a store. We can learn from other photographers who use different gear than us, either by reading their reviews, watching their videos, or following their work. We can experiment with different styles and genres of photography that may challenge us or inspire us.

Thirdly, we can be more humble and honest about our own skills and abilities. We can admit that we are not experts or masters of photography just because we use Fujifilm gear. We can acknowledge that we still have a lot to learn and improve as photographers, regardless of what camera or lens we use. We can focus more on our vision and creativity than on our gear and specs.

In conclusion, I want to say that I’m not trying to bash or offend anyone who loves Fujifilm gear. I’m just trying to share my perspective on how we can be better photographers and better people by being more balanced and reasonable in our fandom. I hope you enjoyed reading this blog post and found it useful or interesting. If you agree or disagree with me, feel free to leave a comment below or send me an email. I’d love to hear your thoughts on this topic.

Until next time.

Back button AF

cambodia, cameras, fujifilm, Lenses, opinons, thoughts, photography, pictures, public, street, Travel

Using the back button AF is a technique that allows you to focus on your subject without having to press the shutter button halfway. It involves assigning a different button on the back of your camera to activate the autofocus system, instead of using the shutter button. Normally, when you press the shutter button halfway, you activate the autofocus system and lock the focus on your subject. When you press it fully, you take the picture. However, if you move your camera after locking the focus, or if your subject moves, you may lose focus and end up with a blurry image. By using a separate button for focusing, you can avoid this problem and have more control over when and where to focus. This way, you can lock the focus on your subject and recompose the frame without losing focus. Using back button AF can be useful for situations where you want to have more control over the focus point, or when you are shooting moving subjects and want to track them continuously. Some of the benefits of using back button AF are:

  • You can avoid accidental refocusing when you press the shutter button fully.
  • You can switch between single and continuous autofocus modes without changing the settings on your camera.
  • You can prevent focus hunting when shooting in low light or low contrast scenes.
  • You can use manual focus and autofocus interchangeably without switching modes.

To use the back button AF, you need to assign a button on the back of your camera to activate the autofocus system. The exact procedure may vary depending on your camera model, but generally, you can find it in the custom functions menu. Once you have assigned the button, you need to disable the autofocus function from the shutter button. This way, the shutter button will only be used to take the picture, and the back button will be used to focus. To use the back button AF, you simply press and hold the back button to focus on your subject, and then release it when you have achieved focus. You can then recompose the frame and press the shutter button to take the picture.

Is being able to shoot manually a real requirement

cambodia, cameras, Lenses, opinons, thoughts, photography, pictures, street, Travel

Do I have to learn to shoot manually before I can consider myself a photographer? That’s like asking if I have to learn how to drive a stick before I can consider myself a driver. Sure, it might make you feel more in control and impress some people, but it’s not a requirement. There are plenty of amazing photographers who use auto mode and still capture stunning images. Manual mode is just a tool, not a badge of honour. It can help you in some situations, but it can also hinder you in others. The most important thing is to know your camera, your subject, and your vision. And to have fun, of course. Photography is supposed to be fun, not stressful. So don’t worry about what other people think or what mode you use. Just go out there and shoot!

One of the best ways to capture stunning portraits is to use the aperture priority mode on your camera. This mode allows you to adjust the depth of field, which is how much of the scene is in focus. By using a large aperture (a small f-number), you can create a shallow depth of field that blurs the background and makes the person stand out. This way, you can emphasize their facial features, expressions, and emotions. Aperture priority mode is great for people’s pictures because it lets you focus on the person without worrying about other settings. You can simply point and shoot, and let the camera do the rest. Aperture priority mode gives you more creative control and flexibility than auto mode and helps you achieve professional-looking results with ease. Whatever mode you use its is just a tool to help you get the picture you see.